He began to build.
A bronze Egyptian god on a black and gold cabinet seemed to be looking at him from across the room.
'All right,' said Philip. 'I'll build you a temple. You wait a bit.'
The bronze god waited and the temple grew, and two silver candlesticks, topped by chessmen, served admirably as pillars for the portico. He made a journey to the nursery to fetch the Noah's Ark animals—the pair of elephants, each standing on a brick, flanked the entrance. It looked splendid, like an Assyrian temple in the pictures Helen had shown him. But the bricks, wherever he built with them alone, looked mean, and like factories or workhouses. Bricks alone always do.
Philip explored again. He found the library. He made several journeys. He brought up twenty-seven volumes bound in white vellum with marbled boards, a set of Shakespeare, ten volumes in green morocco. These made pillars and cloisters, dark, mysterious, and attractive. More Noah's Ark animals added an Egyptian-looking finish to the building.
'Lor', ain't it pretty!' said the parlour-maid, who came to call him to tea. 'You are clever with your fingers, Master Philip, I will say that for you. But you'll catch it, taking all them things.'
'That grey nurse said I might,' said Philip, 'and it doesn't hurt things building with them. My sister and I always did it at home,' he added, looking confidingly at the parlour-maid. She had praised his building. And it was the first time he had mentioned his sister to any one in that house.
'Well, it's as good as a peep-show,' said the parlour-maid; 'it's just like them picture post-cards my brother in India sends me. All them pillars and domes and things—and the animals too. I don't know how you fare to think of such things, that I don't.'
Praise is sweet. He slipped his hand into that of the parlour-maid as they went down the wide stairs to the hall, where tea awaited him—a very little tray on a very big, dark table.
'He's not half a bad child,' said Susan at her tea in the servants' quarters. 'That nurse frightened him out of his little wits with her prim ways, you may depend. He's civil enough if you speak him civil.'
'But Miss Lucy didn't frighten him, I suppose,' said the cook; 'and look how he behaved to her.'
'Well, he's quiet enough, anyhow. You don't hear a breath of him from morning till night,' said the upper housemaid; 'seems silly-like to me.'
'You slip in and look what he's been building, that's all,' Susan told them. 'You won't call him silly then. India an' pagodas ain't in it.'
They did slip in, all of them, when Philip had gone to bed. The building had progressed, though it was not finished.
'I shan't touch a thing,' said Susan. 'Let him have it to play with to-morrow. We'll clear it all away before that nurse comes back with her caps and her collars and her stuck-up cheek.'
So next day Philip went on with his building. He put everything you can think of into it: the dominoes, and the domino-box; bricks and books; cotton-reels that he begged from Susan, and a collar-box and some cake-tins contributed by the cook. He made steps of the dominoes and a terrace of the domino-box. He got bits of southernwood out of the garden and stuck them in cotton-reels, which made beautiful pots, and they looked like bay trees in tubs. Brass finger-bowls served for domes, and the lids of brass kettles and coffee-pots from the oak dresser in the hall made minarets of dazzling splendour. Chessmen were useful for minarets, too.
'I must have paved paths and a fountain,' said Philip thoughtfully. The paths were paved with mother-of-pearl card counters, and the fountain was a silver and glass ash-tray, with a needlecase of filigree silver rising up from the middle of it; and the falling water was made quite nicely out of narrow bits of the silver paper off the chocolate Helen had given him at parting. Palm trees were easily made—Helen had shown him how to do that—with bits of larch fastened to elder stems with plasticine. There was plenty of plasticine among Lucy's toys; there was plenty of everything.
And the city grew, till it covered the table. Philip, unwearied, set about to make another city on another table. This had for chief feature a great water-tower, with a fountain round its base; and now he stopped at nothing. He unhooked the crystal drops from the great chandeliers to make his fountains. This city was grander than the first. It had a grand tower made of a waste-paper basket and an astrologer's tower that was a photograph-enlarging machine.
The cities were really very beautiful. I wish I could describe them thoroughly to you. But it would take pages and pages. Besides all the things I have told of alone there were towers and turrets and grand staircases, pagodas and pavilions, canals made bright and water-like by strips of silver paper, and a lake with a boat on it. Philip put into his buildings all the things out of the doll's house that seemed suitable. The wooden things-to-eat and dishes. The leaden tea-cups and goblets. He peopled the place with dominoes and pawns. The handsome chessmen were used for minarets. He made forts and garrisoned them with lead soldiers.
He worked hard and he worked cleverly, and as the cities grew in beauty and interestingness he loved them more and more. He was happy now. There was no time to be unhappy in.
'I will keep it as it is till Helen comes. How she will love it!' he said.
The two cities were connected by a bridge which was a yard-stick he had found in the servants' sewing-room and taken without hindrance, for by this time all the servants were his friends. Susan had been the first—that was all.
He had just laid his bridge in place, and put Mr. and Mrs. Noah in the chief square to represent the inhabitants, and was standing rapt in admiration of his work, when a hard hand on each of his shoulders made him start and scream.
It was the nurse. She had come back a day sooner than any one expected her. The brother had brought home a wife, and she and the nurse had not liked each other; so she was very cross, and she took Philip by the shoulders and shook him, a thing which had never happened to him before.
'You naughty, wicked boy!' she said, still shaking.
'But I haven't hurt anything—I'll put everything back,' he said, trembling and very pale.
'You'll not touch any of it again,' said the nurse. 'I'll see to that. I shall put everything away myself in the morning. Taking what doesn't belong to you!'
'But you said I might take anything I liked,' said Philip, 'so if it's wrong it's your fault.'
'You untruthful child!' cried the nurse, and hit him over the knuckles. Now, no one had ever hit Philip before. He grew paler than ever, but he did not cry, though his hands hurt rather badly. For she had snatched up the yard-stick to hit him with, and it was hard and cornery.
'You are a coward,' said Philip, 'and it is you who are untruthful and not me.'
'Hold your tongue,' said the nurse, and whirled him off to bed.
'You'll get no supper, so there!' she said, angrily tucking him up.
'I don't want any,' said Philip, 'and I have to forgive you before the sun goes down.'
'Forgive, indeed!' said she, flouncing out.
'When you get sorry you'll know I've forgiven you,' Philip called after her, which, of course, made her angrier than ever.
Whether Philip cried when he was alone is not our business. Susan, who had watched the shaking and the hitting without daring to interfere, crept up later with milk and sponge-cakes. She found him asleep, and she says his eyelashes were wet.
When he awoke he thought at first that it was morning, the room was so light. But presently he saw that it was not yellow sunlight but white moonshine which made the beautiful brightness.
He wondered at first why he felt so unhappy, then he remembered how Helen had gone away and how hateful the nurse had been. And now she would pull down the city and Helen would never see it. And he would never be able to build such a beautiful one again. In the morning it would be gone, and he would not be able even to remember how it was built.
The moonlight was very