It felt as if all my life energy had drained away in an instant.
“Go, get some sleep,” Robert’s voice pulled me out of my daze. I looked at the man as if for the first time. His tired gray eyes, a deep crease on his forehead, thick, slightly wavy hair. On the right side of his neck, a thin white scar stretched from the base to his shoulder.
In the State, everything had always been built on symbols. Progressively repressive authoritarianism was founded on symbols. The maniacally narcissistic monarchy arose through symbolism and ideology.
And The Gorgon, despite its very practical work, was also a symbol. Its fighters were given the image of harsh and unyielding soldiers; strong, resilient, and unshakable warriors, fighters whom even death could not conquer. An image that was frightening even. But I never felt unsafe around them. And from Robert Sbort, there was such an aura of inner strength and confidence that you couldn’t help but absorb his calm.
I nodded, rising from the bed. Outside, a long, drawn-out rumble of thunder echoed, and moments later, a cold gust of wind burst through the window. The entire house whistled. Through the ventilation shaft came the shrill cry of nature, and the apartment grew darker than before: the outlines of objects merged together. The clouds outside, black and ominous, thickened the already gray sky. Another gust of wind struck the remaining glass, whistling through it. From outside came guttural coughs and eerie moans. Almost immediately, the next clap of thunder roared directly above us.
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