It is astonishing how small a part Beth's family play in these childish recollections. Her father took very little notice of the children. He was out of health and irritable, and only tried to save himself annoyance; not to disturb him was the object of everybody's life. Probably he only appeared on the scene when Beth was naughty, and the recollection, being painful, was quickly banished. She remembered him coming downstairs when she was standing in the hall one day, when her mother was away from home. He had a letter in his hand, and asked her if she would send her love to mamma. Her heart bounded; it seemed to her such a tremendous thing to be asked; and she was dying to send her love; but such an agony of shyness came upon her, she could not utter a word. She had a little hymn-book in her hand, however, which she held out to her father. No, that would not do. He could not send the book, only her love. Didn't she love mamma? Didn't she! But not a word would come.
All through life she was afflicted with that inability to speak at critical times. Dumb always was she apt to be when her affections were concerned, except occasionally, in moments of strong excitement; and in anger, when she was driven to bay. The intensity of her feelings would probably have made her dumb in any case in moments of emotion; but doubtless the hardness of those about her at this impressionable period strengthened the defect. It is impossible to escape from the hampering influences of our infancy. Among Beth's many recollections of these days, there was not one of a caress given or received, or of any expression of tenderness; and so she never became familiar with the exquisite language of love, and was long in learning that it is not a thing to be ashamed of and concealed.
Later that day, with a mighty effort, she summoned up courage enough to go down to her father. She was determined to send the message to mamma; but when it came to the point, she was again unable to utter a word on the subject. Her mother had gone to stay with her relations in England. Beth found her father in the dining-room, and several other people were present. He was standing by the sideboard, mixing whisky-and-water, so, instead of sending her love to mamma, Beth exclaimed, confidently and pleasantly, "If you drink whisky, you'll be drunk again."
A smart slap rewarded this sally. Beth turned pale and recoiled. It was her first taste of human injustice. To drink and to be drunk was to her merely the natural sequence of cause and effect, and she could not conceive why she should be slapped and turned out of the room so promptly for uttering such a simple truth.
Beth was present at many discussions between her father and mother, and took much interest in them, all the more perhaps, because most of what was said was a mystery to her. She wondered why any mention of the "moon-faced Bessie" disturbed her mother's countenance. Jane Nettles, too – when her mother was out, her father used to come and talk to Jane, and they laughed a good deal. He admired Jane's white teeth, and the children used to make Jane show them her teeth after that.
"Papa says Jane's got nice white teeth," Beth said to her mother one day, and she never forgot the glance which Mrs. Caldwell threw at her husband. His eyes fell before it.
"What! even the servants, Henry!" Mrs. Caldwell exclaimed, and then she left the room. Beth learned what it all meant in after years, the career of one of her brothers furnishing the clue. Like father, like son.
It was after this that Mrs. Caldwell went to visit her relations in England, accompanied by two of the children. It was in the summer, and Jane took Beth to the Castle Hill that morning to see the steamer, with her mother on board, go by. The sea was iridescent, like molten silver, the sky was high and cloudless, and where sea and sky met and mingled on the horizon it was impossible to determine. Numbers of steamers passed far out. They looked quite small, and Beth did not think there was room in any of them for her mother and brother and sister. They did not, therefore, interest her much, nor did the policeman who came and talked to Jane. But the Castle Hill, and the little winding path up which she had come, the green of the grass, the brambles, the ferns, the ruined masonry against which she leant, the union of sea and sky and shore, the light, the colour, absorbed her, and drew her out of herself. Her soul expanded, it spread its wings, it stretched out spiritual arms to meet and clasp the beloved nature of which it felt itself to be a part. It was her earliest recognition of their kinship, a glimpse of greatness, a moment of ecstasy never to be forgotten, the first stirring in herself of the creative faculty, for in her joy she burst out into a little song —
"Far on the borders of the Arcane."
It was as if the pleasure played upon her, using her as a passive instrument by which it attained to audible expression. For how should a child know a word like Arcane? It came to her as things do which we have known and forgotten – the whole song did in fact; but she held it as a possession sacred to herself, and never recorded it, or told more than that one line, although it stayed with her, lingered on her lips, and in her heart, for the rest of her life. It was a great moment for Beth, the moment when her further faculty first awoke. On looking back to it in after years, she fancied she found in it confirmation of an opinion which she afterwards formed. Genius to her was yet only another word for soul. She could not believe that we all have souls, or that they are at all equally developed even in those who have obtained them. She was a child under six at this time, Jane Nettles was a woman between twenty and thirty, and the policeman – she could not say what age he was; but she was the only one of the three that throbbed responsive to the beauty of the wonderful scene before them, or felt her being flooded with the glory of the hour.
Meanwhile, what her parents would have called her education had begun. She went with Mildred, her elder sister, to a day school. They used to run down the street together without a nurse, and the sense of freedom was delicious to Beth. They had to pass the market where the great mealy specimen potatoes were displayed, and Mary Lynch's shop – she was the vegetable woman, who used to talk to Mrs. Caldwell about the children when they went there, and one or the other always called them "poor little bodies," upon which they commented afterwards among themselves. Mary Lynch was a large red-faced woman, and when the children wanted to describe a stout person they always said, "As fat as Mary Lynch." One house which Beth had to pass on her way to school made a strong impression on her imagination. It was a gloomy abode with a broad doorstep and deep portico, broken windows, and a mud-splashed door, from beneath which she always expected to see a slender stream of blood slowly trickling. For a man called Macgregor had murdered his wife there – beaten her brains out with a poker. Beth never heard the name Macgregor in after life without a shiver of dislike. Much of her time at school was spent in solitary confinement for breaches of the peace. With a face as impassive as a monkey's she would do the most mischievous things, and was always experimenting in naughty tricks, as on one occasion when Miss Deeble left the schoolroom for a minute, but had to come hurrying back, recalled by wild shrieks; and found that Beth had managed in that minute to tip up a form with four children on it, throw their books out of the window, and sprinkle ink all over the floor. Miss Deeble marched her downstairs to an empty kitchen, and left her sitting on a stool in the middle of it with an A B C in her hand. But Beth took no interest in the alphabet in those days, and hunted black-beetles with the bellows instead of learning it. The hearthstone was the place of execution. When she found a beetle, she would blow him along to it with the bellows, and there despatch him. She had no horror of any creature in her childhood, but as she matured, her whole temperament changed in this respect, and when she met a beetle on the stairs she would turn and fly rather than pass it, and she would feel nauseated, and shiver with disgust for hours after if she thought of it. She knew the exact moment that this horror came upon her; it happened when she was ten years old. She found a beetle one day lying on its back, and thinking it was dead, she took it up, and was swinging it by its antennæ when the creature suddenly wriggled itself round, and twined its prickly legs about her finger, giving her a start from which she never recovered.
Beth probably got as far as A B ab, while she was at Miss Deeble's; but if she were backward with her book, her other faculties began to be acute. It was down in that empty kitchen that she first felt the enchantment of music. Some one suddenly played the piano overhead and Beth listened spell-bound. Again and again the player played, and always the same thing, practising it. Beth knew every note. Long afterwards she was trying some waltzes of Chopin's, and came upon one with which she was quite familiar. She knew that she had heard it all, over and over again, but could not think when or where. Presently, however,