Notes of a Son and Brother. Генри Джеймс

or the right thing of any kind, that he took up or looked at or played with?—failing, as I did more than ever at the time I speak of, of the least glimpse of his being below an occasion. Whatever he played with or worked at entered at once into his intelligence, his talk, his humour, as with the action of colouring-matter dropped into water or that of the turning-on of a light within a window. Occasions waited on him, had always done so, to my view; and there he was, that springtime, on a level with them all: the effect of which recognition had much, had more than aught else, to say to the charming silver haze just then wrapped about everything of which I was conscious. He had formed two or three young friendships that were to continue and to which even the correspondence of his later years testifies; with which it may have had something to do that the Swiss jeunesse of the day was, thanks to the political temperature then prevailing, in a highly inflamed and exalted state, and particularly sensitive to foreign sympathy, however platonic, with the national fever. It was the hour at which the French Emperor was to be paid by Victor Emmanuel the price of the liberation of Lombardy; the cession of Nice and Savoie were in the air—with the consequence, in the Genevese breast, of the new immediate neighbourhood thus constituted for its territory. Small Savoie was to be replaced, close against it, by enormous and triumphant France, whose power to absorb great mouthfuls was being so strikingly exhibited. Hence came much hurrying to and fro, much springing to arms, in the way of exercise, and much flocking to the standard—"demonstrations," in other words, of the liveliest; one of which I recall as a huge tented banquet, largely of the white caps, where I was present under my brother's wing, and, out of a sea of agitated and vociferous young heads, sprang passionate protests and toasts and vows and declaimed verses, a storm of local patriotism, though a flurry happily short-lived.

      All this was thrilling, but the term of it, by our consecrated custom, already in view; we were transferred at a bound, for the rest of that summer of 1860, to the care, respectively, of a pair of kindly pedagogues at Bonn-am-Rhein; as to which rapid phase I find remembrance again lively, with a letter or two of William's to reinforce it. Yet I first pick up as I pass several young lines from Geneva, and would fain pick up too the drawing that accompanied them—this by reason of the interest of everything of the sort, without exception, that remains to us from his hand. He at a given moment, which came quite early, as completely ceased to ply his pencil as he had in his younger time earnestly and curiously exercised it; and this constitutes exactly the interest of his case. No stroke of it that I have recovered but illustrates his aptitude for drawing, his possible real mastery of the art that was yet, in the light of other interests, so utterly to drop from him; and the example is rare of being so finely capable only to become so indifferent. It was thanks to his later indifference that he made no point of preserving what he had done—a neglect that, still more lucklessly, communicated itself to his circle; so that we also let things go, let them again and again stray into the desert, and that what might be reproducible is but the handful of scraps that have happened not to perish. "Mother," he writes to his father in absence, "does nothing but sit and cry for you. She refuses to associate with us and has one side of the room to herself. She and the Aunt are now in the Aunt's room. Wilky and Bobby, at home for the day, are at church. It is a hard grey day. H. is telling a story to Louis Osborne, and I will try to make a sketch of them. There has been a terrible bise; the two Cornhill Magazines have come; Mrs. Thomas has been too sick to be at dinner, and we have seen something of some most extraordinary English people." Mrs. Thomas, of New York, was a handsome American widow with handsome children, all from the Avenue Gabriel in Paris, and with the boys enjoying life, among many little compatriots, at the admired establishment of M. Haccius, even as our small brothers were doing at that of M. Maquelin; yet with their destiny of ultimate Europeanisation, of finally complete absorption into the French system, already rather written for them—as a like history, for like foredoomed young subjects, was in those years beginning to be prefigured, through marriages of daughters and other such beguilements, almost wherever one looked. The extraordinary English people were perhaps an amiable family of whom I retain an image as conversing with our parents at the season when the latter were in their prompt flush of admiration for George Eliot's first novel, Adam Bede, then just given to the world and their copy of which they had rejoicingly lent to their fellow Anglo-Saxons. I catch again the echo of their consternation on receiving it back with the remark that all attempt at an interest in such people, village carpenters and Methodists, had proved vain—for that style of Anglo-Saxon; together with that of my own excited wonder about such other people, those of the style in question, those somehow prodigiously presented by so rare a delicacy, so proud a taste, and made thus to irradiate a strange historic light. It referred them, and to a social order, making life more interesting and more various; even while our clear democratic air, that of our little family circle, quivered as with the monstrosity. It might, this note that made us, in the parlance of to-day, sit up, fairly have opened to me that great and up to then unsuspected door of the world from which the general collection of monstrosities, its existence suddenly brought home to us, would doubtless stretch grandly away. The story I told Louis Osborne has quite passed from me, but not little Louis himself, an American child of the most charming and appealing intelligence, marked by some malady that was more or less permanently to cripple, or was even cruelly to destroy him, and whom it was a constant joy to aspire to amuse. His mother was schooling her elder son in the company of our own brothers, his father having established them all at Geneva that he might go for a tour in the East. Vivid to me still is the glimpse I happened to get one Sunday betimes of the good Maquelin couple, husband and wife, in deep mourning—a touch of the highest decency—who had come, with faces a yard long, to announce to Mrs. Osborne the death of her husband in the Holy Land, communicated to them, by slow letter, in the first instance. With little Louis on one's knee one didn't at all envy M. and Madame Maquelin; and than this small faint phantom of sociable helpless little listening Louis none more exquisite hovers before me.

      With which mild memories thus stands out for me too the lively importance, that winter, of the arrival, from the first number, of the orange-covered earlier Cornhill—the thrill of each composing item of that first number especially recoverable in its intensity. Is anything like that thrill possible to-day—for a submerged and blinded and deafened generation, a generation so smothered in quantity and number that discrimination, under the gasp, has neither air to breathe nor room to turn round? Has any like circumstance now conceivably the value, to the charmed attention, so far as anything worth naming attention, or any charm for it, is anywhere left, of the fact that Trollope's Framley Parsonage there began?—let alone the still other fact that the Roundabout Papers did and that Thackeray thus appeared to us to guarantee personally, intimately, with a present audibility that was as the accent of good company, the new relation with him and with others of company not much worse, as they then seemed, that such a medium could establish. To speak of these things, in truth, however, is to feel the advantage of being able to live back into the time of the more sovereign periodical appearances much of a compensation for any reduced prospect of living forward. For these appearances, these strong time-marks in such stretches of production as that of Dickens, that of Thackeray, that of George Eliot, had in the first place simply a genial weight and force, a direct importance, and in the second a command of the permeable air and the collective sensibility, with which nothing since has begun to deserve comparison. They were enrichments of life, they were large arrivals, these particular renewals of supply—to which, frankly, I am moved to add, the early Cornhill giving me a pretext, even the frequent examples of Anthony Trollope's fine middle period, looked at in the light of old affection and that of his great heavy shovelfuls of testimony to constituted English matters; a testimony of course looser and thinner than Balzac's to his range of facts, but charged with something of the big Balzac authority. These various, let alone numerous, deeper-toned strokes of the great Victorian clock were so many steps in the march of our age, besides being so many notes, full and far-reverberating, of our having high company to keep—high, I mean, to cover all the ground, in the sense of the genial pitch of it. So it was, I remember too, that our parents spoke of their memory of the successive surpassing attestations of the contemporary presence of Scott; to which we might have replied, and doubtless after no great space began to reply, that our state, and even their later one, allowing for a certain gap, had nothing to envy any other. I witnessed, for that matter, with all my senses, young as I was, the never-to-be-equalled degree of difference made, for what may really be called the world-consciousness happily exposed to it, by the prolonged "coming-out" of