“The orderly structures and patterns of which we are most immediately aware are those within our own minds, bodies, and behavior, but virtually all human beings have a strong conviction that corresponding to these patterns of mind and body are similar patterns in what might be called the ‘real world’” (Boulding 1985, p. 9).
At the same time, meaning is not limited to a mental act that operates with abstraction. Thinking in itself is not an interaction with meanings as with some “supramundane” entities. Meaning is a material action and the result of an action. When we compare meanings with each other, we can distinguish between their general and particular properties. A clock is a device for measuring time. But this general property of being a clock does not exist in itself. It exists in the context of human activities related to clocks. The abstraction of a clock only makes sense in action, for example when you read and think about what is written in this book.
Is the watchmaker blind, is culture left to chance?
In his book The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe without Design (1986), Richard Dawkins cited 18th-century theologian William Paley’s argument that if we find an object as precise and complex as a clock on a heath, we can assume that it did not come into being spontaneously, but was designed. Paley applied this argument to nature to prove the existence of God. Dawkins believed that Darwin’s theory of natural selection provided an answer to Paley’s argument:
“Natural selection, the blind, unconscious, automatic process which Darwin discovered, and which we now know is the explanation for the existence and apparently purposeful form of all life, has no purpose in mind. It has no mind and no mind’s eye. It does not plan for the future. It has no vision, no foresight, no sight at all. If it can be said to play the role of watchmaker in nature, it is the blind watchmaker” (Dawkins 1996, p. 5).
Dawkins argued that natural selection could have created the animal world even without the will of God, and Donald Campbell argued that cultural selection could have created knowledge and civilization even without the will of man. In his works of the 1950s and 60s, Campbell put forward the theory of “blind variation and selective retention,” according to which man creates cultural variations randomly, without foreseeing the future course of events, and these variations are then subjected to selection in which only those variations that have proven useful are stored and passed on through learning. Learning is “the retention of adaptive response patterns for subsequent utilization, thus abbreviating the trial and error process” (Campbell 1959, p. 158). Taking Dawkins and Campbell’s argument further, we can conclude that man is not a subject of culture at all, that culture does not need human design, that meanings develop on their own: they arise randomly and are passed on through involuntary learning. However, some people feel uneasy with this assumption:
“…Historical analyses of scientific and technological change suggest that cultural change is not quite so directed, and foresight not quite as accurate, as commonly assumed. Historical figures often claim retrospectively to have guided cultural change in particular directions, yet such claims may have the benefit of hindsight and be self-servingly exaggerated. However, there is a general lack of systematic evidence regarding this issue, at least compared to the careful experiments conducted by Luria and Delbrück in biology. We should therefore be prepared to accept that cultural evolution may, at least in some instances, be directed rather than blind and that there is a valid difference here between cultural and biological evolution” (Mesoudi 2011, p. 46). [Luria and Delbrück’s experiments in the 1940s showed that mutations in bacteria are not the result of selection pressure, but occur by chance.—A.K.]
So, is any new meaning a matter of chance? Henry Quastler once posed this question as follows: “How does one know that at least some new information has emerged or that the new work is more than a rearrangement, according to existing laws, of previously existing patterns?” (Quastler 1964, p. 17).
We showed above that a meaning s can be reduced to a minimal action s*. A minimal action is the shortest description of a meaning that allows its reproduction. Obviously, a new meaning emerges if it cannot be reduced to another meaning. It is known from information theory that the closer the length of string s is to the length of the minimal action s*, the more random the meaning is: “Among all the descriptions of s, there is a shortest one called s*, and the length of s* is the algorithmic entropy K(s). This led to a neat definition of randomness: A string s is random if it has no description much shorter than itself. Its entropy is about equal to its own length: K(s) = L(s*) ≈ L(s)” (Schumacher 2015, p. 240).
Any truly new information is therefore random and unpredictable. However, new information is not yet new meaning. Through their actions, people strive not only to create new information, but also to satisfy their needs. Meaning is not only determinateness or certainty, but also direction. New information must be inscribed in the existing culture in order to make sense. Any new meaning is both random and necessary. Quastler sees this as the answer to his question:
“The answer may be in the composer Pierre Boulez’s definition of artistic creation: ‘To make the unpredictable inevitable.’ To restate this beautifully succinct saying: if there is a truly new element in a work, then it should have been quite impossible to predict this element beforehand, on any basis; if the work is to be successful, then this unpredictable element must acquire the unavoidability of a law” (Quastler 1964, p. 17).
Meanings arise by chance and are transmitted by necessity. All meanings are accidental, but once established they become the norm. Quastler calls this “random and remembered choice.” “The ‘accidental choice remembered’ is a mechanism of creating information and very different in nature from mechanisms of discovering information” (Quastler 1964, p. 16).
If meanings evolve on their own, and not through human agency, then is not all culture the result of the evolution of meanings, their random changes, and selective retention? The stage of mixed natural and cultural selection lasted for hundreds of thousands, perhaps millions of years; the stage of traditional choice lasted for thousands or tens of thousands of years. During this period, proto-human and early human populations self-reproduced by collective rather than individual action. Collective existence overshadowed the lives of individuals, their plans, and their destinies. Alfred Kroeber wrote that looking back over thousands of years of history, one might come to believe that hidden forces control individuals who have no influence over their lives:
“When one has acquired the habit of viewing the millennial sweeps and grand contours, and individuals have shrunk to insignificance, it is very easy to deny them consequential influence, even any influence—and therewith one stands in the gateway of belief in undefined immanent forces; a step more, and the forces have become mysterious” (Kroeber 1952, p. 9).
The difficult questions arise as to whether the individual is the origin of all action, whether he plays a significant role in the evolution of culture and whether man has free will at all.
Hard problem of subject
As with natural selection, in the early stages of mixed selection, individuals were not its agents but merely inactive elements of self-reproducing populations—imitators and followers of first animal and then human traditions. A single human cannot reproduce himself. A human alone cannot give birth to or raise another human. He cannot even retain his common sense when alone. But as meanings accumulated in the course of mixed selection, the experience and sophistication of primitive communities increased, and with it the agency of individuals.
The increasing complexity of technologies, organizations and psychologies implies the emergence of consciousness and personality as its manifestation. Man becomes (self-)conscious and is a personality when he detaches himself from the community and at the same time searches for himself in a