‘I can show you, by actual example, if you will come to the chapel?’ he returned hesitatingly.
‘Don’t go on purpose to show me – when you are there on your own account I will come in.’
‘I shall be there in half-an-hour.’
‘Very well,’ said Paula. She looked out of a window, and, seeing Miss De Stancy on the terrace, left him.
Somerset stood thinking of what he had said. He had no occasion whatever to go into the chapel of the castle that day. He had been tempted by her words to say he would be there, and ‘half-an-hour’ had come to his lips almost without his knowledge. This community of interest – if it were not anything more tender – was growing serious. What had passed between them amounted to an appointment; they were going to meet in the most solitary chamber of the whole solitary pile. Could it be that Paula had well considered this in replying with her friendly ‘Very well?’ Probably not.
Somerset proceeded to the chapel and waited. With the progress of the seconds towards the half-hour he began to discover that a dangerous admiration for this girl had risen within him. Yet so imaginative was his passion that he hardly knew a single feature of her countenance well enough to remember it in her absence. The meditative judgment of things and men which had been his habit up to the moment of seeing her in the Baptist chapel seemed to have left him – nothing remained but a distracting wish to be always near her, and it was quite with dismay that he recognized what immense importance he was attaching to the question whether she would keep the trifling engagement or not.
The chapel of Stancy Castle was a silent place, heaped up in corners with a lumber of old panels, framework, and broken coloured glass. Here no clock could be heard beating out the hours of the day – here no voice of priest or deacon had for generations uttered the daily service denoting how the year rolls on. The stagnation of the spot was sufficient to draw Somerset’s mind for a moment from the subject which absorbed it, and he thought, ‘So, too, will time triumph over all this fervour within me.’
Lifting his eyes from the floor on which his foot had been tapping nervously, he saw Paula standing at the other end. It was not so pleasant when he also saw that Mrs. Goodman accompanied her. The latter lady, however, obligingly remained where she was resting, while Paula came forward, and, as usual, paused without speaking.
‘It is in this little arcade that the example occurs,’ said Somerset.
‘O yes,’ she answered, turning to look at it.
‘Early piers, capitals, and mouldings, generally alternated with deep hollows, so as to form strong shadows. Now look under the abacus of this capital; you will find the stone hollowed out wonderfully; and also in this arch-mould. It is often difficult to understand how it could be done without cracking off the stone. The difference between this and late work can be felt by the hand even better than it can be seen.’ He suited the action to the word and placed his hand in the hollow.
She listened attentively, then stretched up her own hand to test the cutting as he had done; she was not quite tall enough; she would step upon this piece of wood. Having done so she tried again, and succeeded in putting her finger on the spot. No; she could not understand it through her glove even now. She pulled off her glove, and, her hand resting in the stone channel, her eyes became abstracted in the effort of realization, the ideas derived through her hand passing into her face.
‘No, I am not sure now,’ she said.
Somerset placed his own hand in the cavity. Now their two hands were close together again. They had been close together half-an-hour earlier, and he had sedulously avoided touching hers. He dared not let such an accident happen now. And yet – surely she saw the situation! Was the inscrutable seriousness with which she applied herself to his lesson a mockery? There was such a bottomless depth in her eyes that it was impossible to guess truly. Let it be that destiny alone had ruled that their hands should be together a second time.
All rumination was cut short by an impulse. He seized her forefinger between his own finger and thumb, and drew it along the hollow, saying, ‘That is the curve I mean.’
Somerset’s hand was hot and trembling; Paula’s, on the contrary, was cool and soft as an infant’s.
‘Now the arch-mould,’ continued he. ‘There – the depth of that cavity is tremendous, and it is not geometrical, as in later work.’ He drew her unresisting fingers from the capital to the arch, and laid them in the little trench as before.
She allowed them to rest quietly there till he relinquished them. ‘Thank you,’ she then said, withdrawing her hand, brushing the dust from her finger-tips, and putting on her glove.
Her imperception of his feeling was the very sublimity of maiden innocence if it were real; if not, well, the coquetry was no great sin.
‘Mr. Somerset, will you allow me to have the Greek court I mentioned?’ she asked tentatively, after a long break in their discourse, as she scanned the green stones along the base of the arcade, with a conjectural countenance as to his reply.
‘Will your own feeling for the genius of the place allow you?’
‘I am not a mediaevalist: I am an eclectic.’
‘You don’t dislike your own house on that account.’
‘I did at first – I don’t so much now… I should love it, and adore every stone, and think feudalism the only true romance of life, if – ’
‘What?’
‘If I were a De Stancy, and the castle the long home of my forefathers.’
Somerset was a little surprised at the avowal: the minister’s words on the effects of her new environment recurred to his mind. ‘Miss De Stancy doesn’t think so,’ he said. ‘She cares nothing about those things.’
Paula now turned to him: hitherto her remarks had been sparingly spoken, her eyes being directed elsewhere: ‘Yes, that is very strange, is it not?’ she said. ‘But it is owing to the joyous freshness of her nature which precludes her from dwelling on the past – indeed, the past is no more to her than it is to a sparrow or robin. She is scarcely an instance of the wearing out of old families, for a younger mental constitution than hers I never knew.’
‘Unless that very simplicity represents the second childhood of her line, rather than her own exclusive character.’
Paula shook her head. ‘In spite of the Greek court, she is more Greek than I.’
‘You represent science rather than art, perhaps.’
‘How?’ she asked, glancing up under her hat.
‘I mean,’ replied Somerset, ‘that you represent the march of mind – the steamship, and the railway, and the thoughts that shake mankind.’
She weighed his words, and said: ‘Ah, yes: you allude to my father. My father was a great man; but I am more and more forgetting his greatness: that kind of greatness is what a woman can never truly enter into. I am less and less his daughter every day that goes by.’
She walked away a few steps to rejoin the excellent Mrs. Goodman, who, as Somerset still perceived, was waiting for Paula at the discreetest of distances in the shadows at the farther end of the building. Surely Paula’s voice had faltered, and she had turned to hide a tear?
She came back again. ‘Did you know that my father made half the railways in Europe, including that one over there?’ she said, waving her little gloved hand in the direction whence low rumbles were occasionally heard during the day.
‘Yes.’
‘How did you know?’
‘Miss De Stancy told me a little; and I then found his name and doings were quite familiar to me.’
Curiously enough, with his words there came through the broken windows the murmur of a train in the distance, sounding