Chambers's Journal of Popular Literature, Science, and Art, No. 732. Various

bards have sung its praises at varying lengths, but with uniform appreciation of its excellences. One of the most eloquent passages in Christopher North's Winter Rhapsody deplores the failing popularity of the game in his later days; for like many other good things, curling has had its ups and downs in this world. In some few districts where it once flourished for a time, the interest in the game has died out; but of later years the establishment of so many clubs has given a new impetus to the game, which now prospers in its season beyond all former experience. The south-western districts of Scotland were long the chosen home of curling, and the players of Lanark and Dumfriesshire were specially renowned for their great skill in the art; but now it has spread over the whole country, and the grand matches of the Royal Caledonian Curling Club witness the friendly rivalry of worthy foemen from Maidenkirk to John o' Groat's, and excite the enthusiasm of branch clubs south of the Tweed, and even across the Atlantic.

      At Edinburgh, perhaps as much as at any other place, has the game prospered within the last century, though in one point the game has lost a recognition it once had, if we believe the old tradition that, about a hundred and fifty years ago, the Town-Council used to go to the ice in all the pomp and circumstance that it now reserves for the Commissioner's procession, with a band playing ‘appropriate airs’ before it, which discoursed sweet music while the fathers of the city gave an hour or two to the game. The citizens then played on the Nor' Loch, a sheet of water which in those days divided the Old Town from the New; when it was drained they went to the ponds at Canonmills, and subsequently to Duddingston Loch, where arose the Duddingston Curling Club, instituted in 1795, which has done great things in infusing a new spirit into the game. Among its members have been many fine curlers and good fellows, famed in other fields than this; and even if the Club had done nothing beyond giving us the capital songs of Sir Alexander Boswell, Miller, and many others, it would have still deserved well of its country.

      Of late years, however, there has arisen a mightier than it – the Royal Caledonian Curling Club – now forty years old, which numbers among its members most curlers of note, both at home and abroad; and to which are affiliated all the local societies, who once a year, when the weather permits, send their chosen champions to contend at the grand match held under the auspices of the Royal Club.

      Let us now see how the game is played; and first we shall give what is perhaps the earliest description of the game on record, that given by Pennant in his Tour in 1792. ‘Of all the sports of these parts,’ he says, ‘that of curling is the favourite, and one unknown in England. It is an amusement of the winter, and played on the ice by sliding from one mark to another great stones of from forty to seventy pounds weight, of a hemispherical form, with an iron or wooden handle at the top. The object of the player is to lay his stone as near the mark as possible, to guard that of his partner, which had been well laid before, or to strike his antagonist's.’

      The game is played on a carefully chosen piece of ice called the ‘rink,’ which should be forty-two yards long, unless special circumstances – such as thaw and consequently ‘dull’ ice – require it to be shortened. This piece of ice should be as level, smooth, and free from cracks as possible; there is usually a trifling bias, which however to the skilled curler rather adds interest to the game, as it calls forth additional science in the play.

      When the rink is chosen, a little mark is made at each end; this is called the ‘tee;’ and near that point stands, in his turn, each player, whose object is to hurl or slide his stones to the opposite end, by a swinging motion of the arm. Each player also endeavours to place his stones nearer the tee than those of his opponents. In this respect curling is precisely similar in principle to the well-known game of bowls. Round the tees are scratched several concentric circles or ‘broughs,’ a foot or so apart from each other, by which means the distance at which stones are lying from the goal is seen at a glance at any time during the continuance of the ‘end.’ In the normally long rink, a scratch called the hog-score – usually made wavy, to distinguish it from any accidental crack – is drawn across the line of play near each end, eight yards from the tee; and any stones that have not had impetus enough imparted to them to carry them over this line are ‘hogs,’ and are put off the ice as useless for that end. A common number of players in one rink is eight – four against four; but in some places more play on one side, and in others less, according to circumstances. As a general rule each man plays two stones. The game is counted by points; and each stone of a side closer than their antagonists' nearest, is a point which scores towards the game. It will be observed that ‘tees,’ ‘broughs,’ and ‘hog-scores’ are in duplicate, for as in quoits and bowls, ends are changed after each round.

      As in bowls so in curling, the office of ‘skip’ of each side is usually given to the best player; and on his tact and judgment, besides knowledge of the exact amount of confidence he can place on the skill of each of his followers depends much of the success of his side. His chief duty is to stand at the tee for the purpose of directing and advising the play of each of his fellows, always playing last himself, that the critical shot on which perhaps victory or defeat hangs, may be in the best possible hands. Thus, in a rink of four players a side, the skips stand directors until their third men have played both their stones; upon which they proceed to the other end and play theirs.