Before the fire, with his long legs outstretched, stood Gerald Pendyce. And a little apart, her dark eyes fixed on the singer, and a piece of embroidery in her lap, sat Mrs. Pendyce, on the edge of whose skirt lay Roy, the old Skye terrier.
"But had I wist, before I lost,
That love had been sae ill to win;
I had lockt my heart in a case of gowd
And pinn’d it with a siller pin…
O waly! waly! but love be bonny
A little time while it is new,
But when ‘tis auld, it waxeth cauld,
And fades awa’ like morning dew!”
This was the song George heard, trembling and dying to the chords of the fine piano that was a little out of tune.
He gazed at the singer, and though he was not musical, there came a look into his eyes that he quickly hid away.
A slight murmur occurred in the centre of the room, and from the fireplace Gerald called out, “Thanks; that’s rippin!”
The voice of General Pendyce rose in the bay-window: “Check!”
Mrs. Pendyce, taking up her embroidery, on which a tear had dropped, said gently:
“Thank you, dear; most charming!”
Mrs. Bellew left the piano, and sat down beside her. George moved into the bay-window. He knew nothing of chess-indeed, he could not stand the game; but from here, without attracting attention, he could watch Mrs. Bellew.
The air was drowsy and sweet-scented; a log of cedarwood had just been put on the fire; the voices of his mother and Mrs. Bellew, talking of what he could not hear, the voices of Lady Malden, Mrs. Brandwhite, and Gerald, discussing some neighbours, of Mrs. Winlow dissenting or assenting in turn, all mingled in a comfortable, sleepy sound, clipped now and then by the voice of General Pendyce calling, “Check!” and of Bee saying, “Oh, uncle!”
A feeling of rage rose in George. Why should they all be so comfortable and cosy while this perpetual fire was burning in himself? And he fastened his moody eyes on her who was keeping him thus dancing to her pipes.
He made an awkward movement which shook the chess-table. The General said behind him: “Look out, George! What – what!”
George went up to his mother.
“Let’s have a look at that, Mother.”
Mrs. Pendyce leaned back in her chair and handed up her work with a smile of pleased surprise.
“My dear boy, you won’t understand it a bit. It’s for the front of my new frock.”
George took the piece of work. He did not understand it, but turning and twisting it he could breathe the warmth of the woman he loved. In bending over the embroidery he touched Mrs. Bellew’s shoulder; it was not drawn away, a faint pressure seemed to answer his own. His mother’s voice recalled him:
“Oh, my needle, dear! It’s so sweet of you, but perhaps”
George handed back the embroidery. Mrs. Pendyce received it with a grateful look. It was the first time he had ever shown an interest in her work.
Mrs. Bellew had taken up a palm-leaf fan to screen her face from the fire. She said slowly:
“If we win to-morrow I’ll embroider you something, George.”
“And if we lose?”
Mrs. Bellew raised her eyes, and involuntarily George moved so that his mother could not see the sort of slow mesmerism that was in them.
“If we lose,” she said, “I shall sink into the earth. We must win, George.”
He gave an uneasy little laugh, and glanced quickly at his mother. Mrs. Pendyce had begun to draw her needle in and out with a half-startled look on her face.
“That’s a most haunting little song you sang, dear,” she said.
Mrs. Bellew answered: “The words are so true, aren’t they?”
George felt her eyes on him, and tried to look at her, but those half-smiling, half-threatening eyes seemed to twist and turn him about as his hands had twisted and turned about his mother’s embroidery. Again across Mrs. Pendyce’s face flitted that half-startled look.
Suddenly General Pendyce’s voice was heard saying very loud, “Stale? Nonsense, Bee, nonsense! Why, damme, so it is!”
A hum of voices from the centre of the room covered up that outburst, and Gerald, stepping to the hearth, threw another cedar log upon the fire. The smoke came out in a puff.
Mrs. Pendyce leaned back in her chair smiling, and wrinkling her fine, thin nose.
“Delicious!” she said, but her eyes did not leave her son’s face, and in them was still that vague alarm.
CHAPTER IV
THE HAPPY HUNTING-GROUND
Of all the places where, by a judicious admixture of whip and spur, oats and whisky, horses are caused to place one leg before another with unnecessary rapidity, in order that men may exchange little pieces of metal with the greater freedom, Newmarket Heath is “the topmost, and merriest, and best.”
This museum of the state of flux – the secret reason of horse-racing being to afford an example of perpetual motion (no proper racing-man having ever been found to regard either gains or losses in the light of an accomplished fact) – this museum of the state of flux has a climate unrivalled for the production of the British temperament.
Not without a due proportion of that essential formative of character, east wind, it has at once the hottest sun, the coldest blizzards, the wettest rain, of any place of its size in the “three kingdoms.” It tends – in advance even of the City of London – to the nurture and improvement of individualism, to that desirable “I’ll see you d – d” state of mind which is the proud objective of every Englishman, and especially of every country gentleman. In a word – a mother to the self-reliant secretiveness which defies intrusion and forms an integral part in the Christianity of this country – Newmarket Heath is beyond all others the happy hunting-ground of the landed classes.
In the Paddock half an hour before the Rutlandshire Handicap was to be run numbers of racing-men were gathered in little knots of two and three, describing to each other with every precaution the points of strength in the horses they had laid against, the points of weakness in the horses they had backed, or vice versa, together with the latest discrepancies of their trainers and jockeys. At the far end George Pendyce, his trainer Blacksmith, and his jockey Swells, were talking in low tones. Many people have observed with surprise the close-buttoned secrecy of all who have to do with horses. It is no matter for wonder. The horse is one of those generous and somewhat careless animals that, if not taken firmly from the first, will surely give itself away. Essential to a man who has to do with horses is a complete closeness of physiognomy, otherwise the animal will never know what is expected of him. The more that is expected of him, the closer must be the expression of his friends, or a grave fiasco may have to be deplored.
It was for these reasons that George’s face wore more than its habitual composure, and the faces of his trainer and his jockey were alert, determined, and expressionless. Blacksmith, a little man, had in his hand a short notched cane, with which, contrary to expectation, he did not switch his legs. His eyelids drooped over his shrewd eyes, his upper lip advanced over the lower, and he wore no hair on his face. The Jockey Swells’