At all events we must bear in mind, while reading or thinking over Miss Porter’s novels, that, in her day, even the exaggeration of enthusiasm was considered good tone and good taste. How this enthusiasm was fostered, not subdued, can be gathered by the author’s ingenious preface to the, we believe, tenth edition of “Thaddeus of Warsaw.”
This story brought her abundant honors, and rendered her society, as well as the society of her sister and brother, sought for by all who aimed at a reputation for taste and talent. Mrs. Porter, on her husband’s death (he was the younger son of a well-connected Irish family, born in Ireland, in or near Coleraine, we believe, and a major in the Enniskillen dragoons), sought a residence for her family in Edinburgh, where education and good society are attainable to persons of moderate fortunes, if they are “well born;” but the extraordinary artistic skill of her son Robert required a wider field, and she brought her children to London sooner than she had intended, that his promising talents might be cultivated. We believe the greater part of “Thaddeus of Warsaw” was written in London, either in St. Martin’s-lane, Newport-street, or Gerard-street, Soho (for in these three streets the family lived after their arrival in the metropolis); though as soon as Robert Ker Porter’s abilities floated him on the stream, his mother and sisters retired, in the brightness of their fame and beauty, to the village of Thames Ditton, a residence they loved to speak of as their “home.” The actual labor of “Thaddeus” – her first novel – must have been considerable; for testimony was frequently borne to the fidelity of its localities, and Poles refused to believe that the author had not visited Poland; indeed, she had a happy power in describing localities.
It was on the publication of Miss Porter’s two first works in the German language that their author was honored by being made a Lady of the Chapter of St. Joachim, and received the gold cross of the order from Wurtemberg; but “The Scottish Chiefs” was never so popular on the continent as “Thaddeus of Warsaw,” although Napoleon honored it with an interdict, to prevent its circulation in France. If Jane Porter owed her Polish inspirations so peculiarly to the tone of the times in which she lived, she traces back, in her introduction to the latest edition of “The Scottish Chiefs,” her enthusiasm in the cause of Sir William Wallace to the influence of an old “Scotch wife’s” tales and ballads produced upon her mind while in early childhood. She wandered amid what she describes as “beautiful green banks,” which rose in natural terraces behind her mother’s house, and where a cow and a few sheep occasionally fed. This house stood alone, at the head of a little square, near the high school; the distinguished Lord Elchies formerly lived in the house, which was very ancient, and from those green banks it commanded a fine view of the Firth of Forth. While gathering “gowans” or other wild flowers for her infant sister (whom she loved more dearly than her life, during the years they lived in most tender and affectionate companionship), she frequently encountered this aged woman with her knitting in her hand; and she would speak to the eager and intelligent child of the blessed quiet of the land, where the cattle were browsing without fear of an enemy; and then she would talk of the awful times of the brave Sir William Wallace, when he fought for Scotland “against a cruel tyrant; like unto them whom Abraham overcame when he recovered Lot, with all his herds and flocks, from the proud foray of the robber kings of the South,” who, she never failed to add, “were all rightly punished for oppressing the stranger in a foreign land! for the Lord careth for the stranger.” Miss Porter says that this woman never omitted mingling pious allusions with her narrative, “Yet she was a person of low degree, dressed in a coarse woolen gown, and a plain Mutch cap clasped under the chin with a silver brooch, which her father had worn at the battle of Culloden.” Of course she filled with tales of Sir William Wallace and the Bruce, the listening ears of the lovely Saxon child who treasured them in her heart and brain, until they fructified in after years into the “Scottish Chiefs.” To these two were added “The Pastor’s Fireside,” and a number of other tales and romances; she contributed to several annuals and magazines, and always took pains to keep up the reputation she had won, achieving a large share of the popularity, to which, as an author, she never looked for happiness. No one could be more alive to praise or more grateful for attention, but the heart of a genuine, pure, loving woman, beat within Jane Porter’s bosom, and she was never drawn out of her domestic circle by the flattery that has spoiled so many, men as well as women. Her mind was admirably balanced by her home affections, which remained unsullied and unshaken to the end of her days. She had, in common with her three brothers and her charming sister, the advantage of a wise and loving mother – a woman pious without cant, and worldly-wise without being worldly. Mrs. Porter was born at Durham, and when very young bestowed her hand and heart on Major Porter; an old friend of the family assures us that two or three of their children were born in Ireland, and that certainly Jane was among the number;2 although she left Ireland when in early youth, perhaps almost an infant, she certainly must be considered “Irish,” as her father was so both by birth and descent, and esteemed during his brief life as a brave and generous gentleman; he died young, leaving his lovely widow in straightened circumstances, having only her widow’s pension to depend on. The eldest son – afterward Colonel Porter – was sent to school by his grandfather.
We have glanced briefly at Sir Robert Ker Porter’s wonderful talents, and Anna Maria, when in her twelfth year, rushed, as Jane acknowledged, “prematurely into print.” Of Anna Maria we knew personally but very little; enough, however, to recall with a pleasant memory her readiness in conversation, and her bland and cheerful manners. No two sisters could have been more different in bearing and appearance: Maria was a delicate blonde, with a riant face, and an animated manner – we had said almost peculiarly Irish– rushing at conclusions, where her more thoughtful and careful sister paused to consider and calculate. The beauty of Jane was statuesque, her deportment serious yet cheerful, a seriousness quite as natural as her younger sister’s gayety; they both labored diligently, but Anna Maria’s labor was sport when compared to her elder sister’s careful toil; Jane’s mind was of a more lofty order, she was intense, and felt more than she said, while Anna Maria often said more than she felt; they were a delightful contrast, and yet the harmony between them was complete; and one of the happiest days we ever spent, while trembling on the threshold of literature, was with them at their pretty road-side cottage, in the village of Esher, before the death of their venerable and dearly-beloved mother, whose rectitude and prudence had both guided and sheltered their youth, and who lived to reap with them the harvest of their industry and exertion. We remember the drive there, and the anxiety as to how those very “clever ladies” would look, and what they would say; we talked over the various letters we had received from Jane, and thought of the cordial invitation to their cottage – their “mother’s cottage” – as they always called it. We remember the old white friendly spaniel who looked at us with blinking eyes, and preceded us up-stairs; we remember the formal, old-fashioned courtesy of the venerable old lady, who was then nearly eighty – the blue ribbons and good-natured frankness of Anna Maria, and the noble courtesy of Jane, who received visitors as if she granted an audience; this manner was natural to her; it was only the manner of one whose thoughts have dwelt more on heroic deeds, and lived more with heroes than with actual living men and women; the effect of this, however, soon passed away, but not so the fascination which was in all she said and did. Her voice was soft and musical, and her conversation addressed to one person rather than to the company at large, while Maria talked rapidly to every one, or for every one who chose to listen. How happily the hours passed! we were shown some of those extraordinary drawings of Sir Robert, who gained an artist’s reputation before he was twenty, and attracted the attention of West and Shee3 in his mere boyhood. We heard all the interesting particulars of his panoramic picture of the Storming of Seringapatam, which, the first of its class, was known half over the world. We must not, however, be misunderstood – there was neither personal nor family egotism in the Porters; they invariably spoke of each other with the tenderest affection – but unless