Rijkaard was a curious, reserved figure constantly suffering some form of identity crisis. He was considered a thug by many for his quite literal 1990 World Cup spat with Rudi Völler, but was actually among the most amiable footballers around. He appeared a natural leader, but when Ajax manager Cruyff wanted him to become more involved in off-field duties, Rijkaard stormed out and refused to play under him again. He became a celebrity by virtue of his footballing ability, yet he found fame suffocating. He later became a successful coach, winning the Champions League with Barcelona in 2006, but walked away from management at 50, saying, ‘I don’t see myself as an authentic coach. I’ve done something for about 16 years which isn’t a match for me.’ But, most crucially in this context, Rijkaard was an outstanding defender who didn’t just want to defend.
This was nothing new for Dutch defenders, of course, but Rijkaard’s case was particularly extreme. He emerged from Ajax’s academy and became an outstanding, forward-thinking defender, partnering Ronald Koeman at Euro 88 and finishing third in that year’s Ballon d’Or voting. While Dutchmen were accustomed to Rijkaard’s attacking quality, other managers appeared surprised. ‘This is the best central defender I’ve seen in the last few years,’ raved Argentina manager Carlos Bilardo. ‘He wins everything in the air, he marks perfectly, reads the game well, has a great long pass and a great shot. He is the perfect defender, born for today’s game.’ Ireland boss Jack Charlton repeated the praise. ‘He can do everything! In England he would be worth gold. We hardly have any like him, a player who can defend and attack brilliantly.’
Rijkaard moved to AC Milan in 1988, and because Arrigo Sacchi had created the most formidable defensive quartet of that era – Mauro Tassotti, Franco Baresi, Alessandro Costacurta and Paolo Maldini – Rijkaard was deployed in midfield alongside another future Champions League-winning manager, Carlo Ancelotti. This came to be Rijkaard’s established position; he won the 1989 European Cup from midfield and was again voted third in the Ballon d’Or, and then helped Milan retain the European Cup by scoring the only goal in the final, breaking forward from midfield, receiving a through-ball from Marco van Basten and finishing coolly. Rijkaard was now a box-to-box midfielder. But for Holland he was fielded as a central defender at the 1990 World Cup, with the midfield based around the underperforming Ruud Gullit, his Milan teammate and childhood friend. Being deployed at centre-back frustrated Rijkaard and contributed to his decision to quit the national side. He wanted to be the playmaker, not a man-marker, and only returned to international duty when promised a midfield role.
Upon his return to Ajax in 1993, Rijkaard was less mobile, more mature and happier playing defensively – so the position Van Gaal had earmarked for him was perfect. In Ajax’s 3–4–3, he played as the number 4, essentially anchoring the midfield ahead of captain Blind but dropping back to become a defender when necessary. But crucially, for a player who always wanted to be a playmaker, that’s precisely what Van Gaal demanded from him, and although asked to track opposition forwards, Rijkaard was also free to join the attack.
Rijkaard played a crucial role in Ajax’s 1995 European Cup Final win against Milan with his assist for Patrick Kluivert, but arguably more significant was the fact that he had taken control in the Ajax dressing room at half-time, laying into Clarence Seedorf and rallying his teammates, a moment Van Gaal would repeatedly cite as an example of a teammate stepping up and assuming responsibility. Rijkaard retired from football immediately after the triumphant final – which meant that his first departure from Ajax, in 1987, came after his manager Cruyff complained about his lack of leadership skills, and his second departure, in 1995, came after his manager Van Gaal was delighted with them.
Alongside Blind and Rijkaard was Frank de Boer, capable of playing left-back or left-sided centre-back, and therefore ideal for the flexible nature of Ajax’s defence. He was a wonderful distributor, particularly when spraying long, diagonal passes to a centre-forward who had drifted into the opposite channel. The classic example was the most famous Dutch pass of the 1990s, the pinpoint 60-yard diagonal to Dennis Bergkamp in the dying seconds of the 1998 World Cup quarter-final against Argentina. It was a good ball, made into a great one by Bergkamp’s extraordinary feat of bringing the ball down, beating Roberto Ayala and lifting the ball into the net with three quick touches. But Bergkamp’s favourite goal owed everything to his existing relationship with De Boer, as he explained when outlining how he received the pass. ‘You’ve had the eye contact … Frank knows exactly what he’s going to do. There’s contact, you’re watching him. He’s looking at you, you know his body language: he’s going to give the ball.’
Bergkamp knew, because De Boer had played that pass to him so often at club level, the best instance coming on Valentine’s Day 1993 at PSV. De Boer moved forward on the left of the Ajax defence and thumped a perfect curling ball into the right-hand channel for Bergkamp, who responded with a typical three-card trick: controlling the ball with his right thigh, then knocking the ball past the defender with his left foot, before chipping the ball over the goalkeeper with his right. Stripping away the context and looking purely at the technical skill involved, it was arguably more impressive than the Argentina strike. ‘It wasn’t a simple thing to do, but I’d done it so often with Dennis when we’d played together at Ajax,’ De Boer recalled when speaking of the Argentina goal. ‘When you watch the footage of Dennis at Ajax, I must have given him assists like that three or four times. We felt good together – when he went forward, I knew he wanted to go deep, and vice-versa … everything went right, and the pass was beautiful. But that was one of my strengths, and the chances of the pass getting there are higher for me than for other players.’ That’s because De Boer was simply an excellent passer, and that specific diagonal ball, from De Boer to the centre-forward, became a familiar part of Ajax’s attacking under Van Gaal.
Ajax’s final defender, right-sided Michael Reiziger, was a different type of footballer entirely: less creative but extremely quick, which meant he was the most effective defender at covering the space in behind, and lithe and tricky when bursting forward. Reiziger was another academy product, and when loaned out to Groningen was deployed as a right-winger, such were his attacking skills. ‘He’s quick, has good anticipation and sufficient ability to participate in build-up play,’ said Van Gaal, with ‘sufficient’ a telling choice of word. ‘Initially his defensive play was not so good, but this is an aspect which can be taught quickly – I give a player like him more time to play himself into the team. It’s not such a big gamble, we play near the halfway line, so Reiziger has time to use his basic speed to correct any mistakes.’
It’s crucial that Van Gaal suggested defending could be ‘taught quickly’, whereas Ajax’s passing patterns took longer to master. It was therefore much easier to convert an attacker into a defender than the other way round. In truth, Reiziger sometimes appeared to be Ajax’s weak link, but the importance of his speed shouldn’t be underestimated in combination with the guile of his defensive colleagues, and athleticism and adaptability meant that Van Gaal once declared him ‘the symbol of this Ajax side’. In all, this was the most technically gifted four-man defence football had witnessed. Significantly, three would later head to Barcelona: Reiziger in 1997, De Boer in 1999 and Rijkaard, as coach, in 2003.
But the Dutch defensive style had already been imposed at the Camp Nou by Cruyff in the early 1990s, and was naturally best epitomised by a Dutchman, the magnificent Ronald Koeman, who demonstrated a determination to attack like few other centre-backs in history. The most notable feature of his career – among eight league titles, two European Cups, the European Championship and 78 Dutch caps – is his extraordinary goalscoring tally at club level, 239 in all. He even finished joint-top goalscorer in the 1993/94 Champions League, with eight goals. Three were penalties, and Koeman also scored a number of free-kicks throughout his career – the 1992 European Cup Final winner against Sampdoria the most significant – but 239 remains