The Light of the Star: A Novel. Garland Hamlin

make each day brim with mingled work and worship. First of all, and above all, he was permitted to meet Helen each day, and for hours each day, without fear of gossip and without seeking for an excuse.

      Each morning, a little before ten, he left his room and went directly to the theatre to meet the company and the manager. The star, prompt as a clock, arrived soon after, and Douglass, beforehand, as a lover, was always there to help her from her carriage and to lead the way through the dark passage to the stage, where the pompous little Saunders was forever marshalling his uneasy vassals in joyous exercise of sovereignty.

      Helen was happy as a child during these days, and glowing with new ideas of "business" and stage-setting. "We will spare no work and no expense," she said, buoyantly, to Mr. Westervelt, her manager. "We have a drama worthy of us. I want every one of Mr. Douglass's ideas carried out."

      The manager did not know, as Douglass did, that some of the ideas were her own, and so took a melancholy view of every innovation.

      "You can't do that," he gloomily repeated. "The public won't stand for new things. They want the old scenes rehashed. The public don't want to think; it wants to laugh. This story is all right for a book, but won't do for a play. I don't see why you quit a good thing for a risk like this. It is foolish and will lose money," he added, as a climax.

      "Croak, you old raven – you'll be embarrassed when we fill your money-box," she replied, gayly. "You should have an ideal, Mr. Westervelt."

      "An ideal. What should I do with that?"

      Like most men, Douglass knew nothing about gowns in their constituent parts, but he had a specially keen eye for the fitting and beautiful in a woman's toilet, and Helen was a constant delight to him because of the distinction of her dresses. They were refined, yet not weakly so – simple, yet always alluring. Under the influence of her optimism (and also because he did not wish to have her apologize for him) he drew on his slender bank-account for funds to provide himself with a carefully tailored suit of clothes and a new hat.

      "How well you are looking!" she said, in soft aside, as he met her one morning soon after. "Your hat is very becoming."

      "I am made all over new inside– so I hastened to typify the change exteriorly. I am rejoiced if you like me in my 'glad rags,'" he replied.

      "You are really splendid," she answered, with admiring fervor. "Let us hurry through to-day; I am tired and want a spin in the park."

      "That is for you to say," he answered.

      "You are never tired," she sighed. "I wish I had your endurance."

      "It is the endurance of desperation. I am staking all I have on this venture." Then, in low-toned intensity, he added: "It hurts me to have you forced to go over and over these lines because of the stupidity of a bunch of cheap little people. Why don't you let me read your part?"

      "That would not be fair," she answered, quickly – "neither to them nor to you. No, I am an actress, and this is a part of my life. We are none of us exempt from the universal curse."

      "Royleston is our curse. Please let me kick him out the stage-door – he is an insufferable ass, and a bad actor besides."

      "He is an ass, but he can act. No, it's too late to change him now. Wait; be patient. He'll pull up and surprise you at the final rehearsal."

      At four o'clock they were spinning up Fifth Avenue, which resounded with the hoof-strokes of stately horses, and glittered with the light of varnished leather. The rehearsal was put far behind them. The day was glorious November, and the air sparkling without being chill. A sudden exaltation seized Helen. "It certainly is a beautiful world – don't you think so?" she asked.

      "I do now; I didn't two weeks ago," he replied, soberly.

      "What has brought the change?"

      "You have." He looked at her steadily.

      She chose to be evasive. "I had a friend some years ago who was in the deeps of despair because no one would publish her book. Once she had secured the promise of a real publisher that he would take it she was radiant. She thought the firm had been wondrously kind. They made thirty thousand dollars from the sale of her book. I am selfish – don't you think I'm not – I'm going to make fame and lots of money on your play."

      "I hope you may, for am I not to share in all your gold and glory? I have greater need of both than you. You already have all that mortal could desire. I don't believe I've told you what I called you before I met you – have I?"

      "No; what was it?" Her eyes widened with interest.

      "'The glittering woman.'"

      She looked puzzled. "Why that?"

      "Because of the glamour, the mystery, which surrounded your name."

      "Even now I don't see."

      He looked amused and cried out: "On my life, I believe you don't! Being at the source of the light, you can't see it, of course. It's like wearing a crown of electric lamps – others see you as a dazzling thing; you are in the dark. It is my trade to use words to express my meaning, but I confess my hesitation in trying to make you see yourself as I saw you. You were like a baleful, purple star, something monstrous yet beautiful. Your fame filled the world and fell into my garret chamber like a lurid sunrise. With your coming, mysterious posters bloomed and crimson letters blazed on street-walls. Praiseful paragraphs appeared in the newspapers, gowns and hats (named after you) and belt-buckles and shoes and cigarettes arranged themselves in the windows, each bearing your name."