Jack first gave his account of the transaction, clearly and with much decision.
"I war a walking along quiet wi' t' dogs," he said, "when I hears a cart a coming from Stokebridge. I looks round and seed they two chaps, but didn't mind no further about it till as they came oop that sandy-haired chap as was a driving lets me and Bess ha' one which made me joomp, I can tell 'ee. Bess she pinned the horse, and Juno she tried to get into t' cart at 'em. They were joost frighted, they hollers, and yawps, and looks as white as may be. I fastens Juno oop wi' a strap and they houlds Bess while I poot some snoof t' her nose."
"Put what?" Mr. Brook asked.
"Joost a pinch of snoof, sir. I heard feyther say as snoof would make dogs loose, and so I bought a haporth and carried it in my pocket, for th' dogs don't moind oi when they are put oot. And then they gets horse oop and I makes 'em come back to t' lock-oop, but maister Johnson," he said, looking reproachfully at the constable, "wouldn't lock 'em oop as I wanted him."
There was some laughter among the audience, and even the magistrate smiled. The young men then gave their story. They denied point blank that either of them had struck Jack, and described him as having set his dog purposely on the horse. Jack had loudly contradicted them, shouting, 'That's a lee;' but had been ordered to silence. Then drawing back he slipped off his jacket and shirt, and when the evidence was closed he marched forward up to the magistrate bare to the waist.
"Look at moi back," he said; "that 'ull speak for itself."
It did; there was a red weal across the shoulder, and an angry hiss ran through the court at the prisoners, which was with difficulty suppressed.
"After what I have seen," Mr. Brook said, "there is no doubt whatever in my mind that the version given by this child is the correct one, and that you committed a cowardly and unprovoked assault upon him. For this you," he said to the man who had driven the horse, "are fined £5 or a month's imprisonment. It is a good thing that cowardly fellows like you should be punished occasionally, and had it not been that your horse had been severely injured I should have committed you to prison without option of a fine. Against you," he said to the other, "there is no evidence of assault. The charge against the child is dismissed, but it is for the father to consider whether he will prosecute you for perjury. At the same time I think that dogs of this powerful and ferocious kind ought not to be allowed to go out under the charge of a child like this."
The man paid the fine; but so great was the indignation of the crowd that the constable had to escort them to the railway-station; in spite of this they were so pelted and hustled on the way that they were miserable figures indeed when they arrived there.
And so Jack was released from all charge of the "dorgs," and benefited by the change. New friendships for children of his own age took the place of that for the dogs, and he soon took part in their games, and, from the energy and violence with which, when once excited, he threw himself into them, became quite a popular leader. Mrs. Haden rejoiced over the change; for he was now far more lively and more like other children than he had been, although still generally silent except when addressed by her and drawn into talk. He was as fond as ever of the dogs, but that fondness was now a part only instead of the dominating passion of his existence. And so months after months went on and no event of importance occurred to alter the current of Jack Simpson's life.
CHAPTER III.
THE RESOLUTION
An artist sitting in the shade under a tree, painting a bit of rustic gate and a lane bright with many honeysuckles. Presently he is conscious of a movement behind him, and looking round, sees a sturdily built boy of some ten years of age, with an old bull-dog lying at his feet, and another standing by his side, watching him.
"Well, lad, what are you doing?"
"Nowt!" said the boy promptly.
"I mean," the artist said with a smile, "have you anything to do? if not, I will give you sixpence to sit still on that gate for a quarter of an hour. I want a figure."
The boy nodded, took his seat without a word, and remained perfectly quiet while the artist sketched him in.
"That will do for the present," the artist said. "You can come and sit down here and look at me at work if you like; but if you have nothing to do for an hour, don't go away, as I shall want you again presently. Here is the sixpence; you will have another if you'll wait. What's your name?" he went on, as the boy threw himself down on the grass, with his head propped up on his elbows.
"Bull-dog," the lad said promptly; and then colouring up, added "at least they call me Bull-dog, but my right name be Jack Simpson."
"And why do they call you Bull-dog, Jack?"
The artist had a sympathetic voice and spoke in tones of interest, and the lad answered frankly:
"Mother – that is, my real mother – she died when I were a little kid, and Juno here, she had pups at the time – not that one, she's Flora, three years old she be – and they used to pretend she suckled me. It bain't likely, be it?" he asked, as if after all he was not quite sure about it himself. "Schoolmaster says as how it's writ that there was once two little rum'uns, suckled by a wolf, but he can't say for sure that it's true. Mother says it's all a lie, she fed me from a bottle. But they called me Bull-dog from that, and because Juno and me always went about together; and now they call me so because," and he laughed, "I take a good lot of licking before I gives in."
"You've been to school, I suppose, Jack?"
"Yes, I've had five years schooling," the boy said carelessly.
"And do you like it?"
"I liked it well enough; I learnt pretty easy, and so 'scaped many hidings. Dad says it was cos my mother were a schoolmaster's daughter afore she married my father, and so learning's in the blood, and comes natural. But I'm done with school now, and am going down the pit next week."
"What are you going to do there? You are too young for work."
"Oh, I sha'n't have no work to do int' pit, not hard work – just to open and shut a door when the tubs go through."
"You mean the coal-waggons?"
"Ay, the tubs," the boy said. "Then in a year or two I shall get to be a butty, that ull be better pay; then I shall help dad in his stall, and at last I shall be on full wages."
"And after that?" the artist asked.
The lad looked puzzled.
"What will you look forward to after that?"
"I don't know that there's nowt else," the boy said, "except perhaps some day I might, perhaps – but it ain't likely – but I might get to be a viewer."
"But why don't you make up your mind to be something better still, Jack – a manager?"
"What!" exclaimed the boy incredulously; "a manager, like Fenton, who lives in that big house on the hill! Why, he's a gentleman."
"Jack," the artist said, stopping in his work now, and speaking very earnestly, "there is not a lad of your age in the land, brought up as a miner, or a mechanic, or an artisan, who may not, if he sets it before him, and gives his whole mind to it, end by being a rich man and a gentleman. If a lad from the first makes up his mind to three things – to work, to save, and to learn – he can rise in the world. You won't be able to save out of what you get at first, but you can learn when your work is done. You can read and study of an evening. Then when you get better wages, save something; when, at twenty-one or so, you get man's wages, live on less than half, and lay by the rest. Don't marry till you're thirty; keep away from the public-house; work, study steadily and intelligently; and by the time you are thirty you will have a thousand pounds laid by, and be fit to take a manager's place."
"Do'st mean that, sir?" the boy asked quickly.
"I do, Jack. My case is something like it. My father was a village schoolmaster. I went when about twelve years old to a pottery at Burslem. My father told me pretty well what I have told you. I determined to try hard at any rate. I worked in every spare hour to improve myself generally,