The Strange Adventures of Captain Dangerous. Volume 1. Sala George Augustus

heard this tale without moving.

      "Did the Captain – did my brother – say aught before they slew him?" she asked.

      "Nowt but this, my lady: 'God forgive us all!'"

      "And the Lord Francis, said he aught?"

      "Ay; but I dunno loike to tell."

      "Say on."

      "'Twas t' Sergeant tould un. A' blessed the King, and woud hev' t' souldiers drink 's health, but they wouldno'. And a' wouldno' let un bandage uns eyes; an' jest befwoar t' red cwoats foired, a' touk a long lock o' leddy's hair from 's pocket and kissed un, and cried out 'Bloud for Bloud!' and then a' died all straight along."

      Mrs. Arabella Greenville drew from her bosom a long wavy lock of silken hair, – his hair, poor boy! – and kissed it, and crying out "Blood for Blood!" she fell down in the garden-path in a dead faint.

      She did not Die, however, being spared for many Purposes, some of them Terrible, until she was nearly ninety years of age. But her first state was worse than death; she lying for many days in a kind of trance or lethargy, and then waking up to raving madness. For the best part of that year, she was a perfect maniac, from whom nothing could be got but gibberings and plungings, and ceaseless cries of "Blood for Blood!" The heir-at-law to the estate, now that the Esquire's son was dead, watched her madness with a cautelous avaricious desire. He was a sour Parliament man, who had pinned his faith to the Commonwealth, and done many Awakening things against the Cavaliers, and he thought now that he should have his reward, and Inherit.

      It was so destined, however, that my Grandmother should recover from that Malady. On her beauty it left surprisingly few traces. You could only tell the change that had taken place in her by the deathly paleness of her visage, by her never smiling, and by that Fierce Expression in her eyes being now an abiding instead of a passing one. Beyond these, she was herself again; and after a little while went to her domestic concerns, and chiefly to the cultivation of that pleasing art of Painting in Oils in which she had of old time given such fair promise of excellence. Her father would have had several most ingenious examples of History and Scripture pieces by the Italian and Flemish masters bought for her to study by, – such copies being then very plentiful, by reason of the dispersing of the collections of many noblemen and gentlemen on the King's side; but this she would not suffer, saying that it were waste of time and money, and, with astonishing zeal, applied herself to the branch of portraiture. From a little miniature portrait of her dead Lord, drawn by Mr. Cooper, she painted in large many fair and noble presentments, varying them according to her humour, – now showing the Lord Francis in his panoply as a man of war, now in a court habit, now in an embroidered night-gown and Turkish cap, now leaning on the shoulder of her brother, the Captain, deceased. And anon she would make a ghastly image of him lying all along in the courtyard at Hampton Court, with the purple bullet-marks on his white forehead, and a great crimson stain on his bosom, just below his bands. This was the one she most loved to look upon, although her father sorely pressed her to put it by, and not dwell on so uncivil a theme, the more so as, in Crimson Characters, on the background she had painted the words "Blood for Blood," But whatever she did was now taken little account of, for all thought her to be distraught.

      By and by she fell to quite a new order in her painting. She seemed to take infinite pleasure in making portraitures of Oliver Cromwell, who had by this time become Lord Protector of the Commonwealth. She had never seen that Bold Bad Man (the splendour of whose mighty achievements must for ever remain tarnished by his blood-guiltiness in the matter of the King's Murther); but from descriptions of his person, for which she eagerly sought, and from bustos, pictures, and prints cut in brass, which she obtained from Bristol and elsewhere, she produced some surprising resemblances of him who was now the Greatest Man in England. She painted him at full and at half length – in full-face, profile, and three-quarter; but although she would show her work to her intimates, and ask eagerly "Is it like – is it like him?" she would never part with one copy (and there were good store of time-servers ready to buy the Protector's picture at that time), nor could any tell how she disposed of them.

      This went on until the summer of the year 1657, when her father gently put it to her that she had worn the willow long enough, and would have had her ally herself with some gentleman of worth and parts in that part of the country. For the poor Esquire desired that she should be his heiress, and that a man-child should be born to the Greenville estate, and thus the heir-at-law, who was a wretched attorney at Bristol, and more bitter against kings than ever, should not inherit. She was not to be moved, however, towards marriage; saying softly that she was already wedded to her Frank in heaven, – for so she spoke of the Lord Francis V – s, – and that her union had been blessed by her brother Dick, who was in Heaven too, with King Charles and all the Blessed Army of Martyrs. And I have heard, indeed, that the unhappy business of the King's death was the means of so crazing, or casting into a Sad Celibacy and Devouring Melancholy, multitudes of comely young women who were born for love and delights, and to be the smiling mothers of many children.

      So, seeing that he could do nothing with her, and loth to use any unhandsome pressure towards one whom he loved as the Apple of his Eye, the Esquire began to think it might divert her mind to more cheerful thoughts if she quitted for a season that part of the country (for it was at Home that she had received the dreadful news of her misfortune); and, Sir Fortunatus Geddings and his family being extremely willing to receive her, and do her honour, he despatched Arabella to London, under protection of Mr. Landrail, his steward, a neighbour of his, Sir Hardress Eustis, lending his Coach for the journey.

      Being now come to London, every means which art could devise, or kindness could imagine, were made use of by Sir Fortunatus, his wife, and daughter, to make Arabella's life happier. But I should tell you a strange thing that came about at her father's house the day after she left it for the Town. Mr. Greenville chanced to go in a certain long building (by the side of his pleasure-pond) that was used as a boat-house, when, to his amazement, he sees, piled up against the wall, a number of pictures, some completed, some but half finished, but all representing the Lord Protector Cromwell. But the strangest thing about them was, that in every picture the canvas about the head was pricked through and through in scores of places with very fine clean holes, and, looking around in his marvel, he found an arbalist or cross-bow, with some very sharp bolts, and was so led to conjecture that some one had been setting these heads of the Protector up as a target, and shooting bolts at them. He was at first minded to send an express after his daughter to London to question her if she knew aught of the matter; but on second thoughts he desisted, remembering that in the Message, almost, (as the times stood) there was Treason, and concluding that, after all, it might be but some idle fancy of Arabella, and part of the Demi-Craze under which she laboured. For there could be no manner of doubt that the Pictures, if not the Holes in them, were of her handiwork.