“Your ladyship’s thoughts seem to be rather ‘warm’ this evening,” she concluded, doubtless repeating a phrase which she had heard used, on some earlier occasion, by her friend.
In the V-shaped opening of her crape bodice Mlle. Vinteuil felt the sting of her friend’s sudden kiss; she gave a little scream and ran away; and then they began to chase one another about the room, scrambling over the furniture, their wide sleeves fluttering like wings, clucking and crowing like a pair of amorous fowls. At last Mlle. Vinteuil fell down exhausted upon the sofa, where she was screened from me by the stooping body of her friend. But the latter now had her back turned to the little table on which the old music-master’s portrait had been arranged. Mlle. Vinteuil realised that her friend would not see it unless her attention were drawn to it, and so exclaimed, as if she herself had just noticed it for the first time: “Oh! there’s my father’s picture looking at us; I can’t think who can have put it there; I’m sure I’ve told them twenty times, that is not the proper place for it.”
I remembered the words that M. Vinteuil had used to my parents in apologising for an obtrusive sheet of music. This photograph was, of course, in common use in their ritual observances, was subjected to daily profanation, for the friend replied in words which were evidently a liturgical response: “Let him stay there. He can’t trouble us any longer. D’you think he’d start whining, d’you think he’d pack you out of the house if he could see you now, with the window open, the ugly old monkey?”
To which Mlle. Vinteuil replied, “Oh, please!”—a gentle reproach which testified to the genuine goodness of her nature, not that it was prompted by any resentment at hearing her father spoken of in this fashion (for that was evidently a feeling which she had trained herself, by a long course of sophistries, to keep in close subjection at such moments), but rather because it was the bridle which, so as to avoid all appearance of egotism, she herself used to curb the gratification which her friend was attempting to procure for her. It may well have been, too, that the smiling moderation with which she faced and answered these blasphemies, that this tender and hypocritical rebuke appeared to her frank and generous nature as a particularly shameful and seductive form of that criminal attitude towards life which she was endeavouring to adopt. But she could not resist the attraction of being treated with affection by a woman who had just shewn herself so implacable towards the defenceless dead; she sprang on to the knees of her friend and held out a chaste brow to be kissed; precisely as a daughter would have done to her mother, feeling with exquisite joy that they would thus, between them, inflict the last turn of the screw of cruelty, in robbing M. Vinteuil, as though they were actually rifling his tomb, of the sacred rights of fatherhood. Her friend took the girl’s head in her hands and placed a kiss on her brow with a docility prompted by the real affection she had for Mlle. Vinteuil, as well as by the desire to bring what distraction she could into the dull and melancholy life of an orphan.
“Do you know what I should like to do to that old horror?” she said, taking up the photograph. She murmured in Mlle. Vinteuil’s ear something that I could not distinguish.
“Oh! You would never dare.”
“Not dare to spit on it? On that?” shouted the friend with deliberate brutality.
I heard no more, for Mlle. Vinteuil, who now seemed weary, awkward, preoccupied, sincere, and rather sad, came back to the window and drew the shutters close; but I knew now what was the reward that M. Vinteuil, in return for all the suffering that he had endured in his lifetime, on account of his daughter, had received from her after his death.
And yet I have since reflected that if M. Vinteuil had been able to be present at this scene, he might still, and in spite of everything, have continued to believe in his daughter’s soundness of heart, and that he might even, in so doing, have been not altogether wrong. It was true that in all Mlle. Vinteuil’s actions the appearance of evil was so strong and so consistent that it would have been hard to find it exhibited in such completeness save in what is nowadays called a ‘sadist’; it is behind the footlights of a Paris theatre, and not under the homely lamp of an actual country house, that one expects to see a girl leading her friend on to spit upon the portrait of a father who has lived and died for nothing and no one but herself; and when we find in real life a desire for melodramatic effect, it is generally the ‘sadic’ instinct that is responsible for it. It is possible that, without being in the least inclined towards ‘sadism,’ a girl might have shewn the same outrageous cruelty as Mlle. Vinteuil in desecrating the memory and defying the wishes of her dead father, but she would not have given them deliberate expression in an act so crude in its symbolism, so lacking in subtlety; the criminal element in her behaviour would have been less evident to other people, and even to herself, since she would not have admitted to herself that she was doing wrong. But, appearances apart, in Mlle. Vinteuil’s soul, at least in the earlier stages, the evil element was probably not unmixed. A ‘sadist’ of her kind is an artist in evil, which a wholly wicked person could not be, for in that case the evil would not have been external, it would have seemed quite natural to her, and would not even have been distinguishable from herself; and as for virtue, respect for the dead, filial obedience, since she would never have practised the cult of these things, she would take no impious delight in their profanation. ‘Sadists’ of Mlle. Vinteuil’s sort are creatures so purely sentimental, so virtuous by nature, that even sensual pleasure appears to them as something bad, a privilege reserved for the wicked. And when they allow themselves for a moment to enjoy it they endeavour to impersonate, to assume all the outward appearance of wicked people, for themselves and their partners in guilt, so as to gain the momentary illusion of having escaped beyond the control of their own gentle and scrupulous natures into the inhuman world of pleasure. And I could understand how she must have longed for such an escape when I realised that it was impossible for her to effect it. At the moment when she wished to be thought the very antithesis of her father, what she at once suggested to me were the mannerisms, in thought and speech, of the poor old music-master. Indeed, his photograph was nothing; what she really desecrated, what she corrupted into ministering to her pleasures, but what remained between them and her and prevented her from any direct enjoyment of them, was the likeness between her face and his, his mother’s blue eyes which he had handed down to her, like some trinket to be kept in the family, those little friendly movements and inclinations which set up between the viciousness of Mlle. Vinteuil and herself a phraseology, a mentality not designed for vice, which made her regard it as not in any way different from the numberless little social duties and courtesies to which she must devote herself every day. It was not evil that gave her the idea of pleasure, that seemed to her attractive; it was pleasure, rather, that seemed evil. And as, every time that she indulged in it, pleasure came to her attended by evil thoughts such as, ordinarily, had no place in her virtuous mind, she came at length to see in pleasure itself something diabolical, to identify it with Evil. Perhaps Mlle. Vinteuil felt that at heart her friend was not altogether bad, not really sincere when she gave vent to those blasphemous utterances. At any rate, she had the pleasure of receiving those kisses on her brow, those smiles, those glances; all feigned, perhaps, but akin in their base and vicious mode of expression to those which would have been discernible on the face of a creature formed not out of kindness and long-suffering, but out of self-indulgence and cruelty. She was able to delude herself for a moment into believing that she was indeed amusing herself in the way in which, with so unnatural an accomplice, a girl might amuse herself who really did experience that savage antipathy towards her father’s memory. Perhaps she would not have thought of wickedness as a state so rare, so abnormal, so exotic, one which it was so refreshing to visit, had she been able to distinguish in herself, as in all her fellow-men and women, that indifference to the sufferings which they cause which, whatever names else be given it, is the one true, terrible and lasting form of cruelty.
If the ‘Méséglise way’ was so easy, it was a very different matter when we took the ‘Guermantes way,’ for that meant a long walk, and we must make sure, first, of the weather. When we seemed to have entered upon a spell of fine days, when Françoise, in desperation that not a drop was falling upon the ‘poor crops,’ gazing up at the sky and