She gave him rich armour, white as a swan, the best that might be, a surcoat (wafen-roc) decked with golden bells; sword and shield, and a goodly horse. But the lad did not know how to ride, so let the bridle hang loose and held on by the saddle-bow. In this fashion he rode till he met a knight, Johfrit de Liez, who rebuked him for his childish bearing, and took him to his castle, where he was kindly welcomed by the host's mother and her maidens, and instructed in riding and the use of knightly weapons.
His next adventure is to ride with two knights to the castle of one Galagandreiz. In the night the daughter of the host, condemned by her father to perpetual virginity, offers her love to the three knights in turn; is accepted by Lanzelet, who fights a duel with her father, slays him, and weds the maiden. One day he rode forth seeking adventures, and found a road which led him to the castle of Limors. The folk attacked, and would have slain him, but for the intervention of Ade, niece to the lord of the castle. Lanzelet is thrown into prison, and only escapes by fighting single-handed, first with a giant, then with two lions, and finally with the lord of the castle himself. Having slain this last, he becomes the 'ami' of the maiden Ade. (Whether he marries her or not is not clearly stated. In any case we hear no more of his first wife, the daughter of Galagandreiz.)
Meanwhile the fame of Lanzelet's exploits has penetrated to Arthur's ears, and Gawain is sent to find the unnamed hero, and bring him to Arthur's Court. They meet, and fight an undecided combat, terminated by the arrival of a messenger with tidings of a tournament between King Lot of Johenîs and Gurnemanz, den fürsten wîs. Lanzelet betakes himself hither, wearing each day a different suit of armour, green, red and white, overthrows many knights, including King Lot, whom he set free out of friendship for Gawain, and without revealing himself, rides away with Ade and her brother.
They come to a castle, Schâtel le Mort, the master of which, Mâbûz, is a magician, and son to the fairy who had brought Lanzelet up. Lanzelet rides to the castle, which has this property, that whoever crosses its drawbridge at once loses all courage and hardihood. Lanzelet falls under the spell, and is taken prisoner in the most ignominious manner, much to the dismay of Ade, who rides off with her brother and disappears from the story. The land of Mâbûz adjoins that of Iweret of Beforet, who is in the habit of raiding his neighbour's territory. Mâbûz, who is by nature a coward, determines that Lanzelet, whose fame is well known to him, shall be his champion. He has him carried by his men without the walls of the castle, when his natural courage at once returns. He rides to a fountain, beside which hangs a brazen cymbal on which he must strike three times with a hammer to summon his foe. In the meantime Iblîs, the fair daughter of Iweret, has had a dream of an unknown knight whom she meets beside the fountain; she rises early to seek the scene of her dream, and finds the original of her vision in Lanzelet. She beseeches him to carry her off without waiting for the conflict, but Lanzelet refuses. Iweret arrives and a fierce fight ensues, in which he is slain. Lanzelet weds Iblîs and becomes master of Beforet.
A messenger now arrives from the Fairy of the Lake, revealing Lanzelet's name and parentage (his mother, Clarine, was sister to Arthur). The object of her theft of the child is now accomplished: she desired to secure a champion who would free her son Mâbûz from his too powerful enemy. Lanzelet decides to seek Gawain, whom he now knows to be his kinsman. On their way they meet a squire who informs them that the King Valerîn (or Falerîn, the spelling varies), has appeared at Arthur's court and laid claim to Guinevere, on the ground that she had been betrothed to him previous to her marriage with Arthur. If Valerîn cannot find a champion to oppose him he will carry off the queen. Lanzelet undertakes the combat, and defeats Valerîn.
(We must note here that Lanzelet's service to the queen is of a preventive character, i.e. he saves her from the possibility of abduction, he does not rescue her after the abduction has taken place.)
Lanzelet then leaves his wife at court, and goes forth to seek the castle of Plurîs, which he had passed on his journey from Meide-land and the adventure of which he desires to test. There he is challenged by one hundred knights, whom he successively overthrows, and weds the queen (Ulrich says quaintly, 'ich enweiz ob erz ungerne tet, wan diu königîn was ein schœne maget, 5530-1). Iblîs remains at Arthur's court, grieving for the disappearance of her husband, during whose absence she successfully withstands the Mantle test, an incident of not infrequent occurrence in Arthurian romance.
Hearing that Lanzelet is a prisoner at Plurîs, Gawain, Karjet (Gaheriet?), Erec, and Tristan go in search of him, and, by means of a ruse, succeed in freeing him. The queen of Plurîs disappears from the story.
On their way to court they learn that, while engaged in hunting the white stag, Guinevere has been carried off by Valerîn, and imprisoned in a magic castle, surrounded by a dense thicket peopled with all kinds of serpents. Tristan, 'der listige Tristan' 20 suggests that they should seek the aid of Malduz 21 or Malduc, the magician, the Lord of the Misty Lake (Genibeleten Se), who will enable them to penetrate Valerîn's stronghold. Erec announces that neither he nor Gawain should take part in the expedition as they have respectively slain Malduc's father and brother. Arthur therefore sets forth accompanied by Karjet (Gaheriet), Tristan and Lanzelet (this is the order), and are later joined by Dodine le Sauvage. By the good offices of the enchanter's daughter, to whom Arthur appeals, Malduc consents to aid them on condition that Erec and Gawain are delivered up to him, to which these heroes willingly consent. Malduc then, by means of spells, disperses the serpents guarding Valerîn's castle, slays him and his men, and wakens Guinevere from the magic slumber into which Valerîn has cast her.
I have italicised this passage as extremely important for the criticism of the story. It will be seen that so far from Lanzelet being the means of Guinevere's escape, he plays practically no part in the story, all he does is to accompany the king. The rescuer is Malduc; recourse to him is suggested by Tristan and made possible by the self-sacrifice of Gawain and Erec; but saving in the discussion as to whether Malduc's terms shall or shall not be accepted, Lanzelet's name is not even mentioned.22
Erec and Gawain are cast into prison by Malduc and nearly starved to death, but are rescued by one hundred of Arthur's knights, headed by Lanzelet and aided by a giant, Esealt der lange. They all return to Arthur's court, where great feasts are held.
Iblîs tells her husband of a curious adventure which had befallen one of the knights: how he had met in a forest a terrible dragon which, speaking with a human voice, besought a kiss from the knight; he refused and the dragon flew away lamenting. Lanzelet resolves to test the adventure, rides to the forest, finds the dragon, and gives the desired kiss. The monster bathes in a stream at hand, and becomes a fair maiden, Elidiâ, daughter to the king of Thile; she has been transformed into a dragon for transgressing the rules of Minne, and condemned to remain in that form till kissed by the best knight on earth. She remains at Arthur's court, where she is made judge of all disputed questions relating to Minne.
Here the story of Lanzelet practically ends. He wins back his lands of Genewîs without difficulty, promising to treat his subjects better than his father did. He and Iblîs betake themselves to the heritage of the latter, Beforet, where they receive Arthur and Guinevere with great pomp. The poem concludes by telling us that they have four children, three sons and one daughter, that they live to see their children's children, and die both on the same day.
The poem of Ulrich von Zatzikhoven has scarcely received the attention which, as a factor in the criticism of the legend, it undoubtedly demands. The questions arising out of it are not only interesting, but, as I shall presently show, in one instance at least, of the very highest importance. The questions may be grouped as (a) those relating to the structure and sources of the poem itself; (b) those which affect its relation to the other Lancelot romances. For the first