Loyalties. Galsworthy John. Читать онлайн. Newlib. NEWLIB.NET

Автор: Galsworthy John
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Phew! Did you ever see such a dressing-gown?

      The door is opened. LADY ADELA and MARGARET ORME come in. The latter is a vivid young lady of about twenty-five in a vivid wrapper; she is smoking a cigarette.

      LADY A. I've told the Dancys – she was in bed. And I got through to Newmarket, Charles, and Inspector Dede is coming like the wind on a motor cycle.

      MARGARET. Did he say "like the wind," Adela? He must have imagination. Isn't this gorgeous? Poor little Ferdy!

      WINSOR. [Vexed] You might take it seriously, Margaret; it's pretty beastly for us all. What time did you come up?

      MARGARET. I came up with Adela. Am I suspected, Charles? How thrilling!

      WINSOR. Did you hear anything?

      MARGARET. Only little Ferdy splashing.

      WINSOR. And saw nothing?

      MARGARET. Not even that, alas!

      LADY A. [With a finger held up] Leste! Un peu leste! Oh! Here are the Dancys. Come in, you two!

      MABEL and RONALD DANCY enter. She is a pretty young woman with bobbed hair, fortunately, for she has just got out of bed, and is in her nightgown and a wrapper. DANCY is in his smoking jacket. He has a pale, determined face with high cheekbones, small, deep-set dark eyes, reddish crisp hair, and looks like a horseman.

      WINSOR. Awfully sorry to disturb you, Mrs Dancy; but I suppose you and Ronny haven't heard anything. De Levis's room is just beyond Ronny's dressing-room, you know.

      MABEL. I've been asleep nearly half an hour, and Ronny's only just come up.

      CANYNGE. Did you happen to look out of your window, Mrs Dancy?

      MABEL. Yes. I stood there quite five minutes.

      CANYNGE. When?

      MABEL. Just about eleven, I should think. It was raining hard then.

      CANYNGE. Yes, it's just stopped. You saw nothing?

      MABEL. No.

      DANCY. What time does he say the money was taken?

      WINSOR. Between the quarter and half past. He'd locked his door and had the key with him.

      MARGARET. How quaint! Just like an hotel. Does he put his boots out?

      LADY A. Don't be so naughty, Meg.

      CANYNGE. When exactly did you come up, Dance?

      DANCY. About ten minutes ago. I'd only just got into my dressing-room before Lady Adela came. I've been writing letters in the hall since Colford and I finished billiards.

      CANYNGE. You weren't up for anything in between?

      DANCY. No.

      MARGARET. The mystery of the grey room.

      DANCY. Oughtn't the grounds to be searched for footmarks?

      CANYNGE. That's for the police.

      DANCY. The deuce! Are they coming?

      CANYNGE. Directly. [A knock] Yes?

      TREISURE enters.

      Well?

      TREISURE. The ladder has not been moved, General. There isn't a sign.

      WINSOR. All right. Get Robert up, but don't say anything to him. By the way, we're expecting the police.

      TREISURE. I trust they will not find a mare's nest, sir, if I may say so.

      He goes.

      WINSOR. De Levis has got wrong with Treisure. [Suddenly] But, I say, what would any of us have done if we'd been in his shoes?

      MARGARET. A thousand pounds? I can't even conceive having it.

      DANCY. We probably shouldn't have found it out.

      LADY A. No – but if we had.

      DANCY. Come to you – as he did.

      WINSOR. Yes; but there's a way of doing things.

      CANYNGE. We shouldn't have wanted the police.

      MARGARET. No. That's it. The hotel touch.

      LADY A. Poor young man; I think we're rather hard on him.

      WINSOR. He sold that weed you gave him, Dancy, to Kentman, the bookie, and these were the proceeds.

      DANCY. Oh!

      WINSOR. He'd tried her high, he said.

      DANCY. [Grimly] He would.

      MABEL. Oh! Ronny, what bad luck!

      WINSOR. He must have been followed here. [At the window] After rain like that, there ought to be footmarks.

      The splutter of a motor cycle is heard.

      MARGARET. Here's the wind!

      WINSOR. What's the move now, General?

      CANYNGE. You and I had better see the Inspector in De Levis's room, WINSOR. [To the others] If you'll all be handy, in case he wants to put questions for himself.

      MARGARET. I hope he'll want me; it's just too thrilling.

      DANCY. I hope he won't want me; I'm dog-tired. Come on, Mabel. [He puts his arm in his wife's].

      CANYNGE. Just a minute, Charles.

      He draws dose to WINSOR as the others are departing to their rooms.

      WINSOR. Yes, General?

      CANYNGE. We must be careful with this Inspector fellow. If he pitches hastily on somebody in the house it'll be very disagreeable.

      WINSOR. By Jove! It will.

      CANYNGE. We don't want to rouse any ridiculous suspicion.

      WINSOR. Quite. [A knock] Come in!

      TREISURE enters.

      TREISURE. Inspector Dede, Sir.

      WINSOR. Show him in.

      TREISURE. Robert is in readiness, sir; but I could swear he knows nothing about it.

      WINSOR. All right.

      TREISURE re-opens the door, and says "Come in, please." The INSPECTOR enters, blue, formal, moustachioed, with a peaked cap in his hand.

      WINSOR. Good evening, Inspector. Sorry to have brought you out at this time of night.

      INSPECTOR. Good evenin', sir. Mr WINSOR? You're the owner here, I think?

      WINSOR. Yes. General Canynge.

      INSPECTOR. Good evenin', General. I understand, a large sum of money?

      WINSOR. Yes. Shall we go straight to the room it was taken from? One of my guests, Mr De Levis. It's the third room on the left.

      CANYNGE. We've not been in there yet, Inspector; in fact, we've done nothing, except to find out that the stable ladder has not been moved. We haven't even searched the grounds.

      INSPECTOR. Right, sir; I've brought a man with me.

      They go out. CURTAIN. And interval of a Minute.

      SCENE II

      [The same set is used for this Scene, with the different arrangement of furniture, as specified.] The bedroom of DE LEVIS is the same in shape as WINSOR'S dressing-room, except that there is only one door – to the corridor. The furniture, however, is differently arranged; a small four-poster bedstead stands against the wall, Right Back, jutting into the room. A chair, on which DE LEVIS's clothes are thrown, stands at its foot. There is a dressing-table against the wall to the left of the open windows, where the curtains are drawn back and a stone balcony is seen. Against the wall to the right of the window is a chest of drawers, and a washstand is against the wall, Left. On a small table to the right of the bed an electric reading lamp is turned up, and there is a light over the dressing-table. The INSPECTOR is standing plumb centre looking at the bed, and DE LEVIS by the back of the chair at the foot of the bed. WINSOR and CANYNGE are close to the door, Right Forward.

      INSPECTOR.