advance of his fellow kind. Darting through the quivering foliage comes a gleam of fire, which resolves itself into a scarlet tanager who calls to us, “look-see,” demanding our attention to his bright beauty, remembering possibly that his brilliant coloring is but a thing of short duration, for too soon will come winter and plain clothes. Perched upon a fence rail, but somewhat out of place in this shady corner, sits a blatant meadow lark, about whose golden breast is hung a gleaming neck chain and locket of shining black feathers, of which, from the pert poise of his head, we deem him justly proud, and he is at least a conspicuous spot of color against the green of the hillside. He eyes us impertinently as he inconsistently but musically calls to us, “You-can’t-see-me, You-can’t-see-me,” in the face of the most contradictory evidence of his own conspicuousness, varying his song to “Erie-lake-Erie,” with every other breath. As a child I used to wonder who taught him the name of the great lake on whose borders he makes his summer home. But to other people, other interpretations, for to Neltje Blanchan he says “Spring-o’-the-year, spring-o’-the-year,” and to Frank Chapman his song is a bar of high, trilling notes. Sing on, you wary warbler, for we have not time to search out your carefully hidden nest among the timothy grasses of the distant meadow, for we know that it would be like looking for the pearl in the oyster, so carefully is it concealed among the dried grasses, but which snakes and field mice depredate so effectually. In the distant valley we hear the soft echo of the Italian liquids of the wood thrush’s “A-o-le-le, a-oa-o-le.” Shy little songster, who so sweetly trills to us long after his feathered kind have tucked their busy little bills away in soft wings. Across the orchard comes the romantic “Coo-coo-coo-coo,” sometimes interpreted into “I-thou-thou-thou,” of the purple plumaged mourning dove, starting out on a high minor and softly falling to a low contralto. There are no more delightful representatives of romantic bird love, than these birds illustrate. More frequently than in any other species you see the devoted pair going about together, on the telegraph wire, on the tree top, on the wing, always together, undulating their graceful necks with marked devotion. Many a bird lover has criticised Mr. Dove for his remarkable fondness for a lady who is a so decidedly slack housekeeper, and who is satisfied with so shiftless a nest in which to deposit the two white eggs, for the few carelessly thrown together sticks can prove anything but a bed of down to the tender bird babies. However, perhaps these romantic birds consider that “love is enough” as they follow Le Gallienne’s refrain of:
