It is only eight o’clock, yet we have been up nearly four hours. At the edge of the creek, less than a stone’s throw from the cabin, I have built me a narrow table of smooth-hewn saplings between two old spruce trees, and this is my open-air studio when the weather is fine. Word of it has gone abroad, though I am many hundreds of miles from civilization. Many kinds of wild things have come to get acquainted with me, fascinated chiefly, I think, by the marvelous new language of my clicking typewriter. The welcome and friendship of these little wilderness-hearts are growing nearer and more apparent to me every day; and with each day the Great Truth speaks to me even more clearly than the day before – that each of these beating hearts, like my own, is a part of that nature which I worship and is as vitally a spark of its life as the heart which is beating inside my own flannel shirt.
These friends of mine, gathering about me more intimately and in greater number with each passing day, are individuals to me because I have come to understand them and know their language. There is the Artful Dodger, for instance – I sometimes call him Bill Sykes or Captain Kidd – screaming close over my head this very moment. In very intimate moments I call him Arty, or Kid, or Bill. He is a big blue jay. In spite of all that has been said and written against him, I have a very brotherly affection for Bill. He is a man’s man, among birds, notwithstanding that he occasionally breakfasts on the eggs of other birds, and kills more than is good for his reputation. Also, he is the greatest liar and the biggest fraud and the most brazen-faced cheat in the bird kingdom. But I know Bill intimately now, where I used to kill him as a pest, and I love him for all his sins.
He is a pirate who never loses his sense of humor. He is always raising a disturbance just for the excitement of it, and when he has drawn a crowd, so to speak, he will slip slyly away to some nearby vantage-point and laugh and chuckle over the rumpus he has raised. Right now, he is screaming himself hoarse forty feet above my head. Two others have joined him, and they are making such a bedlam of sound that Nuts and Spoony have ceased their chattering. There! – I have fired a stick at them, and they are gone. They have had their joke, and are quite satisfied – for the present.
I can hear the musical rippling of the creek again, now that Bill and his blustering pals are gone, and my typewriter is like a tiny machine gun sending its clicking notes out into the still forest. A pair of moose-birds, almost as big as the jays, are hopping about, so near that, at times, they are perched on the end of my sapling table. They are the tamest birds in the wilderness, and within another day or so will be eating out of my hand. Unlike the jays, they make no disturbance. They are soft and quiet, never making a sound, and their big, beautiful eyes fairly pop with their intense interest in me. I like their company, because there is a philosophy about them. They never tire of looking at me, and studying me, and at times I have the very pleasant fancy that they are bursting with a desire to speak. They are very gentle, and never fight or scold or commit any sins that I know of; and just now, as the two look at me with their big soft eyes, I find myself wondering which of us is of most account in the final analysis of things.
Ten or fifteen rods above me, the creek widens and forms a wide pool overhung with trees, so that, in the hottest weather, it must be a delightfully refreshing place. I can see it plainly from where I am sitting, for the creek twists a little, so that it is running directly toward me when I look in that direction. Many wild things come to that pool. This morning, I found a bear-track there, and the fresh hoof-prints of a doe and fawn. Yesterday, a pair of traveling otters discovered it, but when I tried them out with the voice of my typewriter, they turned back. I am confident they will return, and that we shall get acquainted.
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