At the moment when our history begins, the audacity of the new religious doctrines was putting all Paris in a ferment. A Scotchman named Stuart had just assassinated President Minard, the member of the Parliament to whom public opinion attributed the largest share in the execution of Councillor Anne du Bourg; who was burned on the place de Greve after the king’s tailor – to whom Henri II. and Diane de Poitiers had caused the torture of the “question” to be applied in their very presence. Paris was so closely watched that the archers compelled all passers along the street to pray before the shrines of the Madonna so as to discover heretics by their unwillingness or even refusal to do an act contrary to their beliefs.
The two archers who were stationed at the corner of the Lecamus house had departed, and Cristophe, son of the furrier, vehemently suspected of deserting Catholicism, was able to leave the shop without fear of being made to adore the Virgin. By seven in the evening, in April, 1560, darkness was already falling, and the apprentices, seeing no signs of customers on either side of the arcade, were beginning to take in the merchandise exposed as samples beneath the pillars, in order to close the shop. Christophe Lecamus, an ardent young man about twenty-two years old, was standing on the sill of the shop-door, apparently watching the apprentices.
“Monsieur,” said one of them, addressing Christophe and pointing to a man who was walking to and fro under the gallery with an air of indecision, “perhaps that’s a thief or a spy; anyhow, the shabby wretch can’t be an honest man; if he wanted to speak to us he would come over frankly, instead of sidling along as he does – and what a face!” continued the apprentice, mimicking the man, “with his nose in his cloak, his yellow eyes, and that famished look!”
When the stranger thus described caught sight of Christophe alone on the door-sill, he suddenly left the opposite gallery where he was then walking, crossed the street rapidly, and came under the arcade in front of the Lecamus house. There he passed slowly along in front of the shop, and before the apprentices returned to close the outer shutters he said to Christophe in a low voice: —
“I am Chaudieu.”
Hearing the name of one of the most illustrious ministers and devoted actors in the terrible drama called “The Reformation,” Christophe quivered as a faithful peasant might have quivered on recognizing his disguised king.
“Perhaps you would like to see some furs? Though it is almost dark I will show you some myself,” said Christophe, wishing to throw the apprentices, whom he heard behind him, off the scent.
With a wave of his hand he invited the minister to enter the shop, but the latter replied that he preferred to converse outside. Christophe then fetched his cap and followed the disciple of Calvin.
Though banished by an edict, Chaudieu, the secret envoy of Theodore de Beze and Calvin (who were directing the French Reformation from Geneva), went and came, risking the cruel punishment to which the Parliament, in unison with the Church and Royalty, had condemned one of their number, the celebrated Anne du Bourg, in order to make a terrible example. Chaudieu, whose brother was a captain and one of Admiral Coligny’s best soldiers, was a powerful auxiliary by whose arm Calvin shook France at the beginning of the twenty two years of religious warfare now on the point of breaking out. This minister was one of the hidden wheels whose movements can best exhibit the wide-spread action of the Reform.
Chaudieu led Christophe to the water’s edge through an underground passage, which was like that of the Marion tunnel filled up by the authorities about ten years ago. This passage, which was situated between the Lecamus house and the one adjoining it, ran under the rue de la Vieille-Pelleterie, and was called the Pont-aux-Fourreurs. It was used by the dyers of the City to go to the river and wash their flax and silks, and other stuffs. A little boat was at the entrance of it, rowed by a single sailor. In the bow was a man unknown to Christophe, a man of low stature and very simply dressed. Chaudieu and Christophe entered the boat, which in a moment was in the middle of the Seine; the sailor then directed its course beneath one of the wooden arches of the pont au Change, where he tied up quickly to an iron ring. As yet, no one had said a word.
“Here we can speak without fear; there are no traitors or spies here,” said Chaudieu, looking at the two as yet unnamed men. Then, turning an ardent face to Christophe, “Are you,” he said, “full of that devotion that should animate a martyr? Are you ready to endure all for our sacred cause? Do you fear the tortures applied to the Councillor du Bourg, to the king’s tailor, – tortures which await the majority of us?”
“I shall confess the gospel,” replied Lecamus, simply, looking at the windows of his father’s back-shop.
The family lamp, standing on the table where his father was making up his books for the day, spoke to him, no doubt, of the joys of family and the peaceful existence which he now renounced. The vision was rapid, but complete. His mind took in, at a glance, the burgher quarter full of its own harmonies, where his happy childhood had been spent, where lived his promised bride, Babette Lallier, where all things promised him a sweet and full existence; he saw the past; he saw the future, and he sacrificed it, or, at any rate, he staked it all. Such were the men of that day.
“We need ask no more,” said the impetuous sailor; “we know him for one of our saints. If the Scotchman had not done the deed he would kill us that infamous Minard.”
“Yes,” said Lecamus, “my life belongs to the church; I shall give it with joy for the triumph of the Reformation, on which I have seriously reflected. I know that what we do is for the happiness of the peoples. In two words: Popery drives to celibacy, the Reformation establishes the family. It is time to rid France of her monks, to restore their lands to the Crown, who will, sooner or later, sell them to the burghers. Let us learn to die for our children, and make our families some day free and prosperous.”
The face of the young enthusiast, that of Chaudieu, that of the sailor, that of the stranger seated in the bow, lighted by the last gleams of the twilight, formed a picture which ought the more to be described because the description contains in itself the whole history of the times – if it is, indeed, true that to certain men it is given to sum up in their own persons the spirit of their age.
The religious reform undertaken by Luther in Germany, John Knox in Scotland, Calvin in France, took hold especially of those minds in the lower classes into which thought had penetrated. The great lords sustained the movement only to serve interests that were foreign to the religious cause. To these two classes were added adventurers, ruined noblemen, younger sons, to whom all troubles were equally acceptable. But among the artisan and merchant classes the new faith was sincere and based on calculation. The masses of the poorer people adhered at once to a religion which gave the ecclesiastical property to the State, and deprived the dignitaries of the Church of their enormous revenues. Commerce everywhere reckoned up the profits of this religious operation, and devoted itself body, soul, and purse, to the cause.
But among the young men of the French bourgeoisie the Protestant movement found that noble inclination to sacrifices of all kinds which inspires youth, to which selfishness is, as yet, unknown. Eminent men, sagacious minds, discerned the Republic in the Reformation; they desired to establish throughout Europe the government of the United Provinces, which ended by triumphing over the greatest Power of those times, – Spain, under Philip the Second, represented in the Low Countries by the Duke of Alba. Jean Hotoman was then meditating his famous book, in which this project is put forth, – a book which spread throughout France the leaven of these ideas, which were stirred up anew by the Ligue, repressed by Richelieu, then by Louis XIV., always protected by the younger branches, by the house of Orleans in 1789, as by the house of Bourbon in 1589. Whoso says “Investigate” says “Revolt.” All revolt is either the cloak that hides a prince, or the swaddling-clothes of a new mastery. The house of Bourbon, the younger sons of the Valois, were at work beneath the surface of the Reformation.
At the moment when the little boat floated beneath the arch of the pont au Change the question was strangely complicated by the ambitions of the Guises, who were rivalling the Bourbons. Thus the Crown, represented