A constant lamentation ascends from the depths of the ergastula. The soft and monotonous sounds of a hydraulic organ alternate with the chorus of voices; and one feels as if all around the hall there was an immense city, an ocean of humanity, whose waves were beating against the walls.
The slaves rush forward carrying plates. Women run about offering drink to the guests. The baskets groan under the load of bread, and a dromedary, laden with leathern bottles, passes to and fro, letting vervain trickle over the floor in order to cool it.
Belluarii lead forth lions; dancing-girls, with their hair in ringlets, turn somersaults, while squirting fire through their nostrils; negro-jugglers perform tricks; naked children fling snowballs, which, in falling, crash against the shining silver plate. The clamour is so dreadful that it might be described as a tempest, and the steam of the viands, as well as the respirations of the guests, spreads, as it were, a cloud over the feast. Now and then, flakes from the huge torches, snatched away by the wind, traverse the night like flying stars.
The King wipes off the perfumes from his visage with his hand. He eats from the sacred vessels, and then breaks them, and he enumerates, mentally, his fleets, his armies, his peoples. Presently, through a whim, he will burn his palace, along with his guests. He calculates on rebuilding the Tower of Babel, and dethroning God.
Antony reads, at a distance, on his forehead, all his thoughts. They take possession of himself – and he becomes Nebuchadnezzar.
Immediately, he is satiated with conquests and exterminations; and a longing seizes him to plunge into every kind of vileness. Moreover, the degradation wherewith men are terrified is an outrage done to their souls, a means still more of stupefying them; and, as nothing is lower than a brute beast, Antony falls upon four paws on the table, and bellows like a bull.
He feels a pain in his hand – a pebble, as it happened, has hurt him – and he again finds himself in his cell.
The rocky enclosure is empty. The stars are shining. All is silence.
"Once more I have been deceived. Why these things? They arise from the revolts of the flesh! Ah! miserable man that I am!"
He dashes into his cell, takes out of it a bundle of cords, with iron nails at the ends of them, strips himself to the waist, and raising his eyes towards Heaven:
"Accept my penance, O my God! Do not despise it on account of its insufficiency. Make it sharp, prolonged, excessive. It is time! To work!"
He proceeds to lash himself vigorously.
"Ah! no! no! No pity!"
He begins again.
"Oh! Oh! Oh! Each stroke tears my skin, cuts my limbs. This smarts horribly! Ah! it is not so terrible! One gets used to it. It seems to me even …"
Antony stops.
"Come on, then, coward! Come on, then! Good! good! On the arms, on the back, on the breast, against the belly, everywhere! Hiss, thongs! bite me! tear me! I would like the drops of my blood to gush forth to the stars, to break my back, to strip my nerves bare! Pincers! wooden horses! molten lead! The martyrs bore more than that! Is that not so, Ammonaria?"
The shadows of the Devil's horns reappear.
"I might have been fastened to the pillar next to yours, face to face with you, under your very eyes, responding to your shrieks with my sighs, and our griefs would blend into one, and our souls would commingle."
He flogs himself furiously.
"Hold! hold! for your sake! once more! … But this is a mere tickling that passes through my frame. What torture! What delight! Those are like kisses. My marrow is melting! I am dying!"
And in front of him he sees three cavaliers, mounted on wild asses, clad in green garments, holding lilies in their hands, and all resembling one another in figure.
Antony turns back, and sees three other cavaliers of the same kind, mounted on similar wild asses, in the same attitude.
He draws back. Then the wild asses, all at the same time, step forward a pace or two, and rub their snouts against him, trying to bite his garment. Voices exclaim, "This way! this way! Here is the place!" And banners appear between the clefts of the mountain, with camels' heads in halters of red silk, mules laden with baggage, and women covered with yellow veils, mounted astride on piebald horses.
The panting animals lie down; the slaves fling themselves on the bales of goods, roll out the variegated carpets, and strew the ground with glittering objects.
A white elephant, caparisoned with a fillet of gold, runs along, shaking the bouquet of ostrich feathers attached to his head-band.
On his back, lying on cushions of blue wool, cross-legged, with eyelids half-closed and well-poised head, is a woman so magnificently attired that she emits rays around her. The attendants prostrate themselves, the elephant bends his knees, and the Queen of Sheba, gliding down by his shoulder, steps lightly on the carpet and advances towards Antony. Her robe of gold brocade, regularly divided by furbelows of pearls, jet and sapphires, is drawn tightly round her waist by a close-fitting corsage, set off with a variety of colours representing the twelve signs of the Zodiac. She wears high-heeled pattens, one of which is black and strewn with silver stars and a crescent, whilst the other is white and is covered with drops of gold, with a sun in their midst.
Her loose sleeves, garnished with emeralds and birds' plumes, exposes to view her little, rounded arms, adorned at the wrists with bracelets of ebony; and her hands, covered with rings, are terminated by nails so pointed that the ends of her fingers are almost like needles.
A chain of plate gold, passing under her chin, runs along her cheeks till it twists itself in spiral fashion around her head, over which blue powder is scattered; then, descending, it slips over her shoulders and is fastened above her bosom by a diamond scorpion, which stretches out its tongue between her breasts. From her ears hang two great white pearls. The edges of her eyelids are painted black. On her left cheek-bone she has a natural brown spot, and when she opens her mouth she breathes with difficulty, as if her bodice distressed her.
As she comes forward, she swings a green parasol with an ivory handle surrounded by vermilion bells; and twelve curly negro boys carry the long train of her robe, the end of which is held by an ape, who raises it every now and then.
She says:
"Ah! handsome hermit! handsome hermit! My heart is faint! By dint of stamping with impatience my heels have grown hard, and I have split one of my toe-nails. I sent out shepherds, who posted themselves on the mountains, with their bands stretched over their eyes, and searchers, who cried out your name in the woods, and scouts, who ran along the different roads, saying to each passer-by: 'Have you seen him?'
"At night I shed tears with my face turned to the wall. My tears, in the long run, made two little holes in the mosaic-work – like pools of water in rocks – for I love you! Oh! yes; very much!"
She catches his beard.
"Smile on me, then, handsome hermit! Smile on me, then! You will find I am very gay! I play on the lyre, I dance like a bee, and I can tell many stories, each one more diverting than the last.
"You cannot imagine what a long journey we have made. Look at the wild asses of the green-clad couriers – dead through fatigue!"
The wild asses are stretched motionless on the ground.
"For three great moons they have journeyed at an even pace, with pebbles in their teeth to cut the wind, their tails always erect, their hams always bent, and always in full gallop. You will not find their equals. They came to me from my maternal grandfather, the Emperor Saharil, son of Jakhschab, son of Jaarab, son of Kastan. Ah! if they were still living, we would put them under a litter in order to get home quickly. But … how now? … What are you thinking of?"
She inspects him.
"Ah! when