Wild Heather. Meade L. T.

it for myself, miss."

      "Perhaps not, perhaps you are vain – I can't bear vain people."

      The girl coloured, and bent again over the trunk. I rested my elbows on my knees, pressed my hands against my cheeks, and stared at her.

      "I don't wish to offend you, Morris," I said; "I want us two to be friends."

      "Thank you, miss."

      "But I do wish to say," I continued, "that I consider it awfully frivolous to have to put on a special dress for morning, and another dress for afternoon, and yet another dress, just when tea comes in, and another dress for dinner. Privately, I think it quite wicked, and I am sure you must agree with me."

      "It is what's done in society, miss," answered the girl. "They all do like that, those who move in the best society."

      She began to unpack rapidly, and I watched her. I reflected within myself that I had left Hill View with no clothes except the ones I was wearing, and what were contained in my tiny trunks. Now I had several big trunks, and they were crammed, pressed full, with the newest and most wonderful dresses; and besides the dresses there were mantles, and coats, and opera cloaks, and all sorts of the most exquisite, the most perfect underclothing in the world. Morris was a quick lady's maid; she evidently understood her duties thoroughly well. She had soon unpacked my trunks, and then she suggested that I should wear a dress of the palest, most heavenly blue, in order to greet her ladyship and Major Grayson. I said, "Is it necessary?" and she replied, "Certainly it is," and after that I submitted to her manipulations. She helped me into my dress, arranged my hair in a simple and very becoming manner, and then she looked at me critically.

      "Am I all right now?" I asked.

      "Yes, miss, I think you will do beautifully."

      I thanked her, and ran downstairs. There were three, or even four drawing-rooms to the house, each one opening into the other. I chose the smallest drawing-room, ensconced myself in an easy-chair, and tried to imagine that I was about to enjoy everything; but my heart was beating horribly, and I came to the conclusion that every one of the four drawing-rooms was hideous. They were not the least like the reception rooms at Lady Carrington's. There the furniture was rich, and yet simple; there was no sense of overcrowding, the tables were not laden with knick-knacks, and there were comparatively few chairs and lounges, only just enough for people to use. The walls were undecorated, except by one or two pictures, the works of masters. There were not more than two pictures in each room, for Lady Carrington had assured me that pictures were the richest ornaments of all, and I fully agreed with her. Now these rooms were totally different – the chairs, the tables, the sofas, the lounges, the grand piano, the little piano, the harpsichord, the spinning-wheel, the pianola, gave one a sense of downright oppression. The walls were laden with pictures of every sort and description – some of them I did not admire in the very least; and there was old china and old glass, very beautiful, I had little doubt, but to me extremely inharmonious. I discovered soon that what these rooms needed was a sense of rest. There was not a single spot where the eye could remain quiet; wherever one looked one felt inclined to start and exclaim, and jump up and examine. I came to the conclusion that I preferred Aunt Penelope's very plain little drawing-room at home to this.