One morning while I was sitting under a beautiful tulip tree in flower, occupied in doing nothing but inhaling the lovely perfumes which the tall poplars kept confined within the brilliant enclosure, enjoying the silence of the groves, listening to the murmuring waters and the rustling leaves, admiring the blue gaps outlined above my head by clouds of pearly sheen and gold, wandering fancy free in dreams of my future, I heard some lout or other, who had arrived the day before from Paris, playing on a violin with the violence of a man who has nothing else to do. I would not wish for my worst enemy to hear anything so utterly in discord with the sublime harmony of nature. If the distant notes of Roland's Horn had only filled the air with life, perhaps – but a noisy fiddler like this, who undertakes to bring to you the expression of human ideas and the phraseology of music! This Amphion, who was walking up and down the dining-room, finished by taking a seat on the window-sill, exactly in front of the monkey. Perhaps he was looking for an audience. Suddenly I saw the animal quietly descend from his little dungeon, stand upon his hind feet, bow his head forward like a swimmer and fold his arms over his bosom like Spartacus in chains, or Catiline listening to Cicero. The banker, summoned by a sweet voice whose silvery tone recalled a boudoir not unknown to me, laid his violin on the window-sill and made off like a swallow who rejoins his companion by a rapid level swoop. The great monkey, whose chain was sufficiently long, approached the window and gravely took in hand the violin. I don't know whether you have ever had as I have the pleasure of seeing a monkey try to learn music, but at the present moment, when I laugh much less than I did in those careless days, I never think of that monkey without a smile; the semi-man began by grasping the instrument with his fist and by sniffing at it as if he were tasting the flavor of an apple. The snort from his nostrils probably produced a dull harmonious sound in the sonorous wood and then the orang-outang shook his head, turned over the violin, turned it back again, raised it up in the air, lowered it, held it straight out, shook it, put it to his ear, set it down, and picked it up again with a rapidity of movement peculiar to these agile creatures. He seemed to question the dumb wood with faltering sagacity and in his gestures there was something marvelous as well as infantile. At last he undertook with grotesque gestures to place the violin under his chin, while in one hand he held the neck; but like a spoiled child he soon wearied of a study which required skill not to be obtained in a moment and he twitched the strings without being able to draw forth anything but discordant sounds. He seemed annoyed, laid the violin on the window-sill and snatching up the bow he began to push it to and fro with violence, like a mason sawing a block of stone. This effort only succeeded in wearying his fastidious ears, and he took the bow with both hands and snapped it in two on the innocent instrument, source of harmony and delight. It seemed as if I saw before me a schoolboy holding under him a companion lying face downwards, while he pommeled him with a shower of blows from his fist, as if to punish him for some delinquency. The violin being now tried and condemned, the monkey sat down upon the fragments of it and amused himself with stupid joy in mixing up the yellow strings of the broken bow.
Never since that day have I been able to look upon the home of the predestined without comparing the majority of husbands to this orang-outang trying to play the violin.
Love is the most melodious of all harmonies and the sentiment of love is innate. Woman is a delightful instrument of pleasure, but it is necessary to know its trembling strings, to study the position of them, the timid keyboard, the fingering so changeful and capricious which befits it. How many monkeys – men, I mean – marry without knowing what a woman is! How many of the predestined proceed with their wives as the ape of Cassan did with his violin! They have broken the heart which they did not understand, as they might dim and disdain the amulet whose secret was unknown to them. They are children their whole life through, who leave life with empty hands after having talked about love, about pleasure, about licentiousness and virtue as slaves talk about liberty. Almost all of them married with the most profound ignorance of women and of love. They commenced by breaking in the door of a strange house and expected to be welcomed in this drawing-room. But the rudest artist knows that between him and his instrument, of wood, or of ivory, there exists a mysterious sort of friendship. He knows by experience that it takes years to establish this understanding between an inert matter and himself. He did not discover, at the first touch, the resources, the caprices, the deficiencies, the excellencies of his instrument. It did not become a living soul for him, a source of incomparable melody until he had studied for a long time; man and instrument did not come to understand each other like two friends, until both of them had been skillfully questioned and tested by frequent intercourse.
Can a man ever learn woman and know how to decipher this wondrous strain of music, by remaining through life like a seminarian in his cell? Is it possible that a man who makes it his business to think for others, to judge others, to rule others, to steal money from others, to feed, to heal, to wound others – that, in fact, any of our predestined, can spare time to study a woman? They sell their time for money, how can they give it away for happiness? Money is their god. No one can serve two masters at the same time. Is not the world, moreover, full of young women who drag along pale and weak, sickly and suffering? Some of them are the prey of feverish inflammations more or less serious, others lie under the cruel tyranny of nervous attacks more or less violent. All the husbands of these women belong to the class of the ignorant and the predestined. They have caused their own misfortune and expended as much pains in producing it as the husband artist would have bestowed in bringing to flower the late and delightful blooms of pleasure. The time which an ignorant man passes to consummate his own ruin is precisely that which a man of knowledge employs in the education of his happiness.
XXVI. Do not begin marriage by a violation of law.
In the preceding meditations we have indicated the extent of the evil with the reckless audacity of those surgeons, who boldly induce the formation of false tissues under which a shameful wound is concealed. Public virtue, transferred to the table of our amphitheatre, has lost even its carcass under the strokes of the scalpel. Lover or husband, have you smiled, or have you trembled at this evil? Well, it is with malicious delight that we lay this huge social burden on the conscience of the predestined. Harlequin, when he tried to find out whether his horse could be accustomed to go without food, was not more ridiculous than the men who wish to find happiness in their home and yet refuse to cultivate it with all the pains which it demands. The errors of women are so many indictments of egotism, neglect and worthlessness in husbands.
Yet it is yours, reader, it pertains to you, who have often condemned in another the crime which you yourself commit, it is yours to hold the balance. One of the scales is quite loaded, take care what you are going to put in the other. Reckon up the number of predestined ones who may be found among the total number of married people, weigh them, and you will then know where the evil is seated.
Let us try to penetrate more deeply into the causes of this conjugal sickliness.
The word love, when applied to the reproduction of the species, is the most hateful blasphemy which modern manners have taught us to utter. Nature, in raising us above the beasts by the divine gift of thought, had rendered us very sensitive to bodily sensations, emotional sentiment, cravings of appetite and passions. This double nature of ours makes of man both an animal and a lover. This distinction gives the key to the social problem which we are considering.
Marriage may be considered in three ways, politically, as well as from a civil and moral point of view: as a law, as a contract and as an institution. As a law, its object is a reproduction of the species; as a contract, it relates to the transmission of property; as an institution, it is a guarantee which all men give and by which all are bound: they have father and mother, and they will have children. Marriage, therefore, ought to be the object of universal respect. Society can only take into consideration those cardinal points, which, from a social point of view, dominate the conjugal question.
Most men have no other views in marrying, than reproduction, property or children; but neither reproduction nor property nor children constitutes happiness. The command, "Increase and multiply," does not imply love. To ask of a young girl whom we have seen fourteen times in fifteen days, to give you