The Letters of Henry James. Vol. I. Генри Джеймс

to her brother. She was a woman of rare talent and of strongly marked character; but the life of an invalid, which proved to be all she was capable of, prevented her from using her opportunities and from taking the place that would have been open to her. She lived in great retirement, at first in London, afterwards chiefly at Bournemouth and Leamington. Henry James was unwearied in his care for her; he visited her constantly, and never without keen delight in her company and her vigorous talk. His brotherly attention had yet a further reward in the summer of 1885, when she was at Bournemouth. To be near her he spent several weeks there, and was able at the same time to cultivate the society of another imprisoned invalid, close by, with whom he had already had some acquaintance. This was Robert Louis Stevenson, and the intimacy that thus arose very fortunately still survives in many admirable letters of each to the other. Stevenson's side of the correspondence, edited by Sir Sidney Colvin, is well known, and Henry James's can now be added to it; there could be no more illuminating interchange between two fine artists, so unlike in everything but their common passion.

      By this time The Bostonians was beginning to appear in an American magazine, and a little later, again at Dover, The Princess Casamassima was finished. For two years Henry James now wrote nothing but shorter pieces (among them The Aspern Papers, The Lesson of the Master, The Reverberator,) with growing disconcertment as he found how tardily they seemed to appeal to editors, American or English. In the autumn of 1885 he spent his accustomed month in Paris, after which he scarcely stirred from London for another year. Early in 1886 he at last accomplished a move from his Bolton Street lodging, never a very cheerful or convenient abode, to a flat in Kensington (13 De Vere Mansions, presently known as 34 De Vere Gardens), close to the palace and the park, where he had much more agreeable conditions of light and air and quiet. He was planning, however, for another long absence in Italy, away from the interruptions of London, and this he secured during the first seven months of 1887. For most of the time he was at Florence, where he took rooms in a villa overhanging the view from Bellosguardo; and he paid two lengthy visits to Venice, staying first with Mrs. Bronson, in the apartment so often occupied by Browning, and later with Mr. and Mrs. Daniel Curtis in the splendid old Palazzo Barbaro, where years afterwards he placed the exquisite and stricken heroine of The Wings of the Dove, for the climax of her story. He returned to England, late in the summer, to settle down to the writing of The Tragic Muse—the first time, as he mentions, that he had attacked a purely English subject on a large scale. "I am getting to know English life better than American," he writes in September 1888, when he was still working upon the book, " …and to understand the English character, or at least the mind, as well as if I had invented it—which indeed," he adds lightly, "I think I could have done without any very extraordinary expenditure of ingenuity." The end of the summer of 1888 was spent in an hotel at Torquay, which became one of his favourite retreats; and later in the autumn he was for a short while abroad, at Geneva and Paris, with a flying dip into Northern Italy. The letter to his brother, written from Geneva, with which this section closes, lucidly sums up the conclusions he had by now drawn from the experience of a dozen years of England. At the age of forty-five he could feel that he had exhausted the study of the old international distinctions, English and American, that had engaged him for so long. He was indeed to return to them again, later on, and to devote to them the final elaboration of his art; but that lay far ahead, and now for many years he faced in other directions.

      A vivid glimpse of Henry James at this time is given in the following note of reminiscence, kindly written for this page by Mr. Edmund Gosse:

      In the late summer of 1886 an experience, more often imagined than enjoyed, actually took place in the shape of a party of friends independently dispersed in the hotel or in lodgings through the Worcestershire village of Broadway, but with the home of Frank Millet, the American painter, as their centre. Edwin Abbey, John S. Sargent, Alfred Parsons, Fred Barnard and I, and others, lived through five bright weeks of perfect weather, in boisterous intimacy. Early in September Henry James joined us for a short visit. The Millets possessed, on their domain, a medieval ruin, a small ecclesiastical edifice, which was very roughly repaired so as to make a kind of refuge for us, and there, in the mornings, Henry James and I would write, while Abbey and Millet painted on the floor below, and Sargent and Parsons tilted their easels just outside. We were all within shouting distance, and not much serious work was done, for we were in towering spirits and everything was food for laughter. Henry James was the only sedate one of us all—benign, indulgent, but grave, and not often unbending beyond a genial chuckle. We all treated him with some involuntary respect, though he asked for none. It is remembered with what affability he wore a garland of flowers at a birthday feast, and even, nobly descending, took part one night in a cake-walk. But mostly, though not much our senior, he was serious, mildly avuncular, but very happy and un-upbraiding.

      In those days Henry James wore a beard of vague darkish brown, matching his hair, which had not yet withdrawn from his temples, and these bushy ornaments had the effect of making him in a sense shadowy. Almost every afternoon he took a walk with me, rarely with Sargent, never with the sedentary rest; these walks were long in time but not in distance, for Henry was inclined to saunter. He had not wholly recovered from that weakness of the muscles of his back which had so long troubled him, and I suppose that this was the cause of a curious stiffness in his progress, which proceeded rather slowly. He had certain preferences, in particular for the level road through the green landscape to the ancient grey village of Aston Somerville. He always made the same remark, as if he had never noticed it before, that Aston was "so Italian, so Tuscan."

      His talk, which flowed best with one of us alone, was enchanting; with me largely it concerned the craft of letters. I remember little definitely, but recall how most of us, with the ladies, spent one long rollicking day in rowing down the winding Avon from Evesham to Pershore. There was much "singing in the English boat," as Marvell says, and Edwin Abbey "obliged" profusely on the banjo. Henry James I can still see sitting like a beneficent deity, a sort of bearded Buddha, at the prow, manifestly a little afraid that some of us would tumble into the river.