"There 's one now," said Margaret. "Look – he 's passing the kraals. He 's got boots on."
They all looked with a quick curiosity that was a little strange to see; one would have thought a passing Kafir would scarcely have interested them by any eccentricity of attire. Even Mrs. Jakes rose from her place on the sofa and stood on tip-toe to see over Mrs. du Preez's shoulders. There is an instinct in the South African which makes him conscious, in his dim, short-sighted way, that over against him there looms the passive, irreconcilable power of the black races. He is like a man carrying a lantern, with the shifting circle of light about him, and at its frontier the darkness pregnant with presences.
The Boer, learned in Kafir varieties, stared under puckered brows at the single figure passing below the kraals. He marked not so much any unusual feature in it as the absence of things that were usual.
"Paul," he said, "go an' see what he 's after."
Paul was already at the door, going out silently. He paused to nod.
"I 'm going now," he said.
"Strange Kafirs want lookin' after," explained Mrs. du Preez to Margaret as the boy passed the window outside. "You never know what they 're up to. Hang out your wash when they 're around and you 're short of linen before you know where you are, and there 's a nigger on the trek somewhere in a frilled petticoat or a table-cloth. They don't care what it is; anything 'll do for them. Why, last year one of 'em sneaked a skirt off Mrs. Jakes here. Didn't he, now?"
"It was a very good skirt," said Mrs. Jakes, flushing. "A very good one – not even turned."
"Well, he was in luck, then," said Mrs. du Preez. "And what he looks like in it – well, I give it up! Miss Harding, you ain't going yet, surely?"
"I 'm afraid I must," put in Mrs. Jakes, seizing her opportunity. "I have to see about dinner."
They shook hands all round. "You must all come up to tea with me some afternoon soon," suggested Margaret. "You will come, won't you?"
"Will a duck swim?" inquired Mrs. du Preez, genially. "You just try us, Miss Harding. And oh! if you want to say good-by to Paul, I know where he 's gone. He 'll be down under the dam, makin' mud pies."
"Not really?"
"You just step down and see; it won't take you a moment. He makes things, y'know; he made a sort of statue of me once. 'If that 's like me,' I told him, 'it 's lucky I 'm off the stage.' And what d 'you think he had the cheek to answer me? 'Mother,' he says, 'when you forget what you look like, you look like this.'"
"I think I will just say good-by to Paul," said Margaret, glancing at Mrs. Jakes.
"Come on after me, then," answered the doctor's wife. "I really must fly."
"Pigs might fly," suggested Mrs. du Preez, enigmatically.
The Boer did not go to the door with them; he waited where he stood while Mrs. du Preez, her voice waxing through the leave-takings to a shrill climax of farewell, accompanied them to her borders. When she returned to the little room, he was still standing in his place, returning "Boy Bailey's" glazed stare with gloomy intensity.
His wife looked curiously at him as she moved to the table and began to put the scattered tea-cups together on the tray.
"She 's a nice girl, Christian," she said, as she gathered them up.
He did not answer, though he heard. She went on with her work till the tray was ready to be carried forth, glancing at his brooding face under her eyebrows.
"Christian," she said suddenly. "I remember when you told me about the war and the Kafir baby."
He gave her an absent look. "You said, 'Hang the Kafir baby!'" he answered.
He turned from her, with a last resentful glare at the plump perfection of Boy Bailey, and slouched heavily from the room. Mrs. du Preez, with a pursed mouth, watched him go in silence.
Mrs. Jakes was resolute in her homeward intentions; she had a presentiment of trouble in the kitchen which turned out to be well grounded. So Margaret went alone along the narrow rut of a path which ran down towards the shining water of the dam, which the slanting sun transmuted to a bath of gold. She was glad of the open air again, after Mrs. du Preez's carefully guarded breathing-mixture with its faint odor of furniture polish and horsehair. Paul, by the way, knew that elusive fragrance as the breath of polite life; it belonged to the parlor, where his father might not smoke, and to nowhere else, and its usual effect was to rarefy human intercourse to the point of inanity. In the parlor, one spoke in low tones and dared not clear one's throat and felt like an abortion and a monstrosity. Years afterwards, when the doors of the world had been forced and it had turned out to be a smallish place, only passably upholstered, it needed but a sniff of that odor to make his hands suddenly vast and unwieldy and reduce him to silence and discomfort.
The path skirted the dam, at the edge of which grew rank grass, and dipped to turn the corner of the sloping wall of earth and stones at its deeper end. As she went, she stooped to pick up a fragment of sun-dried clay that caught her eye; it had been part of a face, and on it the mouth still curved. It was rudely done, but it was there, and it had, even the broken fragment that lacked the interpretation of its context, some touch of free vigor that arrested her in the act of letting it drop. She went on carrying it in her hand, and at the corner of the wall stopped again at the sound of voices. Some one was talking only twenty paces away, hidden from her by the bulk of the wall.
"You must shape it in the lump," she heard. "You must go for the mass. That's everything – the mass! Do you see what I mean?"
She knew the tones, the clear modulations of the pundit-speech which belonged to her class, but there was another quality in the voice that was only vaguely familiar to her, which she could not identify. It brought to her mind, by some unconscious association, the lumbering gaiety of Fat Mary.
"Ye-es," very slowly. That was Paul's voice answering. "Yes. Like you see it in the distance."
"That 's it," the baffling voice spoke again. "That 's it exactly. And work the clay like this, without breaking it, smoothly."
She still held the broken fragment in her hand as she stepped round the corner of the wall to look. Paul, sitting cross-legged on the ground, had his back to her, and facing him, with a lump of red clay between his hands, which moved upon it deliberately, molding it with care, sat a Kafir. He was intent upon his work, and the brim of his hat, overhanging his eyes, prevented him from seeing her arrival. She stood for a moment watching; the two of them made a still group to which all the western sky and the wide land were a background. And then the clay fragment dropped from her hand, hit on a stone underfoot and cracked into pieces that dissolved the dumb curve of the mouth in ruin.
At the little noise it made, Paul turned sharply and the Kafir raised his head and looked at her. There was an instant of puzzled staring and then the Kafir lifted his hat to her.
"I 'll be going," he said, and began to rise to his feet.
"Don't," said Paul. "Don't go." He was looking at the girl expectantly, waiting for her to justify herself. Now was the time to confirm his faith in her. "Don't go," he repeated. "It's Miss Harding that I told you about." He hesitated a moment, and now his eyes appealed to her. "She 's from London," he said; "she 'll understand."
The Kafir waited, standing up, a slender, upright young man in worn discolored clothes. To Margaret then, as to Paul in his first encounter with him at the station, there was a shock in the pitiful, gross negro face that went with the pleasant, cultivated voice. It added something slavish to his travel-stained appearance that touched the girl's quick pity.
She stepped forward impulsively.
"Please don't go," she begged, "I should be so sorry. And Paul will introduce us."
He smiled. "It shall be as you like, of course," he answered. "Will you sit down? The grass is always dry here."
He made an oddly conventional gesture, as though the slope of the dam wall were a chair and he were going to place it for her.
"Oh, thanks," said Margaret, and sat