The Letters of the Younger Pliny, First Series – Volume 1. Pliny the Younger

the reader is that Pliny did not write for his friends alone. Whatever the subject of the epistle, whether it was an invitation to dinner, a description of the charms of the country, an account of a visit to a friend, or an expression of condolence with some one in his or her bereavement, he never allowed his pen to run on carelessly. He scarcely ever prattles in his letters or lets himself go. One always sees in the writer the literary man, who knows that his correspondence is being passed round from hand to hand, and who hopes that it will find readers among posterity. Consequently there is an air of studied artificiality about many of the letters, which was more to the taste of the eighteenth than the nineteenth century. They remind one in many ways of Richardson and Mackenzie, and Pliny would have been recognised by those two writers, and by the latter in particular, as a thorough "man of sentiment." Herein they differ greatly from the other important collection which has come down to us from classical times, the Letters of Cicero. Pliny, indeed,—and in this he was a true disciple of his old teacher Quintilian,—took the great Roman orator as his model. Nothing pleased him more than for his friends to tell him that he was the Cicero of his time. Like Marcus Tullius, he was the foremost pleader of his day; like him again he dabbled in poetry, and his verses, so far as we know them, were sorry stuff. Yet again like his master, he fondly believed that he enjoyed the special inspiration of the Muses. Pliny, unfortunately for his reputation, gives us a few samples, which are quite as lame and jingling as the famous "O fortunatam natam, me Consule, Romam!" which had made generations of Romans smile. And so, as Cicero was in all things his master, Pliny too wrote letters, excellent in their way, but lacking the vivacity and directness of his model, and, of course, wholly deficient in the political interest which makes Cicero's correspondence one of the most important authorities for the history of his troublous time. Pliny's Letters cover the period from the accession of Nerva down to 113 A.D. None precede the death of Domitian in September 96. That is to say, they were written in an era of profound political peace, and most of them in the reign of Trajan, whose rule Pliny accepted with enthusiastic admiration. One certainly could have wished that he had written freely to his friends during the last years of Domitian's tyranny, for the value of such contemporary documents would have been enormous. But he would only have risked his life by so doing, and that he had no desire to do. It was not until the tyrant had fallen under the sword of Stephanus that he felt it safe to trust his thoughts to paper. The new era which was inaugurated loosened his tongue and made him breathe more freely. He exulted that at last an honest man could venture to hold his head high without drawing down upon himself the vengeance of the vile informers who throve upon the misfortunes of the State.

      Two of Pliny's correspondents and friends were Cornelius Tacitus and Suetonius Tranquillus. Yet no one can read either the Histories and Annals of Tacitus or the Lives of the Caesars and then pass to a reading of Pliny's Letters without being struck by the enormous difference in their tone and spirit. It is almost impossible to believe that their respective authors were contemporaries. When turning over the pages of Tacitus one feels that the vices and despotism of the Emperors and the Empire had crushed all spirit out of the world, had made quiet family life impossible, and had stamped out every trace of justice and clean living. It is a remarkable fact that the great writers of the first century, as soon as the Augustan era had closed, should have been masters of a merciless satire, which has rarely been equaled in the history of the world, and never excelled. When we think of Roman society, as it was in the early Empire, our thoughts recur to the lurid canvases which have been painted for us by Juvenal, by Tacitus, by Lucan, by Seneca, and by Petronius—pictures which have made the world shudder, and have led even careful historians astray. Pliny supplies the needful corrective and gives us the reverse side of the medal. Like the authors we have mentioned, he too writes of the evil days which he himself has passed through, as of a horrid nightmare from which he has just awakened; but from his letters, artificial and stilted as they are in some respects, we learn that there were still to be found those who had not bowed the knee to Baal.

      And so, with this volume in our hands, we obtain a personal introduction to a number of distinguished Romans and Roman matrons, whose names have been preserved for all time by the Younger Pliny. His circle of friends was a large one. Let us mention a few of them. We have already spoken of Virginius Rufus, the grand old soldier and patriot, who, dying at the age of eighty-four, was awarded a public funeral, while Cornelius Tacitus, then Consul, delivered the panegyric in his honour. Vestricius Spurinna was another distinguished general of the old school, and Pliny relates with enthusiasm how he paid a visit to him in his country-house when Spurinna was seventy-seven years of age and had retired from public office. He tells us how his friend spent his day, how he drove and walked and played tennis to keep himself in health, wrote Greek and Latin lyrics, and maintained a keen interest in all that went on in the capital. Corellius Rufus is another of the older men of whom Pliny writes with sincere affection, and he helped to pay the debt of gratitude he owed him by numerous acts of kindness to his daughter Crellia. Voconius Romanus is another of his closest friends, and Pliny tells us that he wrote such admirable letters that you would think the Muses themselves must speak in Latin. His literary associates numbered among them Caius Cornelius Tacitus, Silius Italicus the poet—whose veneration for Virgil was so great that he kept his master's birthday with more solemnity than his own, and visited his tomb on the Bay of Naples with as much respect as worshippers pay to a temple,—Martial the epigrammatist, Suetonius Tranquillus the historian, and others such as Passennus Paullus, Caninius Rufus, Virgilius Romanus, and Caius Fannius, whose works have not survived the wreck of time, though Pliny showers upon all of them enthusiastic and indiscriminate praise. Again, he enjoyed the friendship of a number of distinguished foreigners, professional rhetoricians and philosophers, who came back to Rome after their sentence of banishment, passed by Domitian, had been revoked by Nerva and Trajan. Euphrates, Artemidorus, and Isaeus were the three most famous, and their respective styles are carefully described by Pliny. Even more interesting perhaps is the gallery of Roman ladies, whose portraits are limned with so fine and discriminating a touch. Juvenal again is responsible for much misconception as to the part the women of Rome played in Roman society. The appalling Sixth Satire, in which he unhesitatingly declares that most women—if not all—are bad, and that virtue and chastity are so rare as to be almost unknown, in which he roundly accuses them of all the vices known to human depravity, reads like a monstrous and disgraceful libel on the sex when one turns to Pliny and makes the acquaintance of Arria, Fannia, Corellia, and Calpurnia. The characters of Arria and Fannia are well known; they are among the heroines of history. But in Pliny there are numerous references to women whose names are not even known to us, but the terms in which they are referred to prove what sweet, womanly lives they led. For example, he writes to Geminus: "Our friend Macrinus has suffered a grievous wound. He has lost his wife, who would have been regarded as a model of all the virtues even if she had lived in the good old days. He lived with her for thirty-nine years, without so much as a single quarrel or disagreement." "Vixit cum hac triginta novem annis sine jurgio, sine offensa. One is reminded of the fine line of Propertius, in which Cornelia boasts of the blameless union of herself and her husband, Paullus—

      "Viximus insignes inter utramque facem."

      This is no isolated example. One of the most pathetic letters is that in which Pliny writes of the death of the younger daughter of his friend Fundanus, a girl in her fifteenth year, who had already "the prudence of age, the gravity of a matron, and all the maidenly modesty and sweetness of a girl." Pliny tells us how it cut him to the quick to hear her father give directions that the money he had meant to lay out on dresses and pearls and jewels for her betrothal should be spent on incense, unguents, and spices for her bier. What a different picture from anything we find in Juvenal, who would fain have us believe that Messalina was the type of the average Roman matron of his day!

      Such were some of Pliny's friends. His distinguished position at the Bar drew him a host of clients; his official status and his friendship with Trajan gave him the entree into any society he liked. He was, moreover, a man of considerable wealth, generous, even lavish, with his money, and his disposition was one of the kindest. He was always ready to believe the best of any one, always prepared to do a friend a service, devoted to his wife and her relations, and anxious to deal justly and honourably with all men. We have called him vain, and vain he undoubtedly was to an extraordinary degree. But Pliny's vanity is never offensive. The very naivete with which he acknowledges his failing disarms all criticism and merely renders it amusing. Indeed, it is doubtful whether he would