To this rock the Jews used to come, in the fourth century, and anoint it with oil, and wail over it, as the site of the Temple. On it once stood a statue of Hadrian. When the Moslems captured Jerusalem, it became, what it has ever since been, one of their most venerated places. The Khalif Omar cleared away the rubbish from it, and built over it a mosque. The Khalif Abd-el-Melek began to rebuild it in a. d. 686. During the Crusades it was used as a Christian church. Allowing for decay and repairs, the present mosque is probably substantially that built by Abd-el-Melek.
At the extreme south of the area is the vast Mosque of Aksa, a splendid basilica with seven aisles, which may or may not be the Church of St. Mary built by Justinian in the sixth century; architects differ about it. This question it seems to me very difficult to decide from the architecture of the building, because of the habit that Christians and Moslems both had of appropriating columns and capitals of ancient structures in their buildings; and because the Moslems at that time used both the round and the pointed arch.
This platform is beyond all comparison the most beautiful place in Jerusalem, and its fairy-like buildings, when seen from the hill opposite, give to the city its chief claim to Oriental picturesqueness.
The dome of the mosque Kubbet-es-Sukhrah is perhaps the most beautiful in the world; it seems to float in the air like a blown bubble; this effect is produced by a slight drawing in of the base. This contraction of the dome is not sufficient to give the spectator any feeling of insecurity, or to belittle this architectural marvel to the likeness of a big toy; the builder hit the exact mean between massiveness and expanding lightness. The mosque is octagonal in form, and although its just proportions make it appear small, it is a hundred and fifty feet in diameter; outside and in, it is a blaze of color in brilliant marbles, fine mosaics, stained glass, and beautiful Saracenic tiles. The lower part of the exterior wall is covered with colored marbles in intricate patterns; above are pointed windows with stained glass; and the spaces between the windows are covered by glazed tiles, with arabesque designs and very rich in color. In the interior, which has all the soft warmth and richness of Persian needlework, are two corridors, with rows of columns and pillars; within the inner row is the Sacred Rock.
This rock, which is the most remarkable stone in the world, if half we hear of it be true, and which by a singular fortune is sacred to three religions, is an irregular bowlder, standing some five feet above the pavement, and is something like sixty feet long. In places it has been chiselled, steps are cut on one side, and various niches are hewn in it; a round hole pierces it from top to bottom. The rock is limestone, a little colored with iron, and beautiful in spots where it has been polished. One would think that by this time it ought to be worn smooth all over.
If we may believe the Moslems and doubt our own senses, this rock is suspended in the air, having no support on any side. It was to this rock that Mohammed made his midnight journey on El Burak; it was from here that he ascended into Paradise, an excursion that occupied him altogether only forty minutes. It is, I am inclined to think, the miraculous suspension of this stone that is the basis of the Christian fable of the suspension of Mohammed’s coffin,—a miracle unknown to all Moslems of whom I have inquired concerning it.
“Abd-el-Atti,” I said, “does this rock rest on nothing?”
“So I have hunderstood; thim say so.”
“But do you believe it?”
“When I read him, I believe; when I come and see him, I can’t help what I see.”
At the south end of the rock we descended a flight of steps and stood under the rock in what is called the Noble Cave, a small room about six feet high, plastered and whitewashed. This is supposed to be the sink into which the blood of the Jewish sacrifices drained. The plaster and whitewash hide the original rock, and give the Moslems the opportunity to assert that there is no rock foundation under the big stone.
“But,” we said to Abd-el-Atti, “if this rock hangs in the air, why cannot we see all around it? Why these plaster walls that seem to support it?”
“So him used to be. This done so, I hear, on account of de women. Thim come here, see this rock, thim berry much frightened. Der little shild, what you call it, get born in de world before him wanted. So thim make this wall under it.”
There are four altars in this cave, one of them dedicated to David; here the Moslem prophets, Abraham, David, Solomon, and Jesus, used to pray. In the rock is a round indentation made by Mohammed’s head when he first attempted to rise to heaven; near it is the hole through which he rose. On the upper southeast corner of the rock is the print of the prophet’s foot, and close to it the print of the hand of the angel Michael, who held the rock down from following Mohammed into the skies.
In the mosque above, Abd-el-Atti led us, with much solemnity, to a small stone set in the pavement near the north entrance. It was perforated with holes, in some of which were brass nails.
“How many holes you make ‘em there?”
“Thirteen.”
“How many got nails?”
“Four.”
“Not so many. Only three and a half nails. Used to be thirteen nails. Now only three and a half. When these gone, then the world come to an end. I t’ink it not berry long.”
“I should think the Moslems would watch this stone very carefully.”
“What difference? You not t’ink it come when de time come?”
We noticed some pieces of money on the stone, and asked why that was.
“Whoever he lay backsheesh on this stone, he certain to go into Paradise, and be took by our prophet in his bosom.”
We wandered for some time about the green esplanade, dotted with cypress-trees, and admired the little domes: the Dome of the Spirits, the dome that marks the spot where David sat in judgment, etc.; some of them cover cisterns and reservoirs in the rock, as old as the foundations of the Temple.
In the corridor of the Mosque of Aksa are two columns standing close together, and like those at the Mosque of Omar, in Cairo, they are a test of character; it is said that whoever can squeeze between them is certain of Paradise, and must, of course, be a good Moslem. I suppose that when this test was established the Moslems were all lean. A black stone is set in the wall of the porch; whoever can walk, with closed eyes, across the porch pavement and put his finger on this stone may be sure of entering Paradise. According to this criterion, the writer of this is one of the elect of the Mohammedan Paradise and his dragoman is shut out. We were shown in this mosque the print of Christ’s foot in a stone; and it is said that with faith one can feel in it, as he can in that of Mohammed’s in the rock, the real flesh. Opening from this mosque is the small Mosque of Omar, on the spot where that zealous khalif prayed.
The massive pillared substructions under Aksa are supposed by Moslems to be of Solomon’s time. That wise monarch had dealings with the invisible, and no doubt controlled the genii, who went and came and built and delved at his bidding. Abd-el-Atti, with haste and an air of mystery, drew me along under the arches to the window in the south end, and showed me the opening of a passage under the wall, now half choked up with stones. This is the beginning of a subterranean passage made by the prophet Solomon, that extends all the way to Hebron, and has an issue in the mosque over the tomb of Abraham. This fact is known only to Moslems, and to very few of them, and is considered one of the great secrets. Before I was admitted to share it, I am glad that I passed between the two columns, and touched, with my eyes shut, the black stone.
In the southeast corner of the Harem is a little building called the Mosque of Jesus. We passed through it, and descended the stairway into what is called Solomon’s Stables, being shown on our way a stone trough which is said to be the cradle of the infant Jesus. These