I was not of a nature to meditate long, without putting my thoughts into action. My spirit had been suddenly aroused, and was now all awake within me. I watched my opportunity, fled from the convent, and made my way on foot to Naples. As I entered its gay and crowded streets, and beheld the variety and stir of life around me, the luxury of palaces, the splendor of equipages, and the pantomimic animation of the motley populace, I seemed as if awakened to a world of enchantment, and solemnly vowed that nothing should force me back to the monotony of the cloister.
I had to inquire my way to my father's palace, for I had been so young on leaving it, that I knew not its situation. I found some difficulty in getting admitted to my father's presence, for the domestics scarcely knew that there was such a being as myself in existence, and my monastic dress did not operate in my favor. Even my father entertained no recollection of my person. I told him my name, threw myself at his feet, implored his forgiveness, and entreated that I might not be sent back to the convent.
He received me with the condescension of a patron rather than the kindness of a parent. He listened patiently, but coldly, to my tale of monastic grievances and disgusts, and promised to think what else could be done for me. This coldness blighted and drove back all the frank affection of my nature that was ready to spring forth at the least warmth of parental kindness. All my early feelings towards my father revived; I again looked up to him as the stately magnificent being that had daunted my childish imagination, and felt as if I had no pretensions to his sympathies. My brother engrossed all his care and love; he inherited his nature, and carried himself towards me with a protecting rather than a fraternal air. It wounded my pride, which was great. I could brook condescension from my father, for I looked up to him with awe as a superior being, but I could not brook patronage from a brother, who, I felt, was intellectually my inferior. The servants perceived that I was an unwelcome intruder in the paternal mansion, and, menial-like, they treated me with neglect. Thus baffled at every point; my affections outraged wherever they would attach themselves, I became sullen, silent, and despondent. My feelings driven back upon myself, entered and preyed upon my own heart. I remained for some days an unwelcome guest rather than a restored son in my father's house. I was doomed never to be properly known there. I was made, by wrong treatment, strange even to myself; and they judged of me from my strangeness.
I was startled one day at the sight of one of the monks of my convent, gliding out of my father's room. He saw me, but pretended not to notice me; and this very hypocrisy made me suspect something. I had become sore and susceptible in my feelings; every thing inflicted a wound on them. In this state of mind I was treated with marked disrespect by a pampered minion, the favorite servant of my father. All the pride and passion of my nature rose in an instant, and I struck him to the earth.
My father was passing by; he stopped not to inquire the reason, nor indeed could he read the long course of mental sufferings which were the real cause. He rebuked me with anger and scorn; he summoned all the haughtiness of his nature, and grandeur of his look, to give weight to the contumely with which he treated me. I felt I had not deserved it – I felt that I was not appreciated – I felt that I had that within me which merited better treatment; my heart swelled against a father's injustice. I broke through my habitual awe of him. I replied to him with impatience; my hot spirit flushed in my cheek and kindled in my eye, but my sensitive heart swelled as quickly, and before I had half vented my passion I felt it suffocated and quenched in my tears. My father was astonished and incensed at this turning of the worm, and ordered me to my chamber. I retired in silence, choking with contending emotions.
I had not been long there when I overheard voices in an adjoining apartment. It was a consultation between my father and the monk, about the means of getting me back quietly to the convent. My resolution was taken. I had no longer a home nor a father. That very night I left the paternal roof. I got on board a vessel about making sail from the harbor, and abandoned myself to the wide world. No matter to what port she steered; any part of so beautiful a world was better than my convent. No matter where I was cast by fortune; any place would be more a home to me than the home I had left behind. The vessel was bound to Genoa. We arrived there after a voyage of a few days.
As I entered the harbor, between the moles which embrace it, and beheld the amphitheatre of palaces and churches and splendid gardens, rising one above another, I felt at once its title to the appellation of Genoa the Superb. I landed on the mole an utter stranger, without knowing what to do, or whither to direct my steps. No matter; I was released from the thraldom of the convent and the humiliations of home! When I traversed the Strada Balbi and the Strada Nuova, those streets of palaces, and gazed at the wonders of architecture around me; when I wandered at close of day, amid a gay throng of the brilliant and the beautiful, through the green alleys of the Aqua Verdi, or among the colonnades and terraces of the magnificent Doria Gardens, I thought it impossible to be ever otherwise than happy in Genoa.
A few days sufficed to show me my mistake. My scanty purse was exhausted, and for the first time in my life I experienced the sordid distress of penury. I had never known the want of money, and had never adverted to the possibility of such an evil. I was ignorant of the world and all its ways; and when first the idea of destitution came over my mind its effect was withering. I was wandering pensively through the streets which no longer delighted my eyes, when chance led my stops into the magnificent church of the Annunciata.
A celebrated painter of the day was at that moment superintending the placing of one of his pictures over an altar. The proficiency which I had acquired in his art during my residence in the convent had made me an enthusiastic amateur. I was struck, at the first glance, with the painting. It was the face of a Madonna. So innocent, so lovely, such a divine expression of maternal tenderness! I lost for the moment all recollection of myself in the enthusiasm of my art. I clasped my hands together, and uttered an ejaculation of delight. The painter perceived my emotion. He was flattered and gratified by it. My air and manner pleased him, and he accosted me. I felt too much the want of friendship to repel the advances of a stranger, and there was something in this one so benevolent and winning that in a moment he gained my confidence.
I told him my story and my situation, concealing only my name and rank. He appeared strongly interested by my recital; invited me to his house, and from that time I became his favorite pupil. He thought he perceived in me extraordinary talents for the art, and his encomiums awakened all my ardor. What a blissful period of my existence was it that I passed beneath his roof. Another being seemed created within me, or rather, all that was amiable and excellent was drawn out. I was as recluse as ever I had been at the convent, but how different was my seclusion. My time was spent in storing my mind with lofty and poetical ideas; in meditating on all that was striking and noble in history or fiction; in studying and tracing all that was sublime and beautiful in nature. I was always a visionary, imaginative being, but now my reveries and imaginings all elevated me to rapture.
I looked up to my master as to a benevolent genius that had opened to me a region of enchantment. I became devotedly attached to him. He was not a native of Genoa, but had been drawn thither by the solicitation of several of the nobility, and had resided there but a few years, for the completion of certain works he had undertaken. His health was delicate, and he had to confide much of the filling up of his designs to the pencils of his scholars. He considered me as particularly happy in delineating the human countenance; in seizing upon characteristic, though fleeting expressions and fixing them powerfully upon my canvas. I was employed continually, therefore, in sketching faces, and often when some particular grace or beauty or expression was wanted in a countenance, it was entrusted to my pencil. My benefactor was fond of bringing me forward; and partly, perhaps, through my actual skill, and partly by his partial praises, I began to be noted for the expression of my countenances.
Among the various works which he had undertaken, was an historical piece for one of the palaces of Genoa,