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for the classification into equal groups of a given number of women. Thus in a mass of six millions, omitting fractions, there are about two million girls between one and eighteen, two millions women between eighteen and forty and two millions of old women. The caprices of society have divided the two millions of marriageable women into three main classes, namely: those who remain spinsters for reasons which we have defined; those whose virtue does not reckon in the obtaining of husbands, and the million of women lawfully married, with whom we have to deal.

      You see then, by the exact sifting out of the feminine population, that there exists in France a little flock of barely a million white lambs, a privileged fold into which every wolf is anxious to enter.

      Let us put this million of women, already winnowed by our fan, through another examination.

      To arrive at the true idea of the degree of confidence which a man ought to have in his wife, let us suppose for a moment that all wives will deceive their husbands.

      On this hypothesis, it will be proper to cut out about one-twentieth, viz., young people who are newly married and who will be faithful to their vows for a certain time.

      Another twentieth will be in ill-health. This will be to make a very modest allowance for human infirmities.

      Certain passions, which we are told destroy the dominion of the man over the heart of his wife, namely, aversion, grief, the bearing of children, will account for another twentieth.

      Adultery does not establish itself in the heart of a married woman with the promptness of a pistol-shot. Even when sympathy with another rouses feelings on first sight, a struggle always takes place, whose duration discounts the total sum of conjugal infidelities. It would be an insult to French modesty not to admit the duration of this struggle in a country so naturally combative, without referring to at least a twentieth in the total of married women; but then we will suppose that there are certain sickly women who preserve their lovers while they are using soothing draughts, and that there are certain wives whose confinement makes sarcastic celibates smile. In this way we shall vindicate the modesty of those who enter upon the struggle from motives of virtue. For the same reason we should not venture to believe that a woman forsaken by her lover will find a new one on the spot; but this discount being much more uncertain than the preceding one, we will estimate it at one-fortieth.

      These several rebates will reduce our sum total to eight hundred thousand women, when we come to calculate the number of those who are likely to violate married faith. Who would not at the present moment wish to retain the persuasion that wives are virtuous? Are they not the supreme flower of the country? Are they not all blooming creatures, fascinating the world by their beauty, their youth, their life and their love? To believe in their virtue is a sort of social religion, for they are the ornament of the world, and form the chief glory of France.

      It is in the midst of this million we are bound to investigate:

      The number of honest women;

      The number of virtuous women.

      The work of investigating this and of arranging the results under two categories requires whole meditations, which may serve as an appendix to the present one.

      MEDITATION III. OF THE HONEST WOMAN

      The preceding meditation has proved that we possess in France a floating population of one million women reveling in the privilege of inspiring those passions which a gallant man avows without shame, or dissembles with delight. It is then among this million of women that we must carry our lantern of Diogenes in order to discover the honest women of the land.

      This inquiry suggests certain digressions.

      Two young people, well dressed, whose slender figures and rounded arms suggest a paver’s tool, and whose boots are elegantly made, meet one morning on the boulevard, at the end of the Passage des Panoramas.

      “What, is this you?”

      “Yes, dear boy; it looks like me, doesn’t it?”

      Then they laugh, with more or less intelligence, according to the nature of the joke which opens the conversation.

      When they have examined each other with the sly curiosity of a police officer on the lookout for a clew, when they are quite convinced of the newness of each other’s gloves, of each other’s waistcoat and of the taste with which their cravats are tied; when they are pretty certain that neither of them is down in the world, they link arms and if they start from the Theater des Varietes, they have not reached Frascati’s before they have asked each other a roundabout question whose free translation may be this:

      “Whom are you living with now?”

      As a general rule she is a charming woman.

      Who is the infantryman of Paris into whose ear there have not dropped, like bullets in the day of battle, thousands of words uttered by the passer-by, and who has not caught one of those numberless sayings which, according to Rabelais, hang frozen in the air? But the majority of men take their way through Paris in the same manner as they live and eat, that is, without thinking about it. There are very few skillful musicians, very few practiced physiognomists who can recognize the key in which these vagrant notes are set, the passion that prompts these floating words. Ah! to wander over Paris! What an adorable and delightful existence is that! To saunter is a science; it is the gastronomy of the eye. To take a walk is to vegetate; to saunter is to live. The young and pretty women, long contemplated with ardent eyes, would be much more admissible in claiming a salary than the cook who asks for twenty sous from the Limousin whose nose with inflated nostrils took in the perfumes of beauty. To saunter is to enjoy life; it is to indulge the flight of fancy; it is to enjoy the sublime pictures of misery, of love, of joy, of gracious or grotesque physiognomies; it is to pierce with a glance the abysses of a thousand existences; for the young it is to desire all, and to possess all; for the old it is to live the life of the youthful, and to share their passions. Now how many answers have not the sauntering artists heard to the categorical question which is always with us?

      “She is thirty-five years old, but you would not think she was more than twenty!” said an enthusiastic youth with sparkling eyes, who, freshly liberated from college, would, like Cherubin, embrace all.

      “Zounds! Mine has dressing-gowns of batiste and diamond rings for the evening!” said a lawyer’s clerk.

      “But she has a box at the Francais!” said an army officer.

      “At any rate,” cried another one, an elderly man who spoke as if he were standing on the defence, “she does not cost me a sou! In our case – wouldn’t you like to have the same chance, my respected friend?”

      And he patted his companion lightly on the shoulder.

      “Oh! she loves me!” said another. “It seems too good to be true; but she has the most stupid of husbands! Ah! – Buffon has admirably described the animals, but the biped called husband – ”

      What a pleasant thing for a married man to hear!

      “Oh! what an angel you are, my dear!” is the answer to a request discreetly whispered into the ear.

      “Can you tell me her name or point her out to me?”

      “Oh! no; she is an honest woman.”

      When a student is loved by a waitress, he mentions her name with pride and takes his friends to lunch at her house. If a young man loves a woman whose husband is engaged in some trade dealing with articles of necessity, he will answer, blushingly, “She is the wife of a haberdasher, of a stationer, of a hatter, of a linen-draper, of a clerk, etc.”

      But this confession of love for an inferior which buds and blows in the midst of packages, loaves of sugar, or flannel waistcoats is always accompanied with an exaggerated praise of the lady’s fortune. The husband alone is engaged in the business; he is rich; he has fine furniture. The loved one comes to her lover’s house; she wears a cashmere shawl; she owns a country house, etc.

      In short, a young man is never wanting in excellent arguments to prove that his mistress is very nearly, if not quite, an honest woman. This distinction originates in the refinement of our manners and has become as indefinite as the line which separates