Esther got up.
"Why, of course, if you want to talk to Nadine, we'll go," she said.
Bertie gave a long sigh.
"I shall lie here," he said, "like the frog-footman on and off for days and days – "
"So long as you lie off now," said Hugh.
Bertie got up.
"You can all come to my room if you like," he said, "as long as you don't mind my going to bed. Good-night, Nadine; thanks awfully for letting me lie down. It has made me quite sleepy."
Hugh Graves went to the window as soon as they had gone and threw it open.
"The room smells of smoke and stale epigrams," he said in explanation.
"That's not very polite, Hugh," said she, "since I have been talking most, and not smoking least. But I suppose you will answer that you didn't come here to be polite."
In a moment, even as the physical atmosphere of the room altered, so also did the spiritual. It seemed to Nadine that she and Hugh took hands and sailed through the surface foam and brightnesses in which they had been playing into some place which they had made for themselves, which was dim and sub-aqueous. The foam and brightness was all perfectly sincere, for she was never other than sincere, but it had no more than the sincerity of soap-bubbles.
"No. I didn't come here to be polite," said Hugh, "though I didn't come here to be rude. I came to ask you a couple of questions."
Nadine had lain down on the bed again, having put all the pillows behind her, so that she was propped up by them. Her arms were clasped behind her head, and the folds of her rainbow dressing-gown fell back from them leaving them bare nearly to the shoulder. The shaded light above her bed fell upon her hair, burnishing its gold, and her face below it was dim and suggested rather than outlined. The most accomplished of coquettes would, after thought, have chosen exactly that attitude and lighting, if she wanted to appear to the greatest advantage to a man who loved her, but Nadine had done it without motive. It may have been that it was an instinct with her to appear to the utmost advantage, but she would have done the same, without thought, if she was talking to a middle-aged dentist. Hugh had seated himself at some little distance from her, and the same light threw his face into strong line and vivid color. He had still something of the rosiness of youth about him, but none of youth's indeterminateness, and he looked older than his twenty-five years. When he was moving, he moved with a boy's quickness; when he sat still he sat with the steadiness of strong maturity.
"You needn't ask them," she said. "I can answer you without that. The answer to them both is that I don't know."
"How? Do you know the questions yet?" said he.
"I do. You want to know whether my answer to you this evening is final. You want also to know why I don't say 'yes.'"
His eyes admitted the correctness of this: he need not have spoken.
"After all, there was not much divination wanted," he said. "I am as obvious as usual. And you understand me as well as usual."
She shook her head at this, not denying it, but only deprecating it.
"I always understand you too well," she said. "If only I didn't understand you, just as I don't understand Seymour, you have suggested a reason for why I don't say 'yes.' I think it is correct. Ah, don't quote silly proverbs about love's being complete understanding. Most of the proverbs are silly; Solomon was so old when he wrote them."
His mouth uncurled from its gravity.
"That wasn't one of Solomon's," he said.
"Then it might have been. In any case exactly the opposite is true. If love is anything at all beyond the obvious physical sense of the word, it is certainly not understanding. It is the not-understanding – "
"Mis-understanding?"
"No. The not-understanding, the mysterious, the unaccountable – " Nadine gathered her legs up under her and sat clasping them round the knees, and her utterance grew more rapid. Her face, young and undeveloped, and white and exquisite, was full of eager animation.
"That is what I feel anyhow," she said. "Of course I can't say 'this is love' and 'this is not love,' and label other people's emotions. There is one way of love and another way of love, and another and another. There are as many modes of love, I suppose, as there are people who are capable of it. And don't tell me everybody is capable of it. At least, tell me so if you like, but allow me to disagree. All I am certain of is that I look for something which you don't give me. Perhaps I am incapable of love. And if I was sure of that, Hughie, I would marry you. Do you see?"
She, as was always the case with her, made him forget himself. When he was with her, she absorbed his consciousness: his only desire was to follow her, not caring where she led. This desire to apprehend her corrugated his forehead into the soft wrinkles of youth, and narrowed his eyes.
"Tell me why that is not a bad reason," he said.
"Because I should see that the highest would be denied me," she said. "Look what quantities of people marry quite without love. I don't refer to the obvious reason of marrying for position or wealth, but to the people who marry from admiration or from fear. Mama, for instance: she married Daddy because she was afraid of him. Then she learned he was a bogey with a brandy bottle."
"I am neither," said he.
Nadine gave a little sigh, and he saw his stupidity.
"I am supplying the answer to my own question," he said. "Another answer is that I don't understand you."
Somehow to Nadine this was unexpected, but almost instantly she recognized the truth of it.
"That is true," she said. "I want to be the inferior, mentally, spiritually, of the man I marry. I am just the opposite of those terrible people who want a vote, and say they are the equal of men. That is so bourgeois an idea. What woman with any self-respect could stand being her husband's equal if she felt herself capable of loving? It is that. You are too easy, Hugh. I understand you, and you don't understand me. I wish it was the other way round."
"Oh, you do wish that?" he asked.
"Yes, of course, my dear."
"Then you have answered the other question. Your answer to me to-day is not final. I'll puzzle you yet."
"You speak of it all as if it was a conjuring trick," she said. "Don't make conjuring tricks. Don't let me see your approaching engagement to somebody else be announced. That would not puzzle me at all. I shall simply see that it was meant to. Conjuring tricks don't mystify you: you know you have been cheated and don't care."
"No, I shan't make conjuring tricks," he said.
Nadine unclasped her knees, and got up, and began walking to and fro across the big room.
"Hugh, I wish I was altogether different," she said. "I wish I was like one of those simple girls whom you never by any chance meet outside the covers of six-shilling novels. They are quite human, only no human girl was ever like them. They like music and food and sentiment and sea-bathing and playing foolish games, just as we all do. But there is nobody behind them: they are tastes without character. If only one's character was nothing more than the sum total of one's tastes, how extraordinarily simple it would all be. We should spend our lives in making ourselves pleasant and enjoying ourselves. But there is something that sits behind all our tastes, and though those tastes express it, they do not express it all, nor do they express its essence. I am something beyond and back of the things I like, and the people I like. Something inside me says 'I want: I want.' I daresay it wants the moon, and has as much chance of getting it as I have of reaching up into the sky and pulling it down. Oh, Hugh, I want the moon, and what will the moon be like? Will it be hard and cold or soft and warm? I don't care. I shall slip it between my breasts and hold it close."
She paused a moment opposite him.
"Am I talking damned rot?" she asked. "I daresay I am. I am a rotter then, because all I say is me. Another thing, too: