Braman re-read the telegram; it was directed to him:
Send my daughter to Trevison with cash in amount of check destroyed by Corrigan yesterday. Instruct her to say mistake made. No offense intended. Hustle. J. C. Benham.
Braman slipped his clothes on and ran down the track to the private car. He had known J. C. Benham several years and was aware that when he issued an order he wanted it obeyed, literally. The negro autocrat of the private car met him at the platform and grinned amply at the banker’s request.
“Miss Benham done tol’ me she am not to be disturbed till eight o’clock,” he objected. But the telegram in Braman’s hands had instant effect upon the black custodian of the car, and shortly afterward Miss Benham was looking at the banker and his telegram in sleepy-eyed astonishment, the door of her compartment open only far enough to permit her to stick her head out.
Braman was forced to do much explaining, and concluded by reading the telegram to her. She drew everything out of him except the story of the fight.
“Well,” she said in the end, “I suppose I shall have to go. So his name is ‘Brand’ Trevison. And he won’t permit the men to work. Why did Mr. Corrigan destroy the check?”
Braman evaded, but the girl thought she knew. Corrigan had yielded to an impulse of obstinacy provoked by Trevison’s assault on him. It was not good business – it was almost childish; but it was human to feel that way. She felt a slight disappointment in Corrigan, though; the action did not quite accord with her previous estimate of him. She did not know what to think of Trevison. But of course any man who would deliberately and brutally ride another man down, would naturally not hesitate to adopt other lawless means of defending himself.
She told Braman to have the money ready for her in an hour, and at the end of that time with her morocco handbag bulging, she emerged from the front door of the bank and climbed the steps of the private car, which had been pulled down to a point in front of the station by the dinky engine, with Murphy presiding at the throttle.
Carson was standing on the platform when Miss Benham climbed to it, and he grinned and greeted her with:
“If ye have no objections, ma’am, I’ll be ridin’ down to the cut with ye. Me name’s Patrick Carson, ma’am.”
“I have no objection whatever,” said the lady, graciously. “I presume you are connected with the railroad?”
“An’ wid the ginneys that’s buildin’ it, ma’am,” he supplemented. “I’m the construction boss av this section, an’ I’m the mon that had the unhappy experience av lookin’ into the business end av ‘Firebrand’s’ six-shooter yisterday.”
“‘Firebrand’s’?” she said, with a puzzled look at him.
“Thot mon, Trevison, ma’am; that’s what they call him. An’ he fits it bedad – beggin’ your pardon.”
“Oh,” she said; “then you know him.” And she felt a sudden interest in Carson.
“Enough to be certain he ain’t to be monkeyed with, ma’am.”
She seemed to ignore this. “Please tell the engineer to go ahead,” she told him. “And then come into the car – I want to talk with you.”
A little later, with the car clicking slowly over the rail-joints toward the cut, Carson diffidently followed the negro attendant into a luxurious compartment, in which, seated in a big leather-covered chair, was Miss Benham. She motioned Carson to another chair, and in the conversation that followed Miss Benham received a comprehensive estimate of Trevison from Carson’s viewpoint. It seemed unsatisfying to her – Carson’s commendation did not appear to coincide with Trevison’s performances.
“Have you heard what happened in Manti yesterday?” she questioned. “This man, Trevison, jumped his horse against Mr. Corrigan and knocked him down.”
“I heard av it,” grinned Carson. “But I didn’t see it. Nor did I see the daisy scrap that tuk place right after.”
“Fight?” she exclaimed.
Carson reddened. “Sure, ye haven’t heard av it, an’ I’m blabbin’ like a kid.”
“Tell me about it.” Her eyes were aglow with interest.
“There’s devilish little to tell – beggin’ your pardon, ma’am. But thim that was in at the finish is waggin’ their tongues about it bein’ a dandy shindy. Judgin’ from the talk, nobuddy got licked – it was a fair dhraw. But I sh’ud judge, lookin’ at Corrigan’s face, that it was a darlin’ av a scrap.”
She was silent, gazing contemplatively out of the car window. Corrigan had returned, after escorting her to the car, to engage in a fight with Trevison. That was what had occupied him; that was why he had gone away without seeing her. Well, Trevison had given him plenty of provocation.
“Trevison’s horse knockin’ Corrigan down was what started it, they’ve been tellin’ me,” said Carson. “But thim that know Trevison’s black knows that Trevison wasn’t to blame.”
“Not to blame?” she asked; “why not?”
“For the simple rayson thot in a case like thot the mon has no control over the baste, ma’am. ‘Firebrand’ told me only yisterday mornin’ thot there was no holdin’ the black whin somebuddy tried to shoot wid him on his back.”
The girl remembered how Trevison had tried to speak to her immediately after the upsetting of Corrigan, and she knew now, that he had wanted to explain his action. Reviewing the incident in the light of Carson’s explanation, she felt that Corrigan was quite as much at fault as Trevison. Somehow, that knowledge was vaguely satisfying.
She did not succeed in questioning Carson further about Trevison, though there were many points over which she felt a disturbing curiosity, for Agatha came in presently, and after nodding stiffly to Carson, seated herself and gazed aloofly out of a window.
Carson, ill at ease in Agatha’s presence, soon invented an excuse to go out upon the platform, leaving Rosalind to explain his presence in the car.
“What on earth could you have to say to a section boss – or he to you?” demanded Agatha. “You are becoming very – er – indiscreet, Rosalind.”
The girl smiled. It was a smile that would have betrayed the girl had Agatha possessed the physiognomist’s faculty of analyzation, for in it was much relief and renewed faith. For the rider of the black horse was not the brutal creature she had thought him.
When the private car came to a stop, Rosalind looked out of the window to see the steep wall of the cut towering above her. Aunt Agatha still sat near, and when Rosalind got up Agatha rose also, registering an objection:
“I think your father might have arranged to have some man meet this outlaw. It is not, in my opinion, a proper errand for a girl. But if you are determined to go, I presume I shall have to follow.”
“It won’t be necessary,” said Rosalind. But Agatha set her lips tightly. And when the girl reached the platform Agatha was close behind her.
But both halted on the platform as they were about to descend the steps. They heard Carson’s voice, loud and argumentative:
“There’s a lady aboored, I tell ye! If ye shoot, you’re a lot of damned rapscallions, an’ I’ll come up there an’ bate the head off ye!”
“Stow your gab an’ produce the lady!” answered a voice. It came from above, and Rosalind stepped down to the floor of the cut and looked upward. On the crest of the southern wall were a dozen men – cowboys – armed with rifles, peering down at the car. They shifted their gaze to her when she stepped into view, and one of them laughed.
“Correct, boys,” he said; “it’s a lady.” There was a short silence; Rosalind saw the men gather close – they were talking, but she could not hear their voices. Then the man who had spoken first stepped to the edge of the cut and called: “What do you want?”
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