Support poured in to the multifarious activities of the mission from all sides.
The young Earl and Countess of Aberdeen attended, and were warmly interested. The great Lord Shaftesbury, for many years one of Mr. Charrington's most intimate friends, was also among those highly-placed Englishmen and women who gave their unwavering support.
Mr. Samuel Morley, M.P., has already been mentioned, and one of the richest men in England, Mr. T. A. Denny, was a magnificently generous subscriber, and never ceased in his unflagging patronage of the work. It was Mr. Denny who generously bore nearly all the pecuniary burden of opening a certain East End music hall on Sunday nights – a music hall which will be seen, as the story of Mr. Charrington's career advances, to have had a most extraordinary place and influence in his life.
The music hall crusade was Mr. Charrington's idea, and it proved an inestimable blessing to the population among whom he worked, hundreds being reached there who could never otherwise be brought within the sound of the gospel.
At the Foresters' Music Hall, the famous Evangelist, Mr. Sankey, consented to sing, and for three years the most enthusiastic meetings were held there.
Both the Hon. Jon. Keith-Falconer and Lord Mount-Temple addressed the congregation. One service in this hall was broken up by the loud roarings of some caged lions who were to be shown there on the next night. The audience was terrified and refused to stay, despite Mr. Charrington's assurance that there was no danger. The great beasts were only separated from the Evangelist by the drop curtain, and the experience must certainly have been very unpleasant and nerve-shaking – though Frederick Charrington does not rejoice in "nerves."
Lusby's Music Hall, the place of amusement to which I first referred, and which was the largest music hall in the East End, was opened for several seasons.
Work was begun there on a night in November, 1877. The crowd was so great that it extended beyond the tram-lines, which were seventy feet from the entrance, while before the doors were opened the line itself was invaded, and the police had to regulate the crowd in order to let the trams pass through it.
The hour of this first service was seven o'clock, but at half-past six there was not a single vacant seat in the building, and wherever standing room could be found, it was immediately occupied. Madame Antoinette Stirling came down and sang "O rest in the Lord."
I wish especially to insist on the fact, ample record of which is in my possession, that these music hall services on Sunday nights were continuously crowded. People who would not have even gone into the great tent or the ordinary mission halls were to be found in the transformed haunts of their ignoble week-day pleasures, and the souls that were led to the foot of the Cross were incalculable.
In connection with Lusby's Music Hall, in particular, I cannot refrain from recalling at least one case of very special interest.
A poor man, a dock labourer, who had not attended a service of any kind for several years, entered the hall one Sunday evening when Mr. Joseph Weatherley was the preacher. The sinner's need and the Saviour's power to save him were clearly set before the people, and the man that night rested his soul on the finished work of God. The next day, while at work in the dock, he fell down a ship's hold, and was carried to the London Hospital very much injured. The nurse (a Christian woman), under whose care he was placed, saw that he was dying and spoke to him of Jesus. She found him happy in the assurance of sins forgiven, and on asking how long he had been a child of God, he replied, "Last Sunday night, through the preaching in Lusby's Music Hall." He died rejoicing.
I shall have so much to say of Lusby's Music Hall in a forthcoming part of this book that I will not attempt, in this place, any word-picture of the services there.
In connection with another establishment of the same kind, and, if possible, much lower and more disreputable than the usual thing, I am able to reconstruct a typical scene of the many that occurred there when Mr. Charrington and his friends turned it for one night in each week from a place of sin and corruption to a stronghold of our Lord.
Wilton's Music Hall, or, as it was affectionately called by its habitués, "The Mahogany Bar," was a music hall opening on a quiet square notorious as the Ratcliff Highway, then regarded as the most disreputable street of its kind in the whole world. Ratcliff Highway – has it not obtained an evil immortality in the words of innumerable songs which are minor classics in their way? – was the resort of the lowest characters of all nations, the very scum of the earth. It was here that "Poor Jack" fell a prey to the vilest harpies in Christendom, it was a den of prostitution, vice, drunkenness and crime, tenanted by fiends in human form, who made their unholy gains out of the passionate outbursts of the misguided sailors, who, by their orgies, their desperate affrays, and frightful excesses, did so much to confer its evil notoriety upon the street.
One Saturday night, Mr. Charrington and a friend, armed with handbills announcing that Wilton's Music Hall was to be opened on Sunday and that seats were free, turned into Leman Street, en route for some of the lowest drinking, dancing, and singing saloons that East London could boast.
They entered fifty public-houses and singing saloons of the worst type. There was a sink of iniquity known as "The Paddy's Goose." "The Gun Boat," "The Jolly Sailor" and "The Kettledrum" were hardly any better.
Hardly any middle-aged women were to be seen, seafaring men, from the apprentice to the mate, from the nigger to the English tar, men of all stamps, sizes, nations, and colours; girls with shawl-covered heads, usually in parties of three and four, under the supervision of horrible old hags, made up the crowd that thronged these dens. Elbowing their way through a group of sailors and wretched girls gathered at the door of one of the establishments, and brushing past one or two ragged little urchins who were peeping in at the chinks, wishing, perhaps, to catch a glimpse of the comparative comfort within, they entered those swinging portals, which move so easily inwards, but with so much difficulty outwards. They found themselves in a large and crowded drinking saloon. With the reflection that "the righteous shall be bold as a Lion," they met the stare of the many eyes turned upon them with a rather painful composure. The landlord, a sporting-looking character, received them with evident astonishment and curiosity.
He was soon acquainted with their mission – "Would he kindly allow a bill or two to be placed upon his counter?" Appealed to in this fashion, he could not refuse. In one case, such was the obliging condescension, yet amazing incongruity,