The morning light was what Charles needed for his picture, but not less did he need his brother, for the painting of the braced shoulder-muscles of his arms as they pointed above his head for the imminent plunge. Sun and dappled shade from the trees that bounded the meadow just beside the weir fell onto his naked body, making here a splash of brilliant light, here a green stain of sunlight filtering through the translucent leaves, while his face and the side of his body seen almost in profile were brilliantly illuminated by the glint from the shining pool below him. But underneath these surface lights there had to be indicated the building and interlacement of the firm muscles and supple sinews of his body. He had all but finished them, he had all but recorded what he saw, but it was necessary that Reggie should stand for him just a little while more. Meantime, since it was still so early, and his brother still so profoundly dormant, there was a little more work to be done to the ecstatic dance of sunlight on the pool. Just at the edge the shadow of the wall of the weir lay over it, and it was deep brown with a skin of reflected blue from the sky, but a few yards out the sun kindled a galaxy of golden stars, flowers of twinkling and dazzling light.
He got his picture out of the tent, set it on its easel, and put a kettle of water on the spirit-lamp. It was still far too early to have breakfast, but a cup of tea brought presently to Reggie's bedside might tend to make him unresentful of being awakened when Charles found he could get on no further without him. So when this was ready, Charles rattled the sugar in its tin loud enough to wake not one only but seven sleepers, and Reggie sat up with a justifiable start.
"What the deuce – " he began.
"Sorry," said Charles. "I'm afraid I made rather a row. But I've made some tea, too. Have a cup?"
"Of course. Is it late?"
"Well, no, not very. I've been up some little time painting. But I can't get on any more without you!"
Reggie gave a great yawn.
"I suppose that means you want me to turn out, and stand with my arms up on that header-board. It's lucky I have the patience of an angel."
"Archangel," said Charles, fulsomely. "You've been a real brick about it."
"And will you get breakfast ready if I come now?"
"Yes, and I'll make both beds."
Reggie accordingly got up and glanced at the picture as he passed it on his way to the header-board.
"I suppose I am like a dappled frog, if you insist on it," he said, "but a devilish finely-made young fellow."
"Absolute Adonis," said Charles humbly. "Oh, Reggie, stand exactly like that as long as you possibly can. That's exactly right."
The work went on in silence after this, for the modelling of muscle and flesh below this checker of light and shade and reflection was utterly absorbing to the artist. He had tried all ways of solving this subtle and complicated problem: once he had put in the curves and shadows of the tense muscles first, and painted the diaper of sun and shade on the top of it, but that made the skin thick and muddy in texture. Once he had mapped the sunlight and surface shadows first and overlaid them with the indicated muscles, but this seemed to turn the model inside out. Then only yesterday he had seen that the whole thing must be painted in together, laid on in broad brushfuls of thin paint, so that the luminousness and solidity should both be preserved, and this method was proving excitingly satisfactory. Often during this last week he had almost despaired of accomplishing that which he had set himself to do, but stronger than his despair was his absolute determination to record what he saw, not only what he knew to be there. It was impossible for his brother to hold this tiring pose for more than a couple of minutes, and often it was difficult to get its resumption accurately. But this morning Reggie seemed to fall or rather stretch himself into the correct position without effort, and Charles on his side knew that to-day he had the clear-seeing eye and the clever co-ordinating hand. For an hour of pose and rest Reggie stood there, and then Charles stepped a few yards away from his canvas, and stood a moment biting the end of his brush, and frowning as he looked from model to picture and back again. Then the frown cleared.
"Thanks most awfully, Reggie," he said. "It's done: good or bad, it's done."
Reggie gave a great shout, and disappeared altogether in the pool.
Charles made breakfast ready according to agreement, and the two sat for a while afterwards in the stupefaction of out-door content.
"This week has gone on wings," said Reggie, "and it's an awful melancholy thing to think that this is my last day here. But it's been a beauty of a week, I'm no end grateful to you for bringing me."
Reggie had the caressing moods of a very young thing. As he spoke he left his seat and established himself on the ground leaning back against his brother's knees and anchoring himself with a hand passed round his leg.
"I should have had to stew in Sidney Street for my week of holiday," he went on, "if it hadn't been for you. It was ripping of you to let me come."
"It's I who score," said Charles. "You've earned your keep all right. I should have had to hire a model otherwise, or have done without one."
"Oh, well, then, we both score."
Reggie threw away the end of his cigarette and abstracted Charles' case from his pocket.
"I must go up to town this afternoon," he said, "for Thistleton's Gallery opens again to-morrow morning. And there I shall sit, all July, at the receipt of custom and sell catalogues and make the turn-stile click and acknowledge receipts … oh, a dog's life. Jove, what a lot of money some of those fellows have! There was an American who came in last week and went around the gallery with a great fat white man called Craddock who often comes and shows people round. I rather think he is Thistleton, and owns the place. I say, Charles – "
Reggie broke off suddenly.
"Why, I believe it was he who was in the punt last night," he said, "and was standing on the lawn with that girl you sang at – "
"Didn't notice him particularly," said Charles.
"No, you were noticing somebody else particularly. But I feel sure it was he. As I say, he was taking an American round last week, who bought a couple of little Dutch pictures. He stopped at my desk on the way out and borrowed my pen and wrote a cheque for £5000 right straight off, without coughing. I remember he said he was going to post-date it. But he didn't tip me."
"I don't quite know what this is all about," remarked Charles.
"Nor do I. I hoped it was just agreeable conversation. Don't you find it so? But I bet you what you like that the fat white man in the punt was Craddock."
Reggie lay further back against his brother's legs.
"I see a great tragedy ahead," he said, "with inquests and executions. Craddock is about to marry the girl of the punt, and Charles will cut his throat, and – "
"Whose throat?" asked Charles.
"His own or Craddock's;