‘Well, I hope she’ll be half the woman you are, Ellen Rua,’ he blurted.
Now it was Ellen who flushed at the passion in his voice.
‘C’mon now, I’ll say the words with you,’ she said breezily, wanting to break off this conversation.
‘Does it matter, Ellen Rua, that we’re standing here in Galway, when it’s under a Mayo moon we’re supposed to be?’ he enquired with that childlike innocence he sometimes had.
‘Not at all, Roberteen,’ she assured him. ‘Sure, isn’t it all the one – Mayo/Galway, Galway/Mayo? The same moon is up over the lot of us. Let’s say the words.’
So, in the bright darkness of the Mayo moon, the lake behind them and the white fields before them, they recited the lovers’ prayer. He – young, bursting with manhood, holding out his handful of earth, in thrall to her. She, shining in the moonlight before him, all that his young heart desired.
New moon, new moon, new moon high Show to me my true love nigh Show her face, her skin so fair Show the colour of her hair
Light my dreams this night so she May in your light appear to me New moon, new moon, let me see If one day we will married be
As they said the last two lines, the young man looked at Ellen, and in his eyes she saw the misty look of lost love. The look she had seen there before – the night she had sung at the céilí. She felt that the boy wanted to kiss her, but that he would not do so, unless she gave him some indication that it was all right. A tenderness for him swept over her, and for a moment she was tempted to let him. But she mustn’t. It would be wrong, and he would interpret it for something else. Instead, she tightened her hold on his arm for a moment and then let go of it.
‘There! Now it’s done, Roberteen, and tonight you will have sweet dreams of your true love,’ she said, trying to dispel the awkwardness. But he didn’t answer. ‘Promise you’ll tell me who she is, Roberteen … won’t you?’ she said then.
At this, he shook himself away from her, and the intensity of his reply startled Ellen: ‘I’ll not be dreaming tonight, or any night, of some young slip of a girl for me to marry. There’s only the one I dream of every night, and the way it is, I’m thinking I never will marry at all.’
He flung the fistful of earth down at her feet, and then he was gone, hurrying, back up towards the village and away from her.
As the new year moved through January, Ellen stuck religiously to her old year resolution of teaching the children English. Each day, excepting Sunday of course, she saw to it that the Lessons, whatever else they covered, contained a large dose of the English language. The children had a good ear for the strange-sounding, narrow language, and so, with a mixture of both pride and regret, Ellen watched them progress.
Michael had decided that they should wait to see what the bishops would do about the landlords before taking action. He had never seemed better in himself, healthy and happy, and things were much as always between them: a mixture of tenderness and caring, her condition not dampening their desire for one another’s bodies.
All of this gave Ellen a growing reassurance that maybe the events of Samhain had been nothing more than an illusion, a product of the changes taking place in her body, the night itself, and her own fertile imagination.
When the weather permitted, Michael, along with Martin Tom Bawn, had taken to going up the mountain in search of new places where lumpers might be cultivated in secret. This they did under cover of dusk, to avoid the ever-watchful eyes of Pakenham’s spies.
In the course of one of these expeditions, the two men came upon a spot overlooking Glenbeg which was inaccessible from the valley below and protected from above by a big overhang of rock.
They stumbled on it by accident after they had startled a hare. The hare, in its flight, seemed to disappear right over the side of the mountain. Turning to Michael, Martin Tom Bawn said, ‘Where the hare goes, grass grows, and where grass grows, praties will grow.’ So they followed the hare’s route to a large outcropping of rock, beyond which they couldn’t see. Edging their way along a precariously narrow ledge, they rounded the overhang to find that the mountainside seemed to cut away back into itself, revealing a patch of ground about thirty feet wide and sixty feet long, filled with marshland grasses and boulders and stones of all shapes and sizes.
The two men looked at each other, excited at their find.
‘This will do the job rightly!’ Martin Tom Bawn exclaimed, bending down to test the soil. ‘The lumper will grow well here, Michael.’
‘You were right about the hare, Martin,’ Michael replied.
‘Faith I was! Them’s clever fellows. They know every inch of the mountain and it’s not too often you see them caught, either. They’re even too glic for the fox himself!’
With that, the two began the task of clearing their find. Day by day, they started with the small stones, then the bigger rocks, stacking them up around the sides of the Hare’s Garden, as they called their secret place. It was backbreaking toil, but if they were to be ready for spring planting, then the work had to be done, and neither man complained. Martin Tom Bawn quoted the old saying:
No bread without sweat,
No soil without toil,
No love without longing.
And together they sweated and toiled to make this soil their own.
‘Will we get the dozen beds out of it, Martin?’ Michael asked when it was almost cleared, except for three or four of the largest boulders.
The older man straightened up, pushing the cap back off his forehead and, in the same movement, wiping the soologues of sweat that had gathered there. He squinted and pondered, and squinted again at the perimeters of the Hare’s Garden before he answered: ‘Faith, Michael, we’ll be doing well if we get the half-score out of it – maybe the one or two extra rows for luck. But I don’t think she’ll take the dozen, though I could be wrong, mind.’
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