So much of truth, only under an ancient obsolete vesture, but the spirit of it still true, do I find in the Paganism of old nations. Nature is still divine, the revelation of the workings of God; the Hero is still worshipable: this, under poor cramped incipient forms, is what all Pagan religions have struggled, as they could, to set forth. I think Scandinavian Paganism, to us here, is more interesting than any other. It is, for one thing, the latest; it continued in these regions of Europe till the eleventh century: eight hundred years ago the Norwegians were still worshippers of Odin. It is interesting also as the creed of our fathers; the men whose blood still runs in our veins, whom doubtless we still resemble in so many ways. Strange: they did believe that, while we believe so differently. Let us look a little at this poor Norse creed, for many reasons. We have tolerable means to do it; for there is another point of interest in these Scandinavian mythologies: that they have been preserved so well.
In that strange island Iceland,—burst up, the geologists say, by fire from the bottom of the sea; a wild land of barrenness and lava; swallowed many months of every year in black tempests, yet with a wild gleaming beauty in summertime; towering up there, stern and grim, in the North Ocean with its snow jokuls, roaring geysers, sulphur-pools and horrid volcanic chasms, like the waste chaotic battle-field of Frost and Fire;—where of all places we least looked for Literature or written memorials, the record of these things was written down. On the seabord of this wild land is a rim of grassy country, where cattle can subsist, and men by means of them and of what the sea yields; and it seems they were poetic men these, men who had deep thoughts in them, and uttered musically their thoughts. Much would be lost, had Iceland not been burst up from the sea, not been discovered by the Northmen! The old Norse Poets were many of them natives of Iceland.
Saemund, one of the early Christian Priests there, who perhaps had a lingering fondness for Paganism, collected certain of their old Pagan songs, just about becoming obsolete then,—Poems or Chants of a mythic, prophetic, mostly all of a religious character: that is what Norse critics call the Elder or Poetic Edda. Edda, a word of uncertain etymology, is thought to signify Ancestress. Snorro Sturleson, an Iceland gentleman, an extremely notable personage, educated by this Saemund's grandson, took in hand next, near a century afterwards, to put together, among several other books he wrote, a kind of Prose Synopsis of the whole Mythology; elucidated by new fragments of traditionary verse. A work constructed really with great ingenuity, native talent, what one might call unconscious art; altogether a perspicuous clear work, pleasant reading still: this is the Younger or Prose Edda. By these and the numerous other Sagas, mostly Icelandic, with the commentaries, Icelandic or not, which go on zealously in the North to this day, it is possible to gain some direct insight even yet; and see that old Norse system of Belief, as it were, face to face. Let us forget that it is erroneous Religion; let us look at it as old Thought, and try if we cannot sympathize with it somewhat.
The primary characteristic of this old Northland Mythology I find to be Impersonation of the visible workings of Nature. Earnest simple recognition of the workings of Physical Nature, as a thing wholly miraculous, stupendous and divine. What we now lecture of as Science, they wondered at, and fell down in awe before, as Religion The dark hostile Powers of Nature they figure to themselves as "Jotuns," Giants, huge shaggy beings of a demonic character. Frost, Fire, Sea-tempest; these are Jotuns. The friendly Powers again, as Summer-heat, the Sun, are Gods. The empire of this Universe is divided between these two; they dwell apart, in perennial internecine feud. The Gods dwell above in Asgard, the Garden of the Asen, or Divinities; Jotunheim, a distant dark chaotic land, is the home of the Jotuns.
Curious all this; and not idle or inane, if we will look at the foundation of it! The power of Fire, or Flame, for instance, which we designate by some trivial chemical name, thereby hiding from ourselves the essential character of wonder that dwells in it as in all things, is with these old Northmen, Loke, a most swift subtle Demon, of the brood of the Jotuns. The savages of the Ladrones Islands too (say some Spanish voyagers) thought Fire, which they never had seen before, was a devil or god, that bit you sharply when you touched it, and that lived upon dry wood. From us too no Chemistry, if it had not Stupidity to help it, would hide that Flame is a wonder. What is Flame?—Frost the old Norse Seer discerns to be a monstrous hoary Jotun, the Giant Thrym, Hrym; or Rime, the old word now nearly obsolete here, but still used in Scotland to signify hoar-frost. Rime was not then as now a dead chemical thing, but a living Jotun or Devil; the monstrous Jotun Rime drove home his Horses at night, sat "combing their manes,"—which Horses were Hail-Clouds, or fleet Frost-Winds. His Cows—No, not his, but a kinsman's, the Giant Hymir's Cows are Icebergs: this Hymir "looks at the rocks" with his devil-eye, and they split in the glance of it.
Thunder was not then mere Electricity, vitreous or resinous; it was the God Donner (Thunder) or Thor,—God also of beneficent Summer-heat. The thunder was his wrath: the gathering of the black clouds is the drawing down of Thor's angry brows; the fire-bolt bursting out of Heaven is the all-rending Hammer flung from the hand of Thor: he urges his loud chariot over the mountain-tops,—that is the peal; wrathful he "blows in his red beard,"—that is the rustling storm-blast before the thunder begins. Balder again, the White God, the beautiful, the just and benignant (whom the early Christian Missionaries found to resemble Christ), is the Sun, beautifullest of visible things; wondrous too, and divine still, after all our Astronomies and Almanacs! But perhaps the notablest god we hear tell of is one of whom Grimm the German Etymologist finds trace: the God Wunsch, or Wish. The God Wish; who could give us all that we wished! Is not this the sincerest and yet rudest voice of the spirit of man? The rudest ideal that man ever formed; which still shows itself in the latest forms of our spiritual culture. Higher considerations have to teach us that the God Wish is not the true God.
Of the other Gods or Jotuns I will mention only for etymology's sake, that Sea-tempest is the Jotun Aegir, a very dangerous Jotun;—and now to this day, on our river Trent, as I learn, the Nottingham bargemen, when the River is in a certain flooded state (a kind of backwater, or eddying swirl it has, very dangerous to them), call it Eager; they cry out, "Have a care, there is the Eager coming!" Curious; that word surviving, like the peak of a submerged world! The oldest Nottingham bargemen had believed in the God Aegir. Indeed our English blood too in good part is Danish, Norse; or rather, at bottom, Danish and Norse and Saxon have no distinction, except a superficial one,—as of Heathen and Christian, or the like. But all over our Island we are mingled largely with Danes proper,—from the incessant invasions there were: and this, of course, in a greater proportion along the east coast; and greatest of all, as I find, in the North Country. From the Humber upwards, all over Scotland, the Speech of the common people is still in a singular degree Icelandic; its Germanism has still a peculiar Norse tinge. They too are "Normans," Northmen,—if that be any great beauty—!
Of the chief god, Odin, we shall speak by and by. Mark at present so much; what the essence of Scandinavian and indeed of all Paganism is: a recognition of the forces of Nature as godlike, stupendous,