For Peisse, this portrait is “an admirable bit of painting” and according to Vignon, “a gem of shaping, delicacy, and execution”. The “head rendered with a rare talent, ‘smoothness’ and a freedom in the brushwork which are quite remarkable, and which serve to prove that the author has studied the Carracci and the Spanish School,” thought Delécluze…
And yet, a few critics were more insightful. For one admirer, The Stone Breakers, Return from the Fair and A Burial at Ornans were “triumphs of truth”. Albert de la Fizelière concluded that the scene of the A Burial at Ornans has a quiet drama and a definite effect. P. Pétroz, in the Vote Universel, applauded the artist for giving the painting of contemporary life the same elevation as historical painting, and for opening up a new avenue for art. And, as was to be expected, Champfleury vigorously championed his friend.
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