Now the elements earth, air, fire, water, exist in us, and they exist in the cosmos; but they are purer and fairer in the cosmos than they are in us, and they come to us from thence. And as we have a soul as well as a body, in like manner the elements of the finite, the infinite, the union of the two, and the cause, are found to exist in us. And if they, like the elements, exist in us, and the three first exist in the world, must not the fourth or cause which is the noblest of them, exist in the world? And this cause is wisdom or mind, the royal mind of Zeus, who is the king of all, as there are other gods who have other noble attributes. Observe how well this agrees with the testimony of men of old, who affirmed mind to be the ruler of the universe. And remember that mind belongs to the class which we term the cause, and pleasure to the infinite or indefinite class. We will examine the place and origin of both.
What is the origin of pleasure? Her natural seat is the mixed class, in which health and harmony were placed. Pain is the violation, and pleasure the restoration of limit. There is a natural union of finite and infinite, which in hunger, thirst, heat, cold, is impaired – this is painful, but the return to nature, in which the elements are restored to their normal proportions, is pleasant. Here is our first class of pleasures. And another class of pleasures and pains are hopes and fears; these are in the mind only. And inasmuch as the pleasures are unalloyed by pains and the pains by pleasures, the examination of them may show us whether all pleasure is to be desired, or whether this entire desirableness is not rather the attribute of another class. But if pleasures and pains consist in the violation and restoration of limit, may there not be a neutral state, in which there is neither dissolution nor restoration? That is a further question, and admitting, as we must, the possibility of such a state, there seems to be no reason why the life of wisdom should not exist in this neutral state, which is, moreover, the state of the gods, who cannot, without indecency, be supposed to feel either joy or sorrow.
The second class of pleasures involves memory. There are affections which are extinguished before they reach the soul, and of these there is no consciousness, and therefore no memory. And there are affections which the body and soul feel together, and this feeling is termed consciousness. And memory is the preservation of consciousness, and reminiscence is the recovery of consciousness. Now the memory of pleasure, when a man is in pain, is the memory of the opposite of his actual bodily state, and is therefore not in the body, but in the mind. And there may be an intermediate state, in which a person is balanced between pleasure and pain; in his body there is want which is a cause of pain, but in his mind a sure hope of replenishment, which is pleasant. (But if the hope be converted into despair, he has two pains and not a balance of pain and pleasure.) Another question is raised: May not pleasures, like opinions, be true and false? In the sense of being real, both must be admitted to be true: nor can we deny that to both of them qualities may be attributed; for pleasures as well as opinions may be described as good or bad. And though we do not all of us allow that there are true and false pleasures, we all acknowledge that there are some pleasures associated with right opinion, and others with falsehood and ignorance. Let us endeavour to analyze the nature of this association.
Opinion is based on perception, which may be correct or mistaken. You may see a figure at a distance, and say first of all, 'This is a man,' and then say, 'No, this is an image made by the shepherds.' And you may affirm this in a proposition to your companion, or make the remark mentally to yourself. Whether the words are actually spoken or not, on such occasions there is a scribe within who registers them, and a painter who paints the images of the things which the scribe has written down in the soul, – at least that is my own notion of the process; and the words and images which are inscribed by them may be either true or false; and they may represent either past, present, or future. And, representing the future, they must also represent the pleasures and pains of anticipation – the visions of gold and other fancies which are never wanting in the mind of man. Now these hopes, as they are termed, are propositions, which are sometimes true, and sometimes false; for the good, who are the friends of the gods, see true pictures of the future, and the bad false ones. And as there may be opinion about things which are not, were not, and will not be, which is opinion still, so there may be pleasure about things which are not, were not, and will not be, which is pleasure still, – that is to say, false pleasure; and only when false, can pleasure, like opinion, be vicious. Against this conclusion Protarchus reclaims.
Leaving his denial for the present, Socrates proceeds to show that some pleasures are false from another point of view. In desire, as we admitted, the body is divided from the soul, and hence pleasures and pains are often simultaneous. And we further admitted that both of them belonged to the infinite class. How, then, can we compare them? Are we not liable, or rather certain, as in the case of sight, to be deceived by distance and relation? In this case the pleasures and pains are not false because based upon false opinion, but are themselves false. And there is another illusion: pain has often been said by us to arise out of the derangement – pleasure out of the restoration – of our nature. But in passing from one to the other, do we not experience neutral states, which although they appear pleasureable or painful are really neither? For even if we admit, with the wise man whom Protarchus loves (and only a wise man could have ever entertained such a notion), that all things are in a perpetual flux, still these changes are often unconscious, and devoid either of pleasure or pain. We assume, then, that there are three states – pleasureable, painful, neutral; we may embellish a little by calling them gold, silver, and that which is neither.
But there are certain natural philosophers who will not admit a third state. Their instinctive dislike to pleasure leads them to affirm that pleasure is only the absence of pain. They are noble fellows, and, although we do not agree with them, we may use them as diviners who will indicate to us the right track. They will say, that the nature of anything is best known from the examination of extreme cases, e.g. the nature of hardness from the examination of the hardest things; and that the nature of pleasure will be best understood from an examination of the most intense pleasures. Now these are the pleasures of the body, not of the mind; the pleasures of disease and not of health, the pleasures of the intemperate and not of the temperate. I am speaking, not of the frequency or continuance, but only of the intensity of such pleasures, and this is given them by contrast with the pain or sickness of body which precedes them. Their morbid nature is illustrated by the lesser instances of itching and scratching, respecting which I swear that I cannot tell whether they are a pleasure or a pain. (1) Some of these arise out of a transition from one state of the body to another, as from cold to hot; (2) others are caused by the contrast of an internal pain and an external pleasure in the body: sometimes the feeling of pain predominates, as in itching and tingling, when they are relieved by scratching; sometimes the feeling of pleasure: or the pleasure which they give may be quite overpowering, and is then accompanied by all sorts of unutterable feelings which have a death of delights in them. But there are also mixed pleasures which are in the mind only. For are not love and sorrow as well as anger 'sweeter than honey,' and also full of pain? Is there not a mixture of feelings in the spectator of tragedy? and of comedy also? 'I do not understand that last.' Well, then, with the view of lighting up the obscurity of these mixed feelings, let me ask whether envy is painful. 'Yes.' And yet the envious man finds something pleasing in the misfortunes of others? 'True.' And ignorance is a misfortune? 'Certainly.' And one form of ignorance is self-conceit – a man may fancy himself richer, fairer, better, wiser than he is? 'Yes.' And he who thus deceives himself may be strong or weak? 'He may.' And if he is strong we fear him, and if he is weak we laugh at him, which is a pleasure, and yet we envy him, which is a pain? These mixed feelings are the rationale of tragedy and comedy, and equally the rationale of the greater drama of human life. (There appears to be some confusion in this passage. There is no difficulty in seeing that in comedy, as in tragedy, the spectator may view the performance with mixed feelings