On March 23, the manuscript continued, Wilcox did not come; he had been stricken with an obscure fever and taken to the home of his family in Waterman Street [34]. He had cried out in the night, arousing several other artists in the building, and had showed since then only alternations of unconsciousness and delirium. My uncle at once telephoned the family, and from that time watched the case; calling often at the Thayer Street office of Dr. Tobey [35]. The young man’s febrile mind, apparently, was dwelling on strange things; and the doctor was shuddering as he spoke of them. They included not only a repetition of what he had formerly dreamed, but concerned gigantic things “miles high” which walked or lumbered about. He never fully described these objects but occasional frantic words, as repeated by Dr. Tobey, convinced the professor that they were identical with the nameless monsters he had depicted in his dream-sculpture. Reference to this object, the doctor added, was invariably a prelude to the young man’s lethargy. His temperature, oddly enough, was quite normal; but the whole condition was like true fever rather than mental disorder.
On April 2 at about 3 p. m. every trace of Wilcox’s illness suddenly ceased. He sat upright in bed, astonished to find himself at home and completely ignorant of what had happened in dream or reality since the night of March 22. His physician declared recovering, and he returned to his quarters in three days; but he was not able to help Professor Angell. All traces of strange dreaming had vanished with his recovery, and my uncle kept no record of his night-thoughts after a week of pointless and irrelevant usual visions.
Here the first part of the manuscript ended, but it gave me much material for thought. The notes were the descriptions of the dreams of various persons covering the same period as that in which young Wilcox had had his strange visits. My uncle, it seems, was inquiring amongst nearly all the friends whom he could question, asking for nightly reports of their dreams, and the dates of any notable visions for some time past. He received so many responses, that it was impossible to handle them without a secretary. This original correspondence was not preserved, but his notes formed a thorough and really significant digest. Average people in society and business gave an almost completely negative result, though there were some formless nocturnal impressions, between March 23 and April 2 – the period of young Wilcox’s delirium. Four cases gave vague descriptions of strange landscapes, and in one case there was mentioned a dread of something abnormal.
The answers of artists and poets were the most interesting, and I suspect that panic would have appeared if they had compared the notes. But these were not original letters, and I suspected that they were being asked leading questions, or that the correspondence was edited. That is why I continued to feel that Wilcox had been imposing on the veteran scientist. The responses from esthetes told disturbing tale. From February 28 to April 2 a large proportion of them had dreamed very bizarre things, the intensity of the dreams was immeasurably stronger during the period of the sculptor’s delirium. Over a fourth of them [36] reported scenes and half-sounds – like those which Wilcox had described; and some of the dreamers were afraid of the gigantic nameless thing which became visible at the end. One case was very sad. A widely known architect with great interest toward theosophy and occultism went violently insane on the date of young Wilcox’s seizure, and several months later was still continuously screaming. He was asking for help, he wanted to be saved from some escaped denizen of hell. If my uncle had mentioned the real names instead of numbers, I would have done some personal investigation; but as it was, I succeeded in tracing down only a few. And it is well that no explanation ever reached them.
The newspapers’ articles, as I have learned, were concerned with cases of panic, mania, and eccentricity during the given period. Professor Angell’s collection was tremendous, and the sources were scattered throughout the globe. Here was a nocturnal suicide in London, where a man had leaped from a window after a shocking cry. Here was a letter to the editor of a newspaper in South America, where a fanatic pretold future from visions he had seen. An article from California described a theosophist colony: people in white robes were preparing for some “glorious fulfiment” which never arrived. Articles from India spoke of serious native unrest toward the end of March 22–23. The west of Ireland, too, was full of wild rumour and legendary stories, and a fantastic painter named Ardois-Bonnot [37] offered a blasphemous “Dream Landscape” in the Paris spring salon of 1926. The recorded troubles in insane asylums were very numerous as well. But I was then convinced that young Wilcox had known of the older matters mentioned by the professor and had set all of this aside.
II. The Tale of Inspector Legrasse
The older matters which had made the sculptor’s dream and bas-relief so significant to my uncle formed the second half of his long manuscript. Once before, it appears, Professor Angell had seen the hellish outlines of the nameless monstrosity, thought about the unknown hieroglyphics, and heard the ominous syllables which can be written only as “Cthulhu”.
It was in 1908, seventeen years before, when the American Archaeological Society held its annual meeting in St. Louis [38]. Professor Angell, due to his authority and attainments, had a prominent part in it. Other people offered him questions for correct answering and problems for expert solution.
There was a middle-aged man who had travelled all the way from New Orleans to get special information unobtainable from any local source. His name was John Raymond Legrasse, and he was an Inspector of Police. He brought the subject of his visit, a grotesque, repulsive, and apparently very ancient stone statuette whose origin was unknown.
Inspector Legrasse had the least interest in archaeology. He was prompted by purely professional considerations. The statuette, idol, fetish, or whatever it was, had been captured [39] some months before in the wooded swamps south of New Orleans during a raid on a supposed voodoo meeting [40]. And the rites connected with it were so singular and hideous, that the police treated it as a dark cult totally unknown to them, and infinitely more diabolic than even the blackest of the African voodoo circles. Absolutely nothing was discovered of its origin: only erratic and unbelievable tales from the captured members; hence the police wanted to learn something which might help them to place the frightful symbol, and through it understand the cult itself.
Inspector Legrasse was not prepared for the sensation which his offering created. One sight of the thing had been enough to throw the assembled scientists into a state of tense excitement. They crowded around him to gaze at the diminutive strange figure, apparently very old and unknown. Strange school of sculpture had animated this terrible object, yet centuries and even thousands of years seemed recorded in its dim and greenish surface of stone.
The figure, which was finally passed slowly from man to man for close and careful study, was between seven and eight inches in height. It represented a vaguely