We saw the ruins of Pæstum under a cold grey sky, which harmonized with their isolation. We saw them best from the side of the sea, with the snow-sprinkled mountains rising behind for a background. Then they stood out, impressive, majestic, time-defying. In all Europe there are no ruins better worthy the study of the admirer of noble architecture than these.
The Temple of Neptune is older than the Parthenon, its Doric sister, at Athens. It was probably built before the Persians of Xerxes occupied the Acropolis and saw from there the flight of their ruined fleet out of the Strait of Salamis. It was built when the Doric had attained the acme of its severe majesty, and it is to-day almost perfect on the exterior. Its material is a coarse travertine which time and the weather have honeycombed, showing the petrifications of plants and shells; but of its thirty-six massive exterior columns not one has fallen, though those on the north side are so worn by age that the once deep fluting is nearly obliterated. You may care to know that these columns which are thirty feet high and seven and a half feet in diameter at the base, taper symmetrically to the capitals, which are the severest Doric.
At first we thought the temple small, and did not even realize its two hundred feet of length, but the longer we looked at it the larger it grew to the eye, until it seemed to expand into gigantic size; and from whatever point it was viewed its harmonious proportions were an increasing delight. The beauty is not in any ornament, for even the pediment is and always was vacant, but in its admirable lines.
The two other temples are fine specimens of Greek architecture, also Doric, pure and without fault, with only a little tendency to depart from severe simplicity in the curve of the capitals, and yet they did not interest us. They are of a period only a little later than the Temple of Neptune, and that model was before their builders, yet they missed the extraordinary, many say almost spiritual beauty of that edifice. We sought the reason, and found it in the fact that there are absolutely no straight lines in the Temple of Neptune. The side rows of columns curve a little out; the end rows curve a little in; at the ends the base line of the columns curves a trifle from the sides to the center, and the line of the architrave does the same. This may bewilder the eye and mislead the judgment as to size and distance, but the effect is more agreeable than almost any other I know in architecture. It is not repeated in the other temples, the builders of which do not seem to have known its secret. Had the Greek colony lost the art of this perfect harmony, in the little time that probably intervened between the erection of these edifices? It was still kept at Athens, as the Temple of Theseus and the Parthenon testify.
Looking from the interior of the temple out at either end, the entrance seems to be wider at the top than at the bottom, an Egyptian effect produced by the setting of the inward and outer columns. This appeared to us like a door through which we looked into Egypt, that mother of all arts and of most of the devices of this now confused world. We were on our way to see the first columns, prototypes of the Doric order, chiselled by man.
The custodian—there is one, now that twenty centuries of war and rapine and storms have wreaked themselves upon this temple—would not permit us to take our luncheon into its guarded precincts; on a fragment of the old steps, amid the weeds we drank our red Capri wine; not the usual compound manufactured at Naples, but the last bottle of pure Capri to be found on the island, so help the soul of the landlady at the hotel there; ate one of those imperfectly nourished Italian chicken’s orphan birds, owning the pitiful legs with which the table d’hote frequenters in Italy are so familiar, and blessed the government for the care, tardy as it is, of its grandest monument of antiquity.
When I looked out of the port-hole of the steamer early in the morning, we were near the volcanic Lipari islands and islets, a group of seventeen altogether; which serve as chimneys and safety-valves to this part of the world. One of the small ones is of recent creation, at least it was heaved up about two thousand years ago, and I fancy that a new one may pop up here any time. From the time of the Trojan war all sorts of races and adventurers have fought for the possession of these coveted islands, and the impartial earthquake has shaken them all off in turn. But for the mist, we should have clearly seen Stromboli, the ever-active volcano, but now we can only say we saw it. We are near it, however, and catch its outline, and listen for the groans of lost souls which the credulous crusaders used to hear issuing from its depths. It was at that time the entrance of purgatory; we read in the guide-book that the crusaders implored the monks of Cluny to intercede for the deliverance of those confined there, and that therefore Odilo of Cluny instituted the observance of All Souls’ Day.
The climate of Europe still attends us, and our first view of Sicily is through the rain. Clouds hide the coast and obscure the base of Ætna (which is oddly celebrated in America as an assurance against loss by fire); but its wide fields of snow, banked up high above the clouds, gleam as molten silver—treasure laid up in heaven—and give us the light of the rosy morning.
Rounding the point of Faro, the locale of Charybdis and Scylla, we come into the harbor of Messina and take shelter behind the long, curved horn of its mole. Whoever shunned the beautiful Scylla was liable to be sucked into the strong tide Charybdis; but the rock has lost its terror for moderns, and the current is no longer dangerous. We get our last dash of rain in this strait, and there is sunny weather and blue sky at the south. The situation of Messina is picturesque; the shores both of Calabria and Sicily are mountainous, precipitous and very rocky; there seems to be no place for vegetation except by terracing. The town is backed by lofty circling mountains, which form a dark setting for its white houses and the string of outlying villages. Mediaeval forts cling to the slopes above it.
No sooner is the anchor down than a fleet of boats surrounds the steamer, and a crowd of noisy men and boys swarms on board, to sell us muscles, oranges, and all sorts of merchandise, from a hair-brush to an under-wrapper. The Sunday is hopelessly broken into fragments in a minute. These lively traders use the English language and its pronouns with great freedom. The boot-black smilingly asks: “You black my boot?”
The vender of under-garments says: “I gif you four franc for dis one. I gif you for dese two a seven franc. No? What you gif?”
A bright orange-boy, we ask, “How much a dozen?”
“Half franc.”
“Too much.”
“How much you give? Tast him; he ver good; a sweet orange; you no like, you no buy. Yes, sir. Tak one. This a one, he sweet no more.”
And they were sweet no more. They must have been lemons in oranges’ clothing. The flattering tongue of that boy and our greed of tropical color made us owners of a lot of them, most of which went overboard before we reached Alexandria, and would make fair lemonade of the streak of water we passed through.
At noon we sail away into the warm south. We have before us the beautiful range of Aspromonte, and the village of Reggio bear which in 1862 Garibaldi received one of his wounds, a sort of inconvenient love-pat of fame. The coast is rugged and steep. High up is an isolated Gothic rock, pinnacled and jagged. Close by the shore we can trace the railway track which winds round the point of Italy, and some of the passengers look at it longingly; for though there is clear sky overhead, the sea has on an ungenerous swell; and what is blue sky to a stomach that knows its own bitterness and feels the world sinking away from under it?
We are long in sight of Italy, but Sicily still sulks in the clouds and Mount Ætna will not show itself. The night is bright and the weather has become milder; it is the prelude to a day calm and uninteresting. Nature rallies at night, however, and gives us a sunset in a pale gold sky with cloud-islands on the horizon and palm-groves on them. The stars come out in extraordinary profusion and a soft brilliancy unknown in New England, and the sky is of a tender blue—something delicate and not to be enlarged upon. A sunset is something that no one will accept second-hand.
On the morning of December 1st., we are off Crete; Greece we have left to the north, and are going at ten knots an hour towards great hulking Africa. We sail close to the island