It was well known in Paris that Macaire and young Aubrey had not been friends. It was remembered that they had had more than one quarrel. And now the people began to talk about the dog’s strange actions, and some went so far as to put this and that together.
At last the matter reached the ears of the king. He sent for De Narsac and had a long talk with him. “Come back to-morrow and bring the dog with you,” he said. “We must find out more about this strange affair.”
The next day De Narsac, with Dragon at his heels, was admitted into the king’s audience room. The king was seated in his great chair, and many knights and men at arms were standing around him. Hardly had De Narsac stepped inside when the dog leaped quickly forward. He had seen Macaire, and had singled him out from among all the rest. He sprang upon him. He would have torn him in pieces if no one had interfered.
There was now only one way to explain the matter.
“This greyhound,” said De Narsac, “is here to denounce the Chevalier Macaire as the slayer of his master, young Aubrey de Montdidier. He demands that justice be done, and that the murderer be punished for his crime.”
The Chevalier Macaire was pale and trembling. He stammered a denial of his guilt, and declared that the dog was a dangerous beast, and ought to be put out of the way. “Shall a soldier in the service of the king be accused by a dog?” he cried. “Shall he be condemned on such testimony as this? I, too, demand justice.”
“Let the judgment of God decide!” cried the knights who were present.
And so the king declared that there should be a trial by the judgment of God. For in those rude times it was a very common thing to determine guilt or innocence in this way – that is, by a combat between the accuser and the accused. In such cases it was believed that God would always aid the cause of the innocent and bring about the defeat of the guilty.
The combat was to take place that very afternoon in the great common by the riverside. The king’s herald made a public announcement of it, naming the dog as the accuser and the Chevalier Macaire as the accused. A great crowd of people assembled to see this strange trial by the judgment of God.
The king and his officers were there to make sure that no injustice was done to either the man or the dog. The man was allowed to defend himself with a short stick; the dog was given a barrel into which he might run if too closely pressed.
At a signal the combat began. Macaire stood upon his guard while the dog darted swiftly around him, dodging the blows that were aimed at him, and trying to get at his enemy’s throat. The man seemed to have lost all his courage. His breath came short and quick. He was trembling from head to foot.
Suddenly the dog leaped upon him and threw him to the ground. In his great terror he cried to the king for mercy, and acknowledged his guilt.
“It is the judgment of God!” cried the king.
The officers rushed in and dragged the dog away before he could harm the guilty man; and Macaire was hurried off to the punishment which his crimes deserved.
And this is the scene that was carved on the old mantelpiece in the castle of Montargis – this strange trial by the judgment of God. Is it not fitting that a dog so faithful, devoted, and brave should have his memory thus preserved in stone? He is remembered also in story and song. In France ballads have been written about him; and his strange history has been dramatized in both French and English.
THE OLD OAKEN BUCKET
How dear to my heart are the scenes of my childhood,
When fond recollection presents them to view!
The orchard, the meadow, the deep, tangled wildwood,
And every loved spot that my infancy knew.
The wide-spreading pond, and the mill that stood by it;
The bridge and the rock where the cataract fell;
The cot of my father, the dairy house nigh it,
And e’en the rude bucket which hung in the well —
The old oaken bucket, the iron-bound bucket,
The moss-covered bucket which hung in the well.
That moss-covered bucket I hail as a treasure;
For often at noon, when returned from the field,
I found it the source of an exquisite pleasure,
The purest and sweetest that nature can yield.
How ardent I seized it, with hands that were glowing,
And quick to the white-pebbled bottom it fell;
Then soon with the emblem of truth overflowing,
And dripping with coolness it rose from the well —
The old oaken bucket, the iron-bound bucket,
The moss-covered bucket arose from the well.
How sweet from the green mossy brim to receive it,
As poised on the curb, it inclined to my lips!
Not a full blushing goblet could tempt me to leave it,
Though filled with the nectar that Jupiter sips.
And now, far removed from thy loved situation,
The tear of regret will oftentimes swell,
As fancy returns to my father’s plantation,
And sighs for the bucket which hangs in the well —
The old oaken bucket, the iron-bound bucket,
The moss-covered bucket which hangs in the well.
THE VILLAGE BLACKSMITH
Under a spreading chestnut tree
The village smithy stands;
The smith a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.
His hair is crisp and black and long;
His face is like the tan;
His brow is wet with honest sweat,
He earns whate’er he can,
And looks the whole world in the face,
For he owes not any man.
Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.
And children coming home from school
Look in at the open door;
They love to see the flaming forge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.
He goes on Sunday to the church,
And sits among his boys;
He hears the parson pray and preach;
He hears his daughter’s voice
Singing in the village choir,
And it makes his heart rejoice.
It sounds to him like her mother’s voice,
Singing