The pest of his existence at home was Elinor – a year younger but much older in her ways: to Webster she was as old as Mischief, as old as Evil. For Elinor had early fastened herself upon his existence as a tease. She laughed at him, ridiculed his remarks, especially when he thought them wise, dragged down everything in him. As they sat at table and he launched out upon any subject with his father – quite in the manner of one gentleman indulging his intellect with another gentleman over their rich viands – Elinor went away up into a little gallery of her own and tried to boo him off the stage. His father and mother did not at times conceal their amusement at Elinor's boo's. He sometimes broke out savagely at her, which only made her worse. His mother, who was not without gentle firmness and a saving measure of good sense, one day disapproved of his temper and remarked advisedly to him, Elinor having fled after a victory over him:
"Elinor teases you because she sees that it annoys you. She ought to keep on teasing you till you stop being annoyed. When she sees that she can't tease you, she'll stop trying."
That was all very well: but one day he teased Elinor. She puckered up and began to cry and his mother said quickly:
"Don't do that, Webster."
Then besides: a few years before he had one day overheard his mother persuading his father that Elinor must not be sent to the public school.
"I want her to go to a private school. She has such a difficult disposition, it will require delicate attention. The teachers haven't time to give her that patient attention in the public schools."
"My dear," Elinor's father had replied, shaking his head, "your husband's salary is not a private-school salary. It also has a difficult disposition, it also requires the most careful watching!"
"The cost will be more but she must go. Some extra expense will be unavoidable even for her clothing but I'll take that out of my clothes."
"You will do nothing of the kind! If Elinor has a difficult disposition, she gets it from Elinor's father; for he had one once, thank God! He had it until he went into the bank. But a bank takes every kind of disposition out of you, good or bad. After you've been in a bank so many years, you haven't any more disposition. Only the president of a bank enjoys the right to have a disposition. All the rest of us are mere habits – certain habits on uncertain salaries. Let Elinor go to her select school and I'll go a little more ragged. The outside world thinks it a bank joke when they look through the windows and see bank clerks at work in ragged coats: instead they know better. Let Elinor go and let the damages fall on her father. He will be glad to take the extra cost off his own back as a tribute to his unbanked boyhood. I hope you noticed my pun – my dooble intender."
Thus Elinor was sent to the most select private school of the city. Webster weighed the matter on the scales of boyish justice. If you had a bad disposition, you were rewarded by being better dressed and being sent to the best school; if you had a good disposition, you dressed plainly and went to the public school. What ought he to do about his own disposition? Why not turn it into a bad one? It was among Webster's bewilderments that he was so poorly off as not to be able to muster a troublesome enough disposition to be sent to one of the city's select private schools for boys: he should very much have liked to go!
"I go to a private school because I am nice," Elinor had boasted to him one morning. She was sitting on the front steps as he came out on his way to school, and she looked very dainty and very charming – a dark, wiry, fiery, restless little creature, and at the moment a bit of brilliant decoration. "And I get nice marks," she added pointedly.
He paused to make a quietly contemptuous reply.
"Of course you get nice marks: that's what private schools are for – to give everybody nice marks. If you went to the public school, you'd get what you deserved."
"Then you seem to deserve very little," said Elinor, smoothing a lock of her black hair over one ear.
His rage burst out at her deadly thrust:
"You go to a private school because you are a little devil," he said.
"Why don't you be a little devil too?" inquired Elinor, her bright eyes mocking him. "Can't you be a little devil too?"
He jerked the strap tighter around his battered books:
"If you were in the public schools, they wouldn't put up with you. They'd send you home or they'd break you in."
"Oh, I don't know," said Elinor, with an encouraging smile, "they seem to get along with you very well."
Webster knew that Elinor's teasing, ridiculing eyes followed him as he walked away. They became part of the things that cheapened him in his life. When he had passed through the front gate, he started off in a direction which was not the direction to school.
Elinor sang out shrilly:
"I know where you are going. But it's of no use. Jenny's sweetheart goes to a private school and he stands well in his classes."
He walked on, but turned his face toward her:
"It's none of your meddlesome business, you little black scorpion," he said quietly.
With an upward bound of his nature he thought of Jenny, a very different sort of girl.
Jenny lived in the largest cottage of the block, at the better of the two corners. The families visited intimately. Jenny's father was a coal merchant and Webster's father bought his coal of Jenny's father. A grocer lived in the middle of the block: he bought supplies from that grocer. "If you can," he said, "deal with your neighbours. It will make them more careful: they won't dare …!" On the contrary, Jenny's father did not deposit his cheques in Webster's father's bank. "Don't do your business with a neighbour," he said. "Neighbours pry."
Jenny represented in Webster's life the masculine awakening of his nature toward womankind. In the white light of that general dawn, she stood revealed but not recognised. A little thing had happened, the summer previous, which was of common interest to them. In a corner of Jenny's yard grew a locust tree, not a full forest-sized locust tree but still quite a respectable locust tree for its place and advantages. All around the trunk and up the trunk clambered the trumpet-vine. Several yards from the earth some of the branches bent over and spread out as a roof for a little arbour – Jenny's summer play-house.
One dewy morning Jenny had first noticed a humming-bird hovering about the blossoms. She did not know that it was the ruby-throat, seeking the trumpet-vine where Audubon painted him. She only knew that she was excited and delighted. She told Webster.
"If he comes back, run and tell me, will you, Jenny?" he pleaded, with some strange new joy in him. Several times she had run and summoned him; and the two children, unconsciously drawing nearer to each other, and hand in hand watched the ruby-throat hovering about the adopted flower of the State.
The distant green forest and the locust tree with the trumpet-vine and the humming-bird – these, though distant from one another, became in Webster's mind part of something deep and powerful in his life, toward which he was moving.
If no road opened before him at home, none opened at school. He would gladly have quit any day. He tried to make lessons appear worse than they were in order to justify himself in his philosophy of contempt and rejection.
When any two old ladies met on the street, he argued, they did not begin to parse as fast as possible at each other. Old gentlemen of the city did not walk up and down with books glued to their noses, trying to memorise things they would rather forget. When people went to the library for delightful books to read, nobody took home arithmetics and geographies. There wasn't a grown person in the city who cared what bounded Indiana on the north or if all the creeks in Maine emptied into the mouths of school teachers. In church, when the minister climbed to the pulpit, the congregation didn't begin to examine