After the "prière du soir," Madame herself came to have another look at me. She desired me to follow her up-stairs. Through a series of the queerest little dormitories – which, I heard afterwards, had once been nuns' cells: for the premises were in part of ancient date – and through the oratory – a long, low, gloomy room, where a crucifix hung, pale, against the wall, and two tapers kept dim vigils – she conducted me to an apartment where three children were asleep in three tiny beds. A heated stove made the air of this room oppressive; and, to mend matters, it was scented with an odour rather strong than delicate: a perfume, indeed, altogether surprising and unexpected under the circumstances, being like the combination of smoke with some spirituous essence – a smell, in short, of whisky.
Beside a table, on which flared the remnant of a candle guttering to waste in the socket, a coarse woman, heterogeneously clad in a broad striped showy silk dress, and a stuff apron, sat in a chair fast asleep. To complete the picture, and leave no doubt as to the state of matters, a bottle and an empty glass stood at the sleeping beauty's elbow.
Madame contemplated this remarkable tableau with great calm; she neither smiled nor scowled; no impress of anger, disgust, or surprise, ruffled the equality of her grave aspect; she did not even wake the woman! Serenely pointing to a fourth bed, she intimated that it was to be mine; then, having extinguished the candle and substituted for it a night-lamp, she glided through an inner door, which she left ajar – the entrance to her own chamber, a large, well-furnished apartment; as was discernible through the aperture.
My devotions that night were all thanksgiving. Strangely had I been led since morning – unexpectedly had I been provided for. Scarcely could I believe that not forty-eight hours had elapsed since I left London, under no other guardianship than that which protects the passenger-bird – with no prospect but the dubious cloud-tracery of hope.
I was a light sleeper; in the dead of night I suddenly awoke. All was hushed, but a white figure stood in the room – Madame in her night-dress. Moving without perceptible sound, she visited the three children in the three beds; she approached me: I feigned sleep, and she studied me long. A small pantomime ensued, curious enough. I daresay she sat a quarter of an hour on the edge of my bed, gazing at my face. She then drew nearer, bent close over me; slightly raised my cap, and turned back the border so as to expose my hair; she looked at my hand lying on the bedclothes. This done, she turned to the chair where my clothes lay: it was at the foot of the bed. Hearing her touch and lift them, I opened my eyes with precaution, for I own I felt curious to see how far her taste for research would lead her. It led her a good way: every article did she inspect. I divined her motive for this proceeding, viz. the wish to form from the garments a judgment respecting the wearer, her station, means, neatness, &c. The end was not bad, but the means were hardly fair or justifiable. In my dress was a pocket; she fairly turned it inside out: she counted the money in my purse; she opened a little memorandum-book, coolly perused its contents, and took from between the leaves a small plaited lock of Miss Marchmont's grey hair. To a bunch of three keys, being those of my trunk, desk, and work-box, she accorded special attention: with these, indeed, she withdrew a moment to her own room. I softly rose in my bed and followed her with my eye: these keys, reader, were not brought back till they had left on the toilet of the adjoining room the impress of their wards in wax. All being thus done decently and in order, my property was returned to its place, my clothes were carefully refolded. Of what nature were the conclusions deduced from this scrutiny? Were they favourable or otherwise? Vain question. Madame's face of stone (for of stone in its present night aspect it looked: it had been human, and, as I said before, motherly, in the salon) betrayed no response.
Her duty done – I felt that in her eyes this business was a duty – she rose, noiseless as a shadow: she moved towards her own chamber; at the door, she turned, fixing her eye on the heroine of the bottle, who still slept and loudly snored. Mrs. Svini (I presume this was Mrs. Svini, Anglicé or Hibernicé, Sweeny) – Mrs. Sweeny's doom was in Madame Beck's eye – an immutable purpose that eye spoke: Madame's visitations for shortcomings might be slow, but they were sure. All this was very un-English: truly I was in a foreign land.
The morrow made me further acquainted with Mrs. Sweeny. It seems she had introduced herself to her present employer as an English lady in reduced circumstances: a native, indeed, of Middlesex, professing to speak the English tongue with the purest metropolitan accent. Madame – reliant on her own infallible expedients for finding out the truth in time – had a singular intrepidity in hiring service off-hand (as indeed seemed abundantly proved in my own case). She received Mrs. Sweeny as nursery-governess to her three children. I need hardly explain to the reader that this lady was in effect a native of Ireland; her station I do not pretend to fix: she boldly declared that she had "had the bringing-up of the son and daughter of a marquis." I think myself, she might possibly have been a hanger-on, nurse, fosterer, or washerwoman, in some Irish family: she spoke a smothered tongue, curiously overlaid with mincing cockney inflections. By some means or other she had acquired, and now held in possession, a wardrobe of rather suspicious splendour – gowns of stiff and costly silk, fitting her indifferently, and apparently made for other proportions than those they now adorned; caps with real lace borders, and – the chief item in the inventory, the spell by which she struck a certain awe through the household, quelling the otherwise scornfully disposed teachers and servants, and, so long as her broad shoulders wore the folds of that majestic drapery, even influencing Madame herself —a real Indian shawl– "un véritable cachemire," as Madame Beck said, with unmixed reverence and amaze. I feel quite sure that without this "cachemire" she would not have kept her footing in the pensionnat for two days: by virtue of it, and it only, she maintained the same a month.
But when Mrs. Sweeny knew that I was come to fill her shoes, then it was that she declared herself – then did she rise on Madame Beck in her full power – then come down on me with her concentrated weight. Madame bore this revelation and visitation so well, so stoically, that I for very shame could not support it otherwise than with composure. For one little moment Madame Beck absented herself from the room; ten minutes after, an agent of the police stood in the midst of us. Mrs. Sweeny and her effects were removed. Madame's brow had not been ruffled during the scene – her lips had not dropped one sharply-accented word.
This brisk little affair of the dismissal was all settled before breakfast: order to march given, policeman called, mutineer expelled; "chambre d'enfans" fumigated and cleansed, windows thrown open, and every trace of the accomplished Mrs. Sweeny – even to the fine essence and spiritual fragrance which gave token so subtle and so fatal of the head and front of her offending – was annihilated from the Rue Fossette: all this, I say, was done between the moment of Madame Beck's issuing like Aurora from her chamber, and that in which she coolly sat down to pour out her first cup of coffee.
About noon, I was summoned to dress Madame. (It appeared my place was to be a hybrid between gouvernante and lady's-maid.) Till noon, she haunted the house in her wrapping-gown, shawl, and soundless slippers. How would the lady-chief of an English school approve this custom?
The dressing of her hair puzzled me; she had plenty of it: auburn, unmixed with grey: though she was forty years old. Seeing my embarrassment, she said, "You have not been a femme-de-chambre in your own country?" And taking the brush from my hand, and setting me aside, not ungently or disrespectfully, she arranged it herself. In performing other offices of the toilet, she half-directed, half-aided me, without the least display of temper or impatience. N.B. – That was the first and last time I was required to dress her. Henceforth, on Rosine, the portress, devolved that duty.
When attired, Madame Beck appeared a personage of a figure rather short and stout, yet still graceful in its own peculiar way; that is, with the grace resulting from proportion of parts. Her complexion was fresh and sanguine, not too rubicund; her eye, blue and serene; her dark silk dress fitted her as a French sempstress alone can make a dress