"I don't know why the devil I'm coming with you," said Laevsky. "How stupid and vulgar it is! I want to go to the North, to run away, to escape; but here I am, for some reason, going to this stupid picnic."
"But look, what a view!" said Samoylenko as the horses turned to the left, and the valley of the Yellow River came into sight and the stream itself gleamed in the sunlight, yellow, turbid, frantic.
"I see nothing fine in that, Sasha," answered Laevsky. "To be in continual ecstasies over nature shows poverty of imagination. In comparison with what my imagination can give me, all these streams and rocks are trash, and nothing else."
The carriages now were by the banks of the stream. The high mountain banks gradually grew closer, the valley shrank together and ended in a gorge; the rocky mountain round which they were driving had been piled together by nature out of huge rocks, pressing upon each other with such terrible weight, that Samoylenko could not help gasping every time he looked at them. The dark and beautiful mountain was cleft in places by narrow fissures and gorges from which came a breath of dewy moisture and mystery; through the gorges could be seen other mountains, brown, pink, lilac, smoky, or bathed in vivid sunlight. From time to time as they passed a gorge they caught the sound of water falling from the heights and splashing on the stones.
"Ach, the damned mountains!" sighed Laevsky. "How sick I am of them!"
At the place where the Black River falls into the Yellow, and the water black as ink stains the yellow and struggles with it, stood the Tatar Kerbalay's duhan, with the Russian flag on the roof and with an inscription written in chalk: "The Pleasant duhan." Near it was a little garden, enclosed in a hurdle fence, with tables and chairs set out in it, and in the midst of a thicket of wretched thornbushes stood a single solitary cypress, dark and beautiful.
Kerbalay, a nimble little Tatar in a blue shirt and a white apron, was standing in the road, and, holding his stomach, he bowed low to welcome the carriages, and smiled, showing his glistening white teeth.
"Good-evening, Kerbalay," shouted Samoylenko. "We are driving on a little further, and you take along the samovar and chairs! Look sharp!"
Kerbalay nodded his shaven head and muttered something, and only those sitting in the last carriage could hear: "We've got trout, your Excellency."
"Bring them, bring them!" said Von Koren.
Five hundred paces from the duhan the carriages stopped. Samoylenko selected a small meadow round which there were scattered stones convenient for sitting on, and a fallen tree blown down by the storm with roots overgrown by moss and dry yellow needles. Here there was a fragile wooden bridge over the stream, and just opposite on the other bank there was a little barn for drying maize, standing on four low piles, and looking like the hut on hen's legs in the fairy tale; a little ladder sloped from its door.
The first impression in all was a feeling that they would never get out of that place again. On all sides wherever they looked, the mountains rose up and towered above them, and the shadows of evening were stealing rapidly, rapidly from the duhan and dark cypress, making the narrow winding valley of the Black River narrower and the mountains higher. They could hear the river murmuring and the unceasing chirrup of the grasshoppers.
"Enchanting!" said Marya Konstantinovna, heaving deep sighs of ecstasy. "Children, look how fine! What peace!"
"Yes, it really is fine," assented Laevsky, who liked the view, and for some reason felt sad as he looked at the sky and then at the blue smoke rising from the chimney of the duhan. "Yes, it is fine," he repeated.
"Ivan Andreitch, describe this view," Marya Konstantinovna said tearfully.
"Why?" asked Laevsky. "The impression is better than any description. The wealth of sights and sounds which every one receives from nature by direct impression is ranted about by authors in a hideous and unrecognisable way."
"Really?" Von Koren asked coldly, choosing the biggest stone by the side of the water, and trying to clamber up and sit upon it. "Really?" he repeated, looking directly at Laevsky. "What of 'Romeo and Juliet'? Or, for instance, Pushkin's 'Night in the Ukraine'? Nature ought to come and bow down at their feet."
"Perhaps," said Laevsky, who was too lazy to think and oppose him. "Though what is 'Romeo and Juliet' after all?" he added after a short pause. "The beauty of poetry and holiness of love are simply the roses under which they try to hide its rottenness. Romeo is just the same sort of animal as all the rest of us."
"Whatever one talks to you about, you always bring it round to
.." Von Koren glanced round at Katya and broke off.
"What do I bring it round to?" asked Laevsky.
"One tells you, for instance, how beautiful a bunch of grapes is, and you answer: 'Yes, but how ugly it is when it is chewed and digested in one's stomach!' Why say that? It's not new, and.. altogether it is a queer habit."
Laevsky knew that Von Koren did not like him, and so was afraid of him, and felt in his presence as though every one were constrained and some one were standing behind his back. He made no answer and walked away, feeling sorry he had come.
"Gentlemen, quick march for brushwood for the fire!" commanded
Samoylenko.
They all wandered off in different directions, and no one was left but Kirilin, Atchmianov, and Nikodim Alexandritch. Kerbalay brought chairs, spread a rug on the ground, and set a few bottles of wine.
The police captain, Kirilin, a tall, good-looking man, who in all weathers wore his great-coat over his tunic, with his haughty deportment, stately carriage, and thick, rather hoarse voice, looked like a young provincial chief of police; his expression was mournful and sleepy, as though he had just been waked against his will.
"What have you brought this for, you brute?" he asked Kerbalay, deliberately articulating each word. "I ordered you to give us kvarel, and what have you brought, you ugly Tatar? Eh? What?"
"We have plenty of wine of our own, Yegor Alekseitch," Nikodim
Alexandritch observed, timidly and politely.
"What? But I want us to have my wine, too; I'm taking part in the picnic and I imagine I have full right to contribute my share. I im-ma-gine so! Bring ten bottles of kvarel."
"Why so many?" asked Nikodim Alexandritch, in wonder, knowing Kirilin had no money.
"Twenty bottles! Thirty!" shouted Kirilin.
"Never mind, let him," Atchmianov whispered to Nikodim Alexandritch;
"I'll pay."
Nadyezhda Fyodorovna was in a light-hearted, mischievous mood; she wanted to skip and jump, to laugh, to shout, to tease, to flirt. In her cheap cotton dress with blue pansies on it, in her red shoes and the same straw hat, she seemed to herself, little, simple, light, ethereal as a butterfly. She ran over the rickety bridge and looked for a minute into the water, in order to feel giddy; then, shrieking and laughing, ran to the other side to the drying-shed, and she fancied that all the men were admiring her, even Kerbalay. When in the rapidly falling darkness the trees began to melt into the mountains and the horses into the carriages, and a light gleamed in the windows of the duhan, she climbed up the mountain by the little path which zigzagged between stones and thorn-bushes and sat on a stone. Down below, the camp-fire was burning. Near the fire, with his sleeves tucked up, the deacon was moving to and fro, and his long black shadow kept describing a circle round it; he put on wood, and with a spoon tied to a long stick he stirred the cauldron. Samoylenko, with a copper-red face, was fussing round the fire just as though he were in his own kitchen, shouting furiously:
"Where's the salt, gentlemen? I bet you've forgotten it. Why are you