From my fancied woes, I was to plunge into the stern reality, and it was all to begin to-day. When we got into the train, and were whirling away in the direction of that border county, which was to represent England to me, my excitement had so far toned down as to allow me to observe David, and David’s face gave to my sensations a feeling scarcely of uneasiness, but scarcely, either, of added joy. Any one who did not know him intimately, would have said what a happy, genial-looking man my brother was. Not a wrinkle showed on his broad forehead, and no shadow lurked in his kind eyes; but I, who knew him, recognised an expression which had come into his face once or twice, but was hardly habitual to it. I could not have told, on that summer morning, what the expression meant, or what it testified. I could not have read it in my childish joy; but now, in the sober light of memory, I recall David’s face as it looked on that September day, and in the knowledge born of my sorrow, I can tell something of its story.
My brother had looked like this twice before – once on his unexpected return from Oxford; once, more strongly, when Amy died. The look on David’s face to-day, was the look born of a resolution – the resolution of a strong man to do his duty, at the risk of personal pain. As I said, I read nothing of this at the time; but his face touched me. I remembered that I had rather pained him last night. We had the carriage to ourselves. I bent forward and kissed him; tossed my hat off, and laid my head against his breast. In this attitude, I raised to him the happiest of faces, and spoke the happiest of words.
“David, the world is just delicious, and I do love you.”
David, a man of few words, responded with a smile, and his invariable expression —
“That’s right, little woman.”
After a time, he began to speak of the festival.
He had been at the last celebration of the Three Choirs at Hereford. He told me a few of his sensations then, and also something of what he felt yesterday; he had a true Welshman’s love of music, and he spoke enthusiastically.
“Yes, Gwladys, it lifts one up,” he said, in conclusion, “I’d like to listen to those choirs in the old cathedral, or go to the top of the Brecon – ’tis much the same, the sensation, I mean – they both lift one into finer air. And what a grand thing that is, little woman,” he added, “I mean when anything lifts us right out of ourselves. I mean when we cease to look down at our feet, and cease to look for ever at our own poor sorrows, and gaze right straight away from them all into the face of God.”
“Yes,” I said, in a puzzled voice, for of course I knew nothing of these sensations; then, still in my childish manner, “I expect to enjoy it beyond anything; for you know, David, I have never been in any cathedral except Llandaff, and I have never heard the ‘Messiah.’”
“Well, my dear, you will enjoy it to-day; but more the second time, I doubt not.”
“Why? David.”
“Because there are depths in it, which life must teach you to understand.”
“But, dear David, I often have had such sad thoughts.”
“Poor child!” a touch of his hand on my head, then no more words from either of us.
Just before we reached Hereford, as I was drawing on my long white gloves, which I had thrown aside as an unpleasant restraint during the journey, David said one thing more, “When the service is over, Gwladys, we will walk round the Close, if you don’t mind, for I have got something I want to tell you.”
It darted into my head, at these words, that perhaps I was going to London after all. The thought remained for only an instant, it was quickly crowded out, with the host of new sensations which all compressed themselves into the next few hours.
No, I shall never forget it, when I have grey hairs I shall remember it. I may marry some day, and have children, and then again grandchildren, and I shall ever reserve as one of the sweetest, rarest stories, the kind of story one tells to a little sick child, or whispers on Sunday evenings, what I felt when I first listened to Handel’s “Messiah.” David had said that I should care more for it the second time. This was possible, for my feelings now were hardly those of pleasure, even to-day depths were stirred within me, which must respond with a tension akin to pain. I had been in a light and holiday mood, my gay heart was all in the sunshine of a butterfly and unawakened existence; and the music, while it aroused me, brought with it a sense of shadow, of oppression which mingled with my joy. Heaven ceased to be a myth, an uncertain possibility, as I listened to the full burst of the choruses, or held my breath as one single voice floated through the air in quivering notes of sweetness. What had I thought, hitherto, of Jesus Christ? I had given to His history an intellectual belief. I had assented to the fact that He had borne my sins, and “The Lord had laid on Him the iniquity of us all;” but with the ponderous notes of the heavy music, came the crushing knowledge that my iniquities had added to His sorrows, and helped to make Him acquainted with grief. I was in no sense a religious girl; but when “Come unto Him, all ye that labour and are heavy laden, and He will give you rest,” reached my ears, I felt vibrating through my heart strings, the certainty that some day I should need this rest. “Take His yoke upon you, and learn of Him.”
“His yoke is easy, and His burden is light.” I looked at David, the book had fallen from his hands, his fine face was full of a kind of radiance, and the burden which had taken from him Amy, and the yoke which bade him resign his own will and deny himself, seemed to be borne with a sense of rejoicing which testified to the truth of how lightly even heavy sorrow can sit on a man, when with it God gives him rest.
The opening words, “Comfort ye, comfort ye, my people, saith your God,” would bring their own message at a not very distant day; but now they only spoke to me, something as a mother addresses a too happy, too wildly-exultant child, when she says in her tenderest tones, “Come and rest here in my arms for a little while, between your play.” Yes, I was only a child as yet, at play with life; but the music awoke in me the possible future, the possible working day, the possible time of rain, the possible storm, the possible need of a shelter from its blast. To heighten the effect of the music, came the effect of the cathedral itself. It is not a very beautiful English cathedral, but it was the first I had seen. Having never revelled in the glories of Westminster, I could appreciate the old grey walls of Hereford; and what man had done in the form of column and pillar, of transept and roof, the sun touched into fulness of life and colouring to-day. The grey walls had many coloured reflections from the painted windows, the grand old nave lay in a flood of light, and golden gleams penetrated into dusky corners, and brought into strong relief the symmetry and beauty of aisle and transept, triforium and clerestory. I mention all this – I try to touch it up with the colour with which it filled my own mind – because in the old cathedral of Hereford I left behind me the golden, unconsciously happy existence of childhood; because I, Gwladys, when I stepped outside into the Cathedral Close, and put my white-gloved hand inside David’s arm, and looked up expectantly into David’s face, was about to taste my first cup of life’s sorrow. I was never again to be an unconscious child, fretting over imaginary griefs, and exulting in imaginary delights.
“Gwladys,” said David, looking down at me, and speaking slowly, as though the words gave him pain, “Owen is coming home.”
Chapter Five
Why did you Hesitate?
Let no one suppose that in their delivery these words brought with them sorrow. I had been walking with my usual dancing motion, and it is true, that when David spoke, I stood still, faced round, and gazed at him earnestly, it is also