Could it be Warminster?
Letter: TO MISS MONROE
DEAR MISS MONROE, — Many thanks for your letter and your good wishes. It was much my desire to get to Chicago: had I done — or if I yet do — so, I shall hope to see the original of my photograph, which is one of my show possessions; but the fates are rather contrary. My wife is far from well; I myself dread worse than almost any other imaginable peril, that miraculous and really insane invention the American Railroad Car. Heaven help the man — may I add the woman — that sets foot in one! Ah, if it were only an ocean to cross, it would be a matter of small thought to me — and great pleasure. But the railroad car — every man has his weak point; and I fear the railroad car as abjectly as I do an earwig, and, on the whole, on better grounds. You do not know how bitter it is to have to make such a confession; for you have not the pretension nor the weakness of a man. If I do get to Chicago, you will hear of me: so much can be said. And do you never come east?
I was pleased to recognise a word of my poor old Deacon in your letter. It would interest me very much to hear how it went and what you thought of piece and actors; and my collaborator, who knows and respects the photograph, would be pleased too. — Still in the hope of seeing you, I am, yours very truly,
Letter: TO HENRY JAMES
MY DEAR HENRY JAMES, — It may please you to know how our family has been employed. In the silence of the snow the afternoon lamp has lighted an eager fireside group: my mother reading, Fanny, Lloyd, and I devoted listeners; and the work was really one of the best works I ever heard; and its author is to be praised and honoured; and what do you suppose is the name of it? and have you ever read it yourself? and (I am bound I will get to the bottom of the page before I blow the gaff, if I have to fight it out on this line all summer; for if you have not to turn a leaf, there can be no suspense, the conspectory eye being swift to pick out proper names; and without suspense, there can be little pleasure in this world, to my mind at least) — and, in short, the name of it is RODERICK HUDSON, if you please. My dear James, it is very spirited, and very sound, and very noble too. Hudson, Mrs. Hudson, Rowland, O, all first-rate: Rowland a very fine fellow; Hudson as good as he can stick (did you know Hudson? I suspect you did), Mrs. H. his real born mother, a thing rarely managed in fiction.
We are all keeping pretty fit and pretty hearty; but this letter is not from me to you, it is from a reader of R. H. to the author of the same, and it says nothing, and has nothing to say, but thank you.
We are going to re-read CASAMASSIMA as a proper pendant. Sir, I think these two are your best, and care not who knows it.
May I beg you, the next time RODERICK is printed off, to go over the sheets of the last few chapters, and strike out 'immense' and 'tremendous'? You have simply dropped them there like your pocket- handkerchief; all you have to do is to pick them up and pouch them, and your room — what do I say? — your cathedral! — will be swept and garnished. — I am, dear sir, your delighted reader,
P.S. — Perhaps it is a pang of causeless honesty, perhaps. I hope it will set a value on my praise of RODERICK, perhaps it's a burst of the diabolic, but I must break out with the news that I can't bear the PORTRAIT OF A LADY. I read it all, and I wept too; but I can't stand your having written it; and I beg you will write no more of the like. INFRA, sir; Below you: I can't help it — it may be your favourite work, but in my eyes it's BELOW YOU to write and me to read. I thought RODERICK was going to be another such at the beginning; and I cannot describe my pleasure as I found it taking bones and blood, and looking out at me with a moved and human countenance, whose lineaments are written in my memory until my last of days.
My wife begs your forgiveness; I believe for her silence.
Letter: TO SIDNEY COLVIN
MY DEAR COLVIN, — This goes to say that we are all fit, and the place is very bleak and wintry, and up to now has shown no such charms of climate as Davos, but is a place where men eat and where the cattarh, catarrh (cattarrh, or cattarrhh) appears to be unknown. I walk in my verandy in the snaw, sir, looking down over one of those dabbled wintry landscapes that are (to be frank) so chilly to the human bosom, and up at a grey, English — nay, MEHERCLE, Scottish — heaven; and I think it pretty bleak; and the wind swoops at me round the corner, like a lion, and fluffs the snow in my face; and I could aspire to be elsewhere; but yet I do not catch cold, and yet, when I come in, I eat. So that hitherto Saranac, if not deliriously delectable, has not been a failure; nay, from the mere point of view of the wicked body, it has proved a success. But I wish I could still get to the woods; alas, NOUS N'IRONS PLUS AU BOIS is my poor song; the paths are buried, the dingles drifted full, a little walk is grown a long one; till spring comes, I fear the burthen will hold good.
I get along with my papers for SCRIBNER not fast, nor so far specially well; only this last, the fourth one (which makes a third part of my whole task), I do believe is pulled off after a fashion. It is a mere sermon: 'Smith opens out'; but it is true, and I find it touching and beneficial, to me at least; and I think there is some fine writing in it, some very apt and pregnant phrases. PULVIS ET UMBRA, I call it; I might have called it a Darwinian Sermon, if I had wanted. Its sentiments, although parsonic, will not offend even you, I believe. The other three papers, I fear, bear many traces of effort, and the ungenuine inspiration of an income at so much per essay, and the honest desire of the incomer to give good measure for his money. Well, I did my damndest anyway.
We have been reading H. James's RODERICK HUDSON, which I eagerly press you to get at once: it is a book of a high order — the last volume in particular. I wish Meredith would read it. It took my breath away.
I am at the seventh book of the AENEID, and quite amazed at its merits (also very often floored by its difficulties). The Circe passage at the beginning, and the sublime business of Amata with the simile of the boy's top — O Lord, what a happy thought! — have specially delighted me. — I am, dear sir, your respected friend,
JOHN GREGG GILLSON, J.P., M.R.I.A., etc
Letter: TO SIDNEY COLVIN
MY DEAR COLVIN, — Thank you for your explanations. I have done no more Virgil since I finished the seventh book, for I have, first been eaten up with Taine, and next have fallen head over heels into a new tale, THE MASTER OF BALLANTRAE. No thought have I now apart from it, and I have got along up to page ninety-two of the draft with great interest. It is to me a most seizing tale: there are some fantastic elements; the most is a dead genuine human problem — human tragedy, I should say rather. It will be about as long, I imagine, as KIDNAPPED.
(1) My old Lord Durrisdeer. (2) The Master of Ballantrae, AND (3) Henry Durie, HIS SONS. (4) Clementina, ENGAGED TO THE FIRST, MARRIED TO THE SECOND. (5) Ephraim Mackellar, LAND STEWARD AT DURRISDEER AND NARRATOR OF THE MOST OF THE BOOK. (6) Francis Burke, Chevalier de St. Louis, ONE OF PRINCE CHARLIE'S IRISHMEN AND NARRATOR OF THE REST.
Besides these, many instant figures, most of them dumb or nearly so: Jessie Brown the whore, Captain Crail, Captain MacCombie, our old friend Alan Breck, our old friend Riach (both only for an instant), Teach the pirate (vulgarly Blackbeard), John Paul and Macconochie, servants at Durrisdeer. The date is