In the year 1861 his wife died, leaving him a widower with two children. The elder, a son named Owen, now just turned seventeen, was taken from school, and initiated as pupil to the profession of architect in his father’s office. The remaining child was a daughter, and Owen’s junior by a year.
Her christian name was Cytherea, and it is easy to guess why.
3. OCTOBER THE TWELFTH, 1863
We pass over two years in order to reach the next cardinal event of these persons’ lives. The scene is still the Grayes’ native town of Hocbridge, but as it appeared on a Monday afternoon in the month of October.
The weather was sunny and dry, but the ancient borough was to be seen wearing one of its least attractive aspects. First on account of the time. It was that stagnant hour of the twenty-four when the practical garishness of Day, having escaped from the fresh long shadows and enlivening newness of the morning, has not yet made any perceptible advance towards acquiring those mellow and soothing tones which grace its decline. Next, it was that stage in the progress of the week when business – which, carried on under the gables of an old country place, is not devoid of a romantic sparkle – was well-nigh extinguished. Lastly, the town was intentionally bent upon being attractive by exhibiting to an influx of visitors the local talent for dramatic recitation, and provincial towns trying to be lively are the dullest of dull things.
Little towns are like little children in this respect, that they interest most when they are enacting native peculiarities unconscious of beholders. Discovering themselves to be watched they attempt to be entertaining by putting on an antic, and produce disagreeable caricatures which spoil them.
The weather-stained clock-face in the low church tower standing at the intersection of the three chief streets was expressing half-past two to the Town Hall opposite, where the much talked-of reading from Shakespeare was about to begin. The doors were open, and those persons who had already assembled within the building were noticing the entrance of the new-comers – silently criticizing their dress – questioning the genuineness of their teeth and hair – estimating their private means.
Among these later ones came an exceptional young maiden who glowed amid the dulness like a single bright-red poppy in a field of brown stubble. She wore an elegant dark jacket, lavender dress, hat with grey strings and trimmings, and gloves of a colour to harmonize. She lightly walked up the side passage of the room, cast a slight glance around, and entered the seat pointed out to her.
The young girl was Cytherea Graye; her age was now about eighteen. During her entry, and at various times whilst sitting in her seat and listening to the reader on the platform, her personal appearance formed an interesting subject of study for several neighbouring eyes.
Her face was exceedingly attractive, though artistically less perfect than her figure, which approached unusually near to the standard of faultlessness. But even this feature of hers yielded the palm to the gracefulness of her movement, which was fascinating and delightful to an extreme degree.
Indeed, motion was her speciality, whether shown on its most extended scale of bodily progression, or minutely, as in the uplifting of her eyelids, the bending of her fingers, the pouting of her lip. The carriage of her head – motion within motion – a glide upon a glide – was as delicate as that of a magnetic needle. And this flexibility and elasticity had never been taught her by rule, nor even been acquired by observation, but, nullo cultu, had naturally developed itself with her years. In childhood, a stone or stalk in the way, which had been the inevitable occasion of a fall to her playmates, had usually left her safe and upright on her feet after the narrowest escape by oscillations and whirls for the preservation of her balance. At mixed Christmas parties, when she numbered but twelve or thirteen years, and was heartily despised on that account by lads who deemed themselves men, her apt lightness in the dance covered this incompleteness in her womanhood, and compelled the self-same youths in spite of resolutions to seize upon her childish figure as a partner whom they could not afford to contemn. And in later years, when the instincts of her sex had shown her this point as the best and rarest feature in her external self, she was not found wanting in attention to the cultivation of finish in its details.
Her hair rested gaily upon her shoulders in curls and was of a shining corn yellow in the high lights, deepening to a definite nut-brown as each curl wound round into the shade. She had eyes of a sapphire hue, though rather darker than the gem ordinarily appears; they possessed the affectionate and liquid sparkle of loyalty and good faith as distinguishable from that harder brightness which seems to express faithfulness only to the object confronting them.
But to attempt to gain a view of her – or indeed of any fascinating woman – from a measured category, is as difficult as to appreciate the effect of a landscape by exploring it at night with a lantern – or of a full chord of music by piping the notes in succession. Nevertheless it may readily be believed from the description here ventured, that among the many winning phases of her aspect, these were particularly striking: —
During pleasant doubt, when her eyes brightened stealthily and smiled (as eyes will smile) as distinctly as her lips, and in the space of a single instant expressed clearly the whole round of degrees of expectancy which lie over the wide expanse between Yea and Nay.
During the telling of a secret, which was involuntarily accompanied by a sudden minute start, and ecstatic pressure of the listener’s arm, side, or neck, as the position and degree of intimacy dictated.
When anxiously regarding one who possessed her affections.
She suddenly assumed the last-mentioned bearing in the progress of the present entertainment. Her glance was directed out of the window.
Why the particulars of a young lady’s presence at a very mediocre performance were prevented from dropping into the oblivion which their intrinsic insignificance would naturally have involved – why they were remembered and individualized by herself and others through after years – was simply that she unknowingly stood, as it were, upon the extreme posterior edge of a tract in her life, in which the real meaning of Taking Thought had never been known. It was the last hour of experience she ever enjoyed with a mind entirely free from a knowledge of that labyrinth into which she stepped immediately afterwards – to continue a perplexed course along its mazes for the greater portion of twenty-nine subsequent months.
The Town Hall, in which Cytherea sat, was a building of brown stone, and through one of the windows could be seen from the interior of the room the housetops and chimneys of the adjacent street, and also the upper part of a neighbouring church spire, now in course of completion under the superintendence of Miss Graye’s father, the architect to the work.
That the top of this spire should be visible from her position in the room was a fact which Cytherea’s idling eyes had discovered with some interest, and she was now engaged in watching the scene that was being enacted about its airy summit. Round the conical stonework rose a cage of scaffolding against the blue sky, and upon this stood five men – four in clothes as white as the new erection close beneath their hands, the fifth in the ordinary dark suit of a gentleman.
The four working-men in white were three masons and a mason’s labourer. The fifth man was the architect, Mr. Graye. He had been giving directions as it seemed, and retiring as far as the narrow footway allowed, stood perfectly still.
The picture thus presented to a spectator in the Town Hall was curious and striking. It was an illuminated miniature, framed in by the dark margin of the window, the keen-edged shadiness of which emphasized by contrast the softness of the objects enclosed.
The height of the spire