“Some dog, eh?” the steward boasted.
“But how did he know you wanted him?” the planter queried. “You never called him.”
“Mental telepathy, the affinity of souls pitched in the same whatever-you-call-it harmony,” the steward mystified. “You see, Killeny an’ me are made of the same kind of stuff, only run into different moulds. He might a-been my full brother, or me his, only for some mistake in the creation factory somewhere. Now I’ll show you he knows his bit of arithmetic.”
And, drawing the paper balls from his pocket, Dag Daughtry demonstrated to the amazement and satisfaction of the ring of passengers Michael’s ability to count to five.
“Why, sir,” Daughtry concluded the performance, “if I was to order four glasses of beer in a public-house ashore, an’ if I was absent-minded an’ didn’t notice the waiter ’d only brought three, Killeny Boy there ’d raise a row instanter.”
Kwaque was no longer compelled to enjoy his jews’ harp on the gratings over the fire-room, now that Michael’s presence on the Makambo was known, and, in the stateroom, on stolen occasions, he made experiments of his own with Michael. Once the jews’ harp began emitting its barbaric rhythms, Michael was helpless. He needs must open his mouth and pour forth an unwilling, gushing howl. But, as with Jerry, it was not mere howl. It was more akin to a mellow singing; and it was not long before Kwaque could lead his voice up and down, in rough time and tune, within a definite register.
Michael never liked these lessons, for, looking down upon Kwaque, he hated in any way to be under the black’s compulsion. But all this was changed when Dag Daughtry surprised them at a singing lesson. He resurrected the harmonica with which it was his wont, ashore in public-houses, to while away the time between bottles. The quickest way to start Michael singing, he discovered, was with minors; and, once started, he would sing on and on for as long as the music played. Also, in the absence of an instrument, Michael would sing to the prompting and accompaniment of Steward’s voice, who would begin by wailing “kow-kow” long and sadly, and then branch out on some old song or ballad. Michael had hated to sing with Kwaque, but he loved to do it with Steward, even when Steward brought him on deck to perform before the laughter-shrieking passengers.
Two serious conversations were held by the steward toward the close of the voyage: one with Captain Duncan and one with Michael.
“It’s this way, Killeny,” Daughtry began, one evening, Michael’s head resting on his lord’s knees as he gazed adoringly up into his lord’s face, understanding no whit of what was spoken but loving the intimacy the sounds betokened. “I stole you for beer money, an’ when I saw you there on the beach that night I knew you’d bring ten quid anywheres. Ten quid’s a horrible lot of money. Fifty dollars in the way the Yankees reckon it, an’ a hundred Mex in China fashion.
“Now, fifty dollars gold ’d buy beer to beat the band – enough to drown me if I fell in head first. Yet I want to ask you one question. Can you see me takin’ ten quid for you?.. Go on. Speak up. Can you?”
And Michael, with thumps of tail to the floor and a high sharp bark, showed that he was in entire agreement with whatever had been propounded.
“Or say twenty quid, now. That’s a fair offer. Would I? Eh! Would I? Not on your life. What d’ye say to fifty quid? That might begin to interest me, but a hundred quid would interest me more. Why, a hundred quid all in beer ’d come pretty close to floatin’ this old hooker. But who in Sam Hill’d offer a hundred quid? I’d like to clap eyes on him once, that’s all, just once. D’ye want to know what for? All right. I’ll whisper it. So as I could tell him to go to hell. Sure, Killeny Boy, just like that – oh, most polite, of course, just a kindly directin’ of his steps where he’d never suffer from frigid extremities.”
Michael’s love for Steward was so profound as almost to be a mad but enduring infatuation. What the steward’s regard for Michael was coming to be was best evidenced by his conversation with Captain Duncan.
“Sure, sir, he must ’ve followed me on board,” Daughtry finished his unveracious recital. “An’ I never knew it. Last I seen of ’m was on the beach. Next I seen of ’m there, he was fast asleep in my bunk. Now how’d he get there, sir? How’d he pick out my room? I leave it to you, sir. I call it marvellous, just plain marvellous.”
“With a quartermaster at the head of the gangway!” Captain Duncan snorted. “As if I didn’t know your tricks, Steward. There’s nothing marvellous about it. Just a plain case of steal. Followed you on board? That dog never came over the side. He came through a port-hole, and he never came through by himself. That nigger of yours, I’ll wager, had a hand in the helping. But let’s have done with beating about the bush. Give me the dog, and I’ll say no more about the cat.”
“Seein’ you believe what you believe, then you’d be for compoundin’ the felony,” Daughtry retorted, the habitual obstinate tightening of his brows showing which way his will set. “Me, sir, I’m only a ship’s steward, an’ it wouldn’t mean nothin’ at all bein’ arrested for dog-stealin’; but you, sir, a captain of a fine steamer, how’d it sound for you, sir? No, sir; it’d be much wiser for me to keep the dog that followed me aboard.”
“I’ll give ten pounds in the bargain,” the captain proffered.
“No, it wouldn’t do, it wouldn’t do at all, sir, an’ you a captain,” the steward continued to reiterate, rolling his head sombrely. “Besides, I know where’s a peach of an Angora in Sydney. The owner is gone to the country an’ has no further use of it, an’ it’d be a kindness to the cat, air to give it a good regular home like the Makambo.”
CHAPTER VIIII
Another trick Dag Daughtry succeeded in teaching Michael so enhanced him in Captain Duncan’s eyes as to impel him to offer fifty pounds, “and never mind the cat.” At first, Daughtry practised the trick in private with the chief engineer and the Shortlands planter. Not until thoroughly satisfied did he make a public performance of it.
“Now just suppose you’re policemen, or detectives,” Daughtry told the first and third officers, “an’ suppose I’m guilty of some horrible crime. An’ suppose Killeny is the only clue, an’ you’ve got Killeny. When he recognizes his master – me, of course – you’ve got your man. You go down the deck with him, leadin’ by the rope. Then you come back this way with him, makin’ believe this is the street, an’ when he recognizes me you arrest me. But if he don’t realize me, you can’t arrest me. See?”
The two officers led Michael away, and after several minutes returned along the deck, Michael stretched out ahead on the taut rope seeking Steward.
“What’ll you take for the dog?” Daughtry demanded, as they drew near – this the cue he had trained Michael to know.
And Michael, straining at the rope, went by, without so much as a wag of tail to Steward or a glance of eye. The officers stopped before Daughtry and drew Michael back into the group.
“He’s a lost dog,” said the first officer.
“We’re trying to find his owner,” supplemented the third.
“Some dog that – what’ll you take for ’m?” Daughtry asked, studying Michael with critical eyes of interest. “What kind of a temper’s he got?”
“Try him,” was the answer.
The steward put out his hand to pat him on the head, but withdrew it hastily as Michael, with bristle and growl, viciously bared his teeth.
“Go on, go on, he won’t hurt you,” the delighted passengers urged.
This