A good way to appreciate the depopulation is to go by land from Anaho to Hatiheu on the adjacent bay. The road is good travelling, but cruelly steep. We seemed scarce to have passed the deserted house which stands highest in Anaho before we were looking dizzily down upon its roof; the Casco well out in the bay, and rolling for a wager, shrank visibly; and presently through the gap of Tari’s isthmus, Ua-huna was seen to hang cloudlike on the horizon. Over the summit, where the wind blew really chill, and whistled in the reed-like grass, and tossed the grassy fell of the pandanus, we stepped suddenly, as through a door, into the next vale and bay of Hatiheu. A bowl of mountains encloses it upon three sides. On the fourth this rampart has been bombarded into ruins, runs down to seaward in imminent and shattered crags, and presents the one practicable breach of the blue bay. The interior of this vessel is crowded with lovely and valuable trees, – orange, breadfruit, mummy-apple, coco, the island chestnut, and for weeds, the pine and the banana. Four perennial streams water and keep it green; and along the dell, first of one, then of another, of these, the road, for a considerable distance, descends into this fortunate valley. The song of the waters and the familiar disarray of boulders gave us a strong sense of home, which the exotic foliage, the daft-like growth of the pandanus, the buttressed trunk of the banyan, the black pigs galloping in the bush, and the architecture of the native houses dissipated ere it could be enjoyed.
The houses on the Hatiheu side begin high up; higher yet, the more melancholy spectacle of empty paepaes. When a native habitation is deserted, the superstructure – pandanus thatch, wattle, unstable tropical timber – speedily rots, and is speedily scattered by the wind. Only the stones of the terrace endure; nor can any ruin, cairn, or standing stone, or vitrified fort present a more stern appearance of antiquity. We must have passed from six to eight of these now houseless platforms. On the main road of the island, where it crosses the valley of Taipi, Mr. Osbourne tells me they are to be reckoned by the dozen; and as the roads have been made long posterior to their erection, perhaps to their desertion, and must simply be regarded as lines drawn at random through the bush, the forest on either hand must be equally filled with these survivals: the grave-stones of whole families. Such ruins are tapu1 in the strictest sense; no native must approach them; they have become outposts of the kingdom of the grave. It might appear a natural and pious custom in the hundreds who are left, the rearguard of perished thousands, that their feet should leave untrod these hearthstones of their fathers. I believe, in fact, the custom rests on different and more grim conceptions. But the house, the grave, and even the body of the dead, have been always particularly honoured by Marquesans. Until recently the corpse was sometimes kept in the family and daily oiled and sunned, until, by gradual and revolting stages, it dried into a kind of mummy. Offerings are still laid upon the grave. In Traitor’s Bay, Mr. Osbourne saw a man buy a looking-glass to lay upon his son’s. And the sentiment against the desecration of tombs, thoughtlessly ruffled in the laying down of the new roads, is a chief ingredient in the native hatred for the French.
The Marquesan beholds with dismay the approaching extinction of his race. The thought of death sits down with him to meat, and rises with him from his bed; he lives and breathes under a shadow of mortality awful to support; and he is so inured to the apprehension that he greets the reality with relief. He does not even seek to support a disappointment; at an affront, at a breach of one of his fleeting and communistic love-affairs, he seeks an instant refuge in the grave. Hanging is now the fashion. I heard of three who had hanged themselves in the west end of Hiva-oa during the first half of 1888; but though this be a common form of suicide in other parts of the South Seas, I cannot think it will continue popular in the Marquesas. Far more suitable to Marquesan sentiment is the old form of poisoning with the fruit of the eva, which offers to the native suicide a cruel but deliberate death, and gives time for those decencies of the last hour, to which he attaches such remarkable importance. The coffin can thus be at hand, the pigs killed, the cry of the mourners sounding already through the house; and then it is, and not before, that the Marquesan is conscious of achievement, his life all rounded in, his robes (like Cæsar’s) adjusted for the final act. Praise not any man till he is dead, said the ancients; envy not any man till you hear the mourners, might be the Marquesan parody. The coffin, though of late introduction, strangely engages their attention. It is to the mature Marquesan what a watch is to the European schoolboy. For ten years Queen Vaekehu had dunned the fathers; at last, but the other day, they let her have her will, gave her her coffin, and the woman’s soul is at rest. I was told a droll instance of the force of this preoccupation. The Polynesians are subject to a disease seemingly rather of the will than of the body. I was told the Tahitians have a word for it, erimatua, but cannot find it in my dictionary. A gendarme, M. Nouveau, has seen men beginning to succumb to this insubstantial malady, has routed them from their houses, turned them on to do their trick upon the roads, and in two days has seen them cured. But this other remedy is more original: a Marquesan, dying of this discouragement – perhaps I should rather say this acquiescence – has been known, at the fulfilment of his crowning wish, on the mere sight of that desired hermitage, his coffin – to revive, recover, shake off the hand of death, and be restored for years to his occupations – carving tikis (idols), let us say, or braiding old men’s beards. From all this it may be conceived how easily they meet death when it approaches naturally. I heard one example, grim and picturesque. In the time of the small-pox in Hapaa, an old man was seized with the disease; he had no thought of recovery; had his grave dug by a wayside, and lived in it for near a fortnight, eating, drinking, and smoking with the passers-by, talking mostly of his end, and equally unconcerned for himself and careless of the friends whom he infected.
This proneness to suicide, and loose seat in life, is not peculiar to the Marquesan. What is peculiar is the widespread depression and acceptance of the national end. Pleasures are neglected, the dance languishes, the songs are forgotten. It is true that some, and perhaps too many, of them are proscribed; but many remain, if there were spirit to support or to revive them. At the last feast of the Bastille, Stanislao Moanatini shed tears when he beheld the inanimate performance of the dancers. When the people sang for us in Anaho, they must apologise for the smallness of their repertory. They were only young folk present, they said, and it was only the old that knew the songs. The whole body of Marquesan poetry and music was being suffered to die out with a single dispirited generation. The full import is apparent only to one acquainted with other Polynesian races; who knows how the Samoan coins a fresh song for every trifling incident, or who has heard (on Penrhyn, for instance) a band of little stripling maids from eight to twelve keep up their minstrelsy for hours upon a stretch, one song following another without pause. In like manner, the Marquesan, never industrious, begins now to cease altogether from production. The exports of the group decline out of all proportion even with the death-rate of the islanders. “The coral waxes, the palm grows, and man departs,” says the Marquesan; and he folds his hands. And surely this is nature. Fond as it may appear, we labour and refrain, not for the reward of any single life, but with a timid eye upon the lives and memories of our successors; and where no