In other ways also it is necessary to insist not only on the fact of an extreme Protestantism, but on that of the Protestantism of a garrison; a world where that religious force both grew and festered all the more for being at once isolated and protected. All the influences surrounding Bernard Shaw in boyhood were not only Puritan, but such that no non-Puritan force could possibly pierce or counteract. He belonged to that Irish group which, according to Catholicism, has hardened its heart, which, according to Protestantism has hardened its head, but which, as I fancy, has chiefly hardened its hide, lost its sensibility to the contact of the things around it. In reading about his youth, one forgets that it was passed in the island which is still one flame before the altar of St. Peter and St. Patrick. The whole thing might be happening in Wimbledon. He went to the Wesleyan Connexional School. He went to hear Moody and Sankey. "I was," he writes, "wholly unmoved by their eloquence; and felt bound to inform the public that I was, on the whole, an atheist. My letter was solemnly printed in Public Opinion, to the extreme horror of my numerous aunts and uncles." That is the philosophical atmosphere; those are the religious postulates. It could never cross the mind of a man of the Garrison that before becoming an atheist he might stroll into one of the churches of his own country, and learn something of the philosophy that had satisfied Dante and Bossuet, Pascal and Descartes.
In the same way I have to appeal to my theoretic preface at this third point of the drama of Shaw's career. On leaving school he stepped into a secure business position which he held steadily for four years and which he flung away almost in one day. He rushed even recklessly to London; where he was quite unsuccessful and practically starved for six years. If I had mentioned this act on the first page of this book it would have seemed to have either the simplicity of a mere fanatic or else to cover some ugly escapade of youth or some quite criminal looseness of temperament. But Bernard Shaw did not act thus because he was careless, but because he was ferociously careful, careful especially of the one thing needful. What was he thinking about when he threw away his last halfpence and went to a strange place; what was he thinking about when he endured hunger and small-pox in London almost without hope? He was thinking of what he has ever since thought of, the slow but sure surge of the social revolution; you must read into all those bald sentences and empty years what I shall attempt to sketch in the third section. You must read the revolutionary movement of the later nineteenth century, darkened indeed by materialism and made mutable by fear and free thought, but full of awful vistas of an escape from the curse of Adam.
Bernard Shaw happened to be born in an epoch, or rather at the end of an epoch, which was in its way unique in the ages of history. The nineteenth century was not unique in the success or rapidity of its reforms or in their ultimate cessation; but it was unique in the peculiar character of the failure which followed the success. The French Revolution was an enormous act of human realisation; it has altered the terms of every law and the shape of every town in Europe; but it was by no means the only example of a strong and swift period of reform. What was really peculiar about the Republican energy was this, that it left behind it, not an ordinary reaction but a kind of dreary, drawn out and utterly unmeaning hope. The strong and evident idea of reform sank lower and lower until it became the timid and feeble idea of progress. Towards the end of the nineteenth century there appeared its two incredible figures; they were the pure Conservative and the pure Progressive; two figures which would have been overwhelmed with laughter by any other intellectual commonwealth of history. There was hardly a human generation which could not have seen the folly of merely going forward or merely standing still; of mere progressing or mere conserving. In the coarsest Greek Comedy we might have a joke about a man who wanted to keep what he had, whether it was yellow gold or yellow fever. In the dullest mediæval morality we might have a joke about a progressive gentleman who, having passed heaven and come to purgatory, decided to go further and fare worse. The twelfth and thirteenth centuries were an age of quite impetuous progress; men made in one rush, roads, trades, synthetic philosophies, parliaments, university settlements, a law that could cover the world and such spires as had never struck the sky. But they would not have said that they wanted progress, but that they wanted the road, the parliaments, and the spires. In the same way the time from Richelieu to the Revolution was upon the whole a time of conservation, often of harsh and hideous conservation; it preserved tortures, legal quibbles, and despotism. But if you had asked the rulers they would not have said that they wanted conservation; but that they wanted the torture and the despotism. The old reformers and the old despots alike desired definite things, powers, licenses, payments, vetoes, and permissions. Only the modern progressive and the modern conservative have been content with two words.
Other periods of active improvement have died by stiffening at last into some routine. Thus the Gothic gaiety of the thirteenth century stiffening into the mere Gothic ugliness of the fifteenth. Thus the mighty wave of the Renaissance, whose crest was lifted to heaven, was touched by a wintry witchery of classicism and frozen for ever before it fell. Alone of all such movements the democratic movement of the last two centuries has not frozen, but loosened and liquefied. Instead of becoming more pedantic in its old age, it has grown more bewildered. By the analogy of healthy history we ought to have gone on worshipping the republic and calling each other citizen with increasing seriousness until some other part of the truth broke into our republican temple. But in fact we have turned the freedom of democracy into a mere scepticism, destructive of everything, including democracy itself. It is none the less destructive because it is, so to speak, an optimistic scepticism – or, as I have said, a dreary hope. It was none the better because the destroyers were always talking about the new vistas and enlightenments which their new negations opened to us. The republican temple, like any other strong building, rested on certain definite limits and supports. But the modern man inside it went on indefinitely knocking holes in his own house and saying that they were windows. The result is not hard to calculate: the moral world was pretty well all windows and no house by the time that Bernard Shaw arrived on the scene.
Then there entered into full swing