"She is such an actor, you know," Barbara said; "she never will give in to let you know how she is feeling – not if she can help it; but for all that she must have felt it. Nobody could help feeling it, though she carried it off so well. I knew how it would be, as soon as I had on a dress that was fit to be seen."
"What is it that she could not help feeling?" said Rose. "I suppose it is Lucilla you mean?"
"I should like to know what right she had to be kind to me," cried Barbara, all glowing in her sullen but excited beauty; "and invite me there, and introduce me in her grand way, as if she was any better than I am! And then to look at all her India muslins; but I knew it would be different as soon as I had a decent dress," said the contralto, rising up to contemplate herself in the little mirror over the mantelpiece.
This conversation took place in Mr Lake's little parlour, where Rose had been waiting for her sister, and where Barbara's white dress made an unusual radiance in the dim and partially-lighted room. Rose herself was all shrouded up in her morning dress, with her pretty round arms and shoulders lost to the common view. She had been amusing herself as she waited by working at a corner of that great design which was to win the prize on a later occasion. Readers of this history who have studied the earlier chapters will remember that Rose's tastes in ornamentation were very clearly defined for so young a person. Instead of losing herself in vague garlands of impossible flowers, the young artist clung with the tenacity of first love to the thistle leaf, which had been the foundation of her early triumphs. Her mind was full of it even while she received and listened to Barbara; whether to treat it in a national point of view, bringing in the rose and shamrock, which was a perfectly allowable proceeding, though perhaps not original – or whether she should yield to the "sweet feeling" which had been so conspicuous in her flounce, in the opinion of the Marlborough House gentlemen – or whether, on the contrary, she should handle the subject in a boldly naturalistic way, and use her spikes with freedom, – was a question which occupied at that moment all Rose's faculties. Even while she asked Barbara what the subject was on which Lucilla might be supposed to be excited, she was within herself thinking out this difficult idea – all the more difficult, perhaps, considering the nature of the subject, since the design in this case was not for a flounce, in which broad handling is practicable, but for a veil.
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