The Spell of Flanders / An Outline of the History, Legends and Art of Belgium's Famous Northern Provinces
PUBLISHERS’ NOTE
Lord Beaconsfield once said: “Flanders has been trodden by the feet and watered by the blood of countless generations of British soldiers.” This famous passage—which has received a new confirmation to-day—is typical of many references among English writers and statesmen to Flanders as a general term covering all of what is now known as Belgium. Among the citizens of that brave little Kingdom, however, and among most Continental writers, Flanders is recognised as being the name of only the northern part of Belgium. Small as that country is, it has for centuries been bi-lingual, the northern portion speaking Flemish, the southern French; and for centuries the history of the Flemish provinces was as distinct from that of the Walloon province to the southward as the early history of California or Texas was from that of New England.
Although eventually united under one Government with the Walloons and with what is now Holland, it was during the long period of their semi-independence that the Flemings achieved many of the artistic and architectural monuments that have made Flanders for all time one of the most interesting regions in the world.
While this book, therefore, does not attempt to describe the whole of Belgium, it does present a pen picture of the northern part of the country as it existed almost at the moment when the devastating scourge of the Great War swept across it.
FOREWORD
This book is the record of a vacation tour in the beautiful old Flemish towns of Northern Belgium beginning in May and ending in July of the Summer of 1914. The assassination of the Austrian Archduke Ferdinand and his wife at Sarajevo took place while our little party was viewing the mediæval houses and churches of Ghent and Audenaerde, but in the many discussions of that event to which we listened there was no whisper of the awful fate which the march of events was so soon to bring upon one of the most charming, peaceful and happy countries in the world.
Many of the descriptions in the following pages were written in or near the towns described, and within a day or so after the visit narrated. Then each old Flemish “monument” was in as perfect a state of preservation as the reverent pride and care of the Belgian populace and the learned and skilful restorations of the Belgian government could together accomplish. The fact that since these accounts were written many of these very towns have been swept by shot and shell, have been taken and retaken by hostile armies, have formed the stage upon which some of the direst tragedies of the world’s greatest and most terrible war have been enacted, will—it is hoped—give them a permanent interest and value. As a painting of some famous city as it appeared many years or centuries ago is of the utmost historical interest, even though by an inferior artist, so these halting word pictures of towns that have since been wholly or partially destroyed may help the reader to recall the glories that have passed away.
In accordance with the plan described in the first chapter, the tour of Flanders followed a decidedly zigzag itinerary, frequently visiting some town more than once. The purpose of this was to follow, in a fairly chronological sequence, as far as possible, the development of Flemish history, architecture and art. The outline of the intensely fascinating history of the old Flemish communes that has been thus presented may prove of interest to many readers who have been thrilled by the superb bravery of the little Belgian army in its defence of Flanders against overwhelming odds. As these glimpses into the past clearly show, the men of Belgium have engaged in a battle against foreign domination from the earliest ages. That it was at times a losing struggle never for a moment diminished the ardour of their resistance, or the depth of their devotion to liberty and the right to rule themselves. And when we consider how, during these centuries of conflict, and in defiance of obstacles that would have daunted a less strong-hearted people, the men of Flanders found the inspiration, the patience and the skill to erect some of the noblest examples of mediæval architecture, to create a school of painting that ranks as one of the most priceless heritages of the ages, and to excel in a half a score of other lines of artistic endeavour, we surely must all agree that here is a people we would not willingly see perish from the earth.
If to be neutral is to stand by and silently acquiesce in the destruction of Belgium as an independent nation, then the author of this book is not neutral. In every fibre of his being he protests against such a course as a crime against liberty, against humanity. Happily, from every corner of the United States come unmistakable evidences that the American people as a whole are not, at heart, neutral on this subject. The embattled farmers who stood on the bridge at Concord and fired “the shot heard round the world” have thrilled the imagination and stimulated the patriotism of every American schoolboy, but no less heroic is the spectacle of the little Belgian army under the personal leadership of its noble King standing like a rock on the last tiny strip of Belgian soil and stopping the onrush of the most powerful fighting organisation in the world. At Nieuport and Dixmude and along the bloodstained Yser Canal, the men of Belgium fought for the same cause of liberty for which our forefathers fought at Bunker Hill. Whatever our sympathies may be with respect to the larger aspects of the great world war—and as to these we may most properly remain neutral—our national history and traditions, the very principles of government to which we owe “all that we have and are,” cannot but confirm us in the profound conviction that no conclusion to this war can be just and right, or permanent, that does not once more restore the Belgian nation and guarantee that it shall remain completely and forever free.
On the other hand, while news of the damage done to some famous Flemish church or Hotel de Ville causes the author sensations akin to those that he would experience on learning of the wounding of a friend, this book will contain no complaint regarding German destruction of these monuments of architecture. At Ypres and Malines, where the havoc wrought cannot fail to have been fearful, the damage was done in the course of battles in which the most powerful engines of destruction ever invented by man were used on both sides. Much as we may deplore the results, we cannot blame the individual commanders. At Antwerp, Ghent, Bruges and many other famous Flemish cities the Germans appear to have made every effort to avoid wanton destruction and preserve the most notable historic edifices. After the war is over and we have learned exactly what structures have been destroyed, and under what circumstances, we can justly place whatever blame may attach to such a catastrophe where it belongs—but not until then. For the present we can only hope that the damage may be less than has been reported, and that in many instances it will be possible for the Belgians—so skilful in the work of restoration—to reconstruct the sections of famous buildings that have been damaged.
When the war is over many thousands of Americans and English will be eager to visit the battle-fields of Flanders and see for themselves the scenes of conflicts that will forever hold a great place in human history. The author ventures to hope that this little book may be found serviceable to such tourists as it contains much information not to be found in any guide book. If it aids any of them—or any of the far larger host of travellers whose journeys in far-off lands must be made by their home firesides—to understand Flanders better it will have achieved its purpose. It is one of the many ironies of the war that towns like Ypres and Malines, which were rarely visited by American tourists when they were in their perfection, will, no doubt, be visited by thousands now that the clash of arms has brought them at the same moment destruction and immortal fame.
CHAPTER I
INTRODUCING FLANDERS AND THE FOUR PILGRIMS
“Flanders! Why, where is Flanders?”
“There! I told you she’d ask that question. You’ll have to start right at the beginning with her, and explain everything as you go along.”
We were planning our next vacation tour in Europe, which we had long before agreed to “do” together this year. That meant a party of four—the “Professor,” as I always called him, and his charming young wife, my wife, and myself. Like the plays in which the characters appear on the stage in the order that their names are printed on the programme, the arrangement I have just given is significant. The Professor is always first, a born leader-of-the-way. And I am usually last, carrying the heavy bundles.
Not that I am complaining. No doubt I was born to do it. Moreover,